The opening song on The Beatles’ final album, ‘Two Of Us’ was written by Paul McCartney about his fondness for getting deliberately lost in the country with his future wife Linda.
One of the great things about Linda was that while I was driving and going, ‘Oh my God, I think I’m lost,’ she’d simply say, ‘Great!’ She loved getting lost. And she pointed out to me quite rightly that there would always be a sign somewhere saying ‘London’, so we’d just follow that.One day we went out into the countryside and found a little wood that looked as if it might be a good place for a walk. I parked the car. There’s a photograph of me in the Aston Martin, sitting with the driver’s door open and my feet out. I’ve got my guitar. That’s me writing ‘Two Of Us’.
The Lyrics: 1956 To The Present
During the Let It Be sessions McCartney and John Lennon sometimes shared the same microphone to sing the song, as captured in the 1970 film. Indeed, the middle sections contain likely references to their relationship, with both acutely aware that their time as members of The Beatles was drawing to a close.
Lying behind the phrase ‘We’re on our way home’ is less the literal sense of going back to London, but more about trying to get in touch with the people we once were. The postcard sending does have a very literal feel, though. Whenever Linda and I went away, we would buy lots of postcards and send them to all our friends. John was also a great postcard sender, so you’d get some great stuff from him.
The Lyrics: 1956 To The Present
‘Two Of Us’ is also thought to contain a reference to The Beatles’ business troubles with Apple, in the line “You and me chasing paper, getting nowhere”. The song displays the relief felt by McCartney at being able to leave these troubles behind and enjoy uncomplicated moments with Linda.
As a kid I loved getting lost. I would say to my father – let’s get lost. But you could never seem to be able to get really lost. All signs would eventually lead back to New York or wherever we were staying! Then, when I moved to England to be with Paul, we would put Martha in the back of the car and drive out of London. As soon as we were on the open road I’d say, ‘Let’s get lost’ and we’d keep driving without looking at any signs. Hence the line in the song, ‘Two of us going nowhere’.Paul wrote ‘Two Of Us’ on one of those days out. It’s about us. We just pulled off in a wood somewhere and parked the car. I went off walking while Paul sat in the car and started writing. He also mentions the postcards because we used to send a lot of postcards to each other.
A Hard Day’s Write, Steve Turner
McCartney offered the song to Mortimer, a New York trio, to be issued by Apple as their début single in June 1969. However, it remained unreleased and Mortimer never became Apple recording artists.
In the studio
The Beatles recorded ‘Two Of Us’ properly over three sessions, although it was played less seriously on a number of other dates. The first of the sessions took place on 24 January 1969, under the working title ‘On Our Way Home’.
The group recorded several takes of the song, although these were unnumbered and somewhat ad-hoc. In between takes they also busked through versions of ‘Teddy Boy’ and ‘Maggie Mae’.
According to Beatles historian Mark Lewisohn, one of the day’s takes was later selected for inclusion on the aborted Get Back LP, along with a snippet of speech in which Paul McCartney said: “And so we leave the little town of London, England.”
The Beatles returned to ‘Two Of Us’ for almost all the remaining January 1969 sessions, but it wasn’t until the 31st that they taped the version which ended up on Let It Be. It was remixed by Phil Spector for the album on 25 March 1970.
John Lennon’s introduction (“‘I Dig A Pygmy’ by Charles Hawtrey and the Deaf Aids. Phase one, in which Doris gets her oats”) – spoken during the 21 January session at Apple Studios – was added later, from a tape of studio chatter assembled on 27 March 1970.
It sounds like John says ‘I ain’t dig a pygmie’ I know it doesn’t make sense but I hear another sound between ‘I’ and ‘dig’. But John always did play with words.
i had heard the word “I” being dragged out and down in pitch, like “I-ya dig a pygmy” as if he was sort of an announcer at a three ring circus talking in a stylized way.
wonder what paul or ringo would say?
watch the “Let it Be” movie, its in there. But after he says the bit, it doesn’t go into “Two of Us” That was spliced on the beginning of the song. It opens up side 1 of the “Let it Be” album.
