Based on a poem by Robert Browning, ‘Grow Old With Me’ was one of John Lennon’s final recordings. It was released on the posthumous 1984 collection Milk And Honey.
Lennon wrote the song while holidaying in Bermuda in June and July 1980. His handwritten lyrics bore the annotation: “Fairylands July 5, 1980 Bermuda”. He had been challenged to write it by Yoko Ono, who had written ‘Let Me Count The Ways’ after the sonnet of the same name by Elizabeth Barrett Browning.
Lennon arranged for a collection of Robert Browning’s poems to be sent to Bermuda. The couple had the idea for them to dress as the two poets on the cover of Double Fantasy; apparently Lennon and Ono believed they may be the reincarnations of them.
Later that day Lennon called Ono to say he had been watching a 1950s film about a baseball player, in which the player’s girlfriend had sent him a poem by Robert Browning. It is likely to have been the 1978 made-for-TV movie A Love Affair: The Eleanor and Lou Gehrig Story.
Lennon hurriedly wrote Grow Old With Me based on Browning’s poem ‘Rabbi Ben Ezra’.
Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in his hand
Who saith, ‘A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!’
Ono claimed that Lennon recorded numerous versions of the song, but only one has been officially released. It was recorded at the Dakota building in New York City in November 1980 and featured Lennon’s vocals and piano, and a drum machine backing. Another set of recordings, with Lennon on acoustic guitar and piano, came to light in 2009 and have been circulated among bootleg traders.
For John, ‘Grow Old With Me’ was one that would be a standard, the kind that they would play in church every time a couple gets married. It was horns and symphony time. But we were working against deadline for the Christmas release of the album, kept holding ‘Grow Old With Me’ to the end, and finally decided it was better to leave the song for Milk And Honey so we won’t do a rush job…‘Grow Old With Me’ was a song John made several cassettes of, as we discussed the arrangements for it. Everybody around us knew how important those cassettes were. They were in safekeeping, some in our bedroom, some in our cassette file, and some in a vault. All of them disappeared since then except the one on the record. It may be that it was meant to be this way, since the version that was left to us was John’s last recording. The one John and I recorded together in our bedroom with a piano and a rhythm box.
Milk And Honey
A single release of ‘Grow Old With Me’ was considered, and a video containing slow motion footage of Lennon and Ono was produced by Stanley Dorfman. However, the single was never issued.
During the sessions for ‘Free As A Bird’ and ‘Real Love’ in 1994 and 1995 the three remaining Beatles considered overdubbing instruments and vocals onto Lennon’s recording, but, as Paul McCartney later explained, “John’s original demo required too much work”.
Instead, Ono commissioned George Martin to write an orchestral score, which was recorded at Abbey Road Studios in early 1998. Martin’s son Giles played bass guitar on the recording, and was also assistant producer. The embellished version of ‘Grow Old With Me’ was released on the box set John Lennon Anthology in November 1998.
Attended a wedding recently and the JL Anthology version of Grow Old With Me was played.
My favourite Lennon song. This would have made a brillian Beatles song had they reformed. Wonder what George would have added to it?
It sounds like there’s a faint hint of drums in it. Probably played by Andy Newmark.
I thought Lennon never believed in God. lol
I believe he did as a boy growing up and again when home with Sean after seeing Billy Graham on TV. Then Yoko convinced him differently, but we can never know what is in the heart. Yoko also sang this song. It was based on a poem by Browning, so there are some similar words and phrases about God and growing old.
The melody is deeply moving. It has depth and sadness. Lennon is one of the greatest composer in History as I see it. If you sing the first bit of Handel´s Lascia Chio pianga in Rinaldo, and sing every note there twice, you almost get Grow Old With Me! Isn´t that funny? That indicates thet there are the same ground feeling.
Lennon can be compared with any composer in History. Who had or has his broad talent? The man who composed this melody, even composed I Am trhe Walrus!
I mean if you sing the notes twice in Grow Old With Me.
Let me add: Many music writers today never analyse melodies, only the chords. They mean that a good song must have many strange chords. But the unusual thing in this composition is the interval leap up in the melody; “..WHEN our TIME.has COME…” it´s sex notes up. Wunderful. (To be namedropping I can say that Rickard Wagner had it often later by the singers, to match the orchestra).
This song always gets me emotionally. That voice of his is remarkable
I Love this song. Just typical of Lennon’ amazing talent. Although my favourite version is by Glen Campbell, which you can’t now access, probably due to his illness. Brilliant. X
I heard this song a number of years ago and decided it would be perfect for a wedding ceremony. When my husband and finally decided to get married, our friend sang it at our wedding. It was perfect.
The author and Beatles-authority Kenneth Womack has identified the “1950s film” John saw that influenced the writing of this by watching old baseball films and scouring the Bermudian TV listings for the period John was there.
The film wasn’t from the 1950s, but was a 1978 made-for-TV movie, “A Love Affair: The Eleanor and Lou Gehrig Story”.
Blythe Danner plays Eleanor in the film, and is seen reading a letter from Gehrig thanking her for a gift she had sent him: “Thanks very much for sending me that book of poems. I especially liked the one by Robert Browning that goes, ‘Grow old along with me! / The best is yet to be’…”
More at https://www.theguardian.com/music/2020/oct/04/how-a-tv-baseball-movie-inspired-late-lennon-love-song
This song could have been a truly imagine from 1981, as an hymn, with a simple arrangement, as Imagine as well.