I hear the same, some other people play it on a different tone, but i can clearly hear him say ‘I ain’t dig a pygmie’ , but who knows with that english accent and one not being from around lol
I don’t know where/how anyone is hearing “ain’t” in that statement. Maybe a lot of people have lousy, MP3 based, listening systems…..
I agree … I’ve listened to this thousands of times on various systems and headphones … there ain’t no “ain’t”.
Doris is definitely getting her oats!
Beautiful, beautiful song! Forever fresh, youthful, charming and full of light…
…for the Beatles music is timeless and ageless…
Yes, one of my favorites… by the way, anyone else finds a resemblance between the melody of John’s whistling here at the end and the “heba heba hello” coda in Hello Goodbye?
Yes, I have never noticed it but the whistling does sound like the coda from hello good bye.
Good observation – you’re right!
I am sure that must have been a deliberate reference back to the earlier song. If you remember they did a similar thing reprising “yeah yeah yeah” at the end of “All you need is love”.
Which version of the song was on Let It Be… Naked?
Did George play the bass part through the guitar?
Apparently so, yes, on a Fender Telecaster.
Is it a Tele?? it does look like a Telecaster but it also looks and most of all sounds like a Fender VI Bass which was very popular at the time and had that very peculiar sound.
OK I did some research on this. If you watch the live studio performance from ‘Let It Be’, you can clearly see that George is playing a bass line on a Fender Telecaster Baritone guitar. It does SOUND like a Fender Bass VI, but it’s a Telecaster Baritone Guitar. If you look up photos of both instruments online, you’ll see that I’m right.
The Fender Rosewood Telecaster is just a regular electric guitar, not a baritone guitar. I own a Telecaster as well and can play the same notes just on the lower strings.
The Baritone guitar didn’t exist in 1969. This is a Fender VI, the same one George used to play bass on “Hey Jude.”
George is playing a “bass” line on his rosewood Telecaster. It’s right there in the film and the sound isn’t that of the VI.
Interesting. We still have half the responders in the thread claim it’s a Rosewood Telecaster, and the other half claiming he’s playing a Fender Bass VI? I’m still standing by it being a Telecaster Baritone Guitar. Look at the photos! Do the research. I think I’m right about this.
This article sheds a lot of light on this debate. Read for yourself.
https://www.fender.com/articles/instruments/the-bass-vi-baritone-guitar-or-bass
No – you’re wrong. It’s a Fender Telecaster. The only thing special about it is it was built out of rosewood instead of alder and maple. It’s a regular six-string electric guitar with the tone knob rolled down to sound bass-ier. George did not play the Fender VI on this. The footage of them playing “Two Of Us” in the LET IT BE film and the GET BACK documentary is the exact take that was used on the final album, and you can see – clear as day – George is playing the “bass line” on his rosewood Fender Telecaster – the same exact rosewood Fender Telecaster he used for the entirety of the Rooftop Concert only the day before. This isn’t up for debate – it was literally captured on film.
I once saw a video on You Tube of George playing it. The concentration he gave it did made it look complicated. I can no longer find that video. Any suggestions?
I’ve always been dubious about the “bass” part on this song. First, the claim that it’s not a bass but an electric guitar: maybe…but it sounds an awful lot like higher-register bass playing to me. And second: Specifically, it sounds an awful lot like *Paul*’s higher-register bass playing. It definitely doesn’t sound like a part George would write – and it most certainly doesn’t sound like a part George would improvise.
Anyway: what’s the source for the claim that that’s George, on an electric guitar?
If you watch the Let It Be film, you clearly see George playing the part on his Telecaster.
Here’s the clip of them playing Two Of Us: https://www.youtube.com/watch?v=d1Y3PlmwnRM
Here’s another clip, faster and looser, of “Two of Us”: https://www.youtube.com/watch?v=WBJ1JPTjmO4&NR=1
And the Harrison-bashing continues…
Of course he could play/write that and, yes, he could improvise quite well quite often!
You are right Ronnie, George Plays the Bass on his Tele. I’ve seen this performance many a times! Matter of fact, I watched it for the first time on My grandmothers old BW T.V. back in 1970, when “Ed Sullivan” played The Video of “Two of Us”
If you watch the clip, and compare the Fender Bass VI, with the Fender Telecaster Baritone guitar, you’ll see that George is indeed playing the bass line on a Telecaster Baritone guitar.
Nope. It’s his standard 6-string rosewood Tele.
Amazing how stubborn you are. George didn’t have a “baritone Fender Telecaster”. He had a Fender VI and a Fender Tele, and he is playing the latter on this song. Documented in the film. Anything else is trolling.
All is well that ends well. George’s lead in this song, I think, is one of his best as a Beatle. And getting the bass sound from his guitar shows once again how good (and important) he was at getting the right sound–for himself and the group.
All is well that ends well. One of George’s best and most creative leads as a Beatle in my opinion. The bass-like sound complements very nicely (and does not step on) the nice acoustic playing of Paul and John. It is another example of one of George’s great contributions to the Beatles: knowing the right sound for a song.
It’s not Paul and John whistling, it’s just John, while Paul says: “We’re going home… we better be leaving… goodbye.”
And YES, IT IS George playing the bassline on electric guitar.
I always thought Paul said “You’d better believe it” which I took to mean ‘Yes, this band really is coming to an end.’ But you are probably right…I must have another listen. Great song.
If you watch the Let It Be movie you will see quite plainly that, as said above, John alone does the whistling and George is playing a bass line on a regular Fender Telecaster guitar – not a bass guitar.
It’s the same guitar George plays throughout the movie.
Your reply was before the Get Back movie and footage, but there are multiple shots where it is obvious that Paul is whistling as well.
Interesting to think that, if they had recorded this on any other album than LIB, McCartney most likely would have sung both parts himself. Thank God, because his and John’s voices together on this is magical.
I’m not so sure that Paul would have double tracked his voice, unless he were to change the name to One of Me.
He was saving that title for his first solo album.
If he had saved the song for “McCartney” he most likely would have sang both parts.
Well I’d like to listen to it with Paul double-tracking his vocals, I think it would have sound good. I also think that on another album he would have double tracked his vocals because john sings a lot like a “second voice for Paul” I mean as a substitude for Pauls double-tracked voice
The six-string bass referred to above can be seen here and yes this looks like the one played in the Let It Be film. https://en.m.wikipedia.org/wiki/Fender_Bass_VI
I have always assumed the ‘quarrel’ between George and Paul was in regards to ‘ I’ve Got a Feeling’. Perhaps I’ve been mistaken
I agree with you.
I love the Anthology version, it really brings out the bass part. However, I’m very curious; does Phil Spector sing on the Anthology Version? Towards the end, for the last verse, Paul says something that sounds like, “Take it Phil!” At this point, a very rough, harsh voice enters the recording. It’s not bad, but it doesn’t sound like any of the Beatles. Who is it? If anyone, it would be John, but John sings throughout the entire song and sounds nothing like it until the end. Can anyone confirm that it is Phil Spector singing?
The ‘Take it Phil’ is a reference to Phil Everly of The Everly Brothers. The acoustic version of Two of Us is very much in the style of The Everly Brothers with their two part harmony sound being a large influence on Paul in the early days. Also referred to in Let ‘Em In (Phil and Don)
Thank you for that! I had no idea, and I was pretty confused. Cheers!
Did John say, “Phil” or “Bill”?
Always been on of my favorite Beatle tunes. Although I know better, I’d like to think the song refers to Paul’s fondness for John and not the ‘strawberry blonde’.
This is definitely George on the mohagony Telecaster playing the “bass” part. It’s not difficult on a Telecaster to select the neck pick-up nd roll of the treble on the tone knob to get this sound. Amp settings help too, of course. Still not sure why he didn’t use the Bass VI, as John did for Let It Be and Long And Winding Road, maybe he just didn’t feel like it.
It is a rosewood Tele not mahogany. I think the Bass VI has a chunkier heavier tone which would not be appropriate for this song and would have overpowered the guitars. That’s probably why.
My experiences with playing a Bass VI kind of guitar up high seemed to show the tone was not quite as
resonant and vibrant as a regularly-tuned guitar, ESPECIALLY a tele. I don’t know if this was part of
George’s decision making.
The Telecaster was actually rosewood! It was really a beautiful guitar that Fender gifted to him, and his son Dhani has named it as his favorite guitar.
Personally I believe that George had a guitar part, but just turned it into a bass-like sound. I love it!
The tune Lennon whistles at the end sounds like an excerpt from The Lemon Song
by Led Zep, which would have been recorded around the same time.
Yeah, John was hanging out with Zep around this time. Meanwhile, in the real world, Zep recorded The Lemon Song a few months later (late April/early May) while on tour in Los Angeles.
It’s not Led Zeppelin – it’s the coda from “Hello, Goodbye”. You see John and Paul talking about it in the GET BACK documentary. Another dumb myth shattered.
Love love this song.. I’m energized everytime I hear it.
Shouldn’t the credits read:
George: Bass Guitar ??
No, because he’s playing a Fender Telecaster.
A lovely song, one of my favorites off the “Let It Be” album. Paul McCartney’s lyrics are beautiful. Great acoustic guitar work by both Lennon and McCartney. Love this in the film and instantly when I got my copy of album “Let It Be” in 1978.
On the stereo version of the song, I can quite clearly hear that one acoustic guitar is much more prevalent on the left and the other on the right. Does anyone know which side is John’s, and which is Paul’s playing?
Paul plays the opening lick, and then John joins in walking up D to G.
I haven’t seen the movie in years, so I’m just going by the audio on LIB album. I can defer to the movie folks who actually see them playing. To me it sounds like John’s playing on the left, including the the opening lick. John had a way of attacking and pounding his guitar (which I love). That’s what I hear on the left. That leaves Paul on the right walking up to G from D after the initial lick.
OK if I’m wrong but that’s how I hear it!
The “walkup” is underneath Paul’s intro lick, which continues after the walkup (in the film, Paul is clearly playing the lick). Therefore, the walkup is John.
First, it is not the Beatles final album.
Second, John and Paul did not sing this song trough the same microphone.
Not the acoustic version. Just check the Let It Be movie.
Of course the jammed the song with 1 microphone during the electric rehearsal…..
Pretty soon, every information about the Beatles would be wrong!!
It was The Beatles’ final album, in that it was the last for recording to be completed (in 1970) and the last to be released. I know the bulk of it was done before Abbey Road. The Yellow Submarine album was similarly recorded before the White Album, and released after, and that’s always considered to be the later album. But it’s fine if people want to put them in any order.
I wonder why Paul Had George play the Bass on a regular Guitar instead of a bass Guitar?
I mean, it sounds good but, It couldn’t sounded bassier using Paul’s Hofner!
Since it’s a quieter, acoustic “folk” song, heavy bass wouldn’t sound that great. George does a great job of providing a pseudo-bass with his standard Telecaster – I wouldn’t be surprised if it was his idea and Paul liked it.
I’ve learned to play this song today…on my Taylors acoustic! Very easy, even the opening lick, which I thought might take a day or two to get right. But I’m really commenting because although I fully agree with the comment above praising Paul’s beautiful lyric, for me, the final verse 4 deserves more than just a repeat of verse 3. I know this was their standard tactic in the early days, but by this time they had fully mastered their craft and it just seems slightly lazy for Paul not to have written a proper stand alone verse 4. Also, I have to say I agree with another comment above that prefers to think of the lyric as Paul’s fondess for John…I can’t help but feel slightly disappointed it’s not! But hey ho…a great song for sure.
I came here to see if there was any comment or knowledge on the repeat of Verse 3, which I also find odd and somewhat lazy. As already stated, The Beatles were at the top of their songwriting game, and certainly capable of writing FOUR simple verses. Why didn’t they come up with one more for this tune?? Why repeat the third verse??
Looking at Paul’s handwritten lyrics, they were only supposed to sing the third verse, the chorus, “and out…,” so I would love to know what prompted them to sing the third verse a second time! My guess is they just wanted to make it a little longer, and singing the third verse twice solved that easily ?????
I love this little song. The song and maybe even most of the lyrics were inspired by Paul and Linda’s wanderings, but I imagine there’s some references to his relationship with his mates. At that point, Paul and Linda’s relationship was still relatively new; how could they have “memories longer than the road that stretches out ahead” at that point? John’s voice sounds more dominant to me on the verses, but I like that it’s Paul alone in between verses. I sometimes think I hear George singing too, and it’s strange how sometimes John and George sound so similar. >sigh< Love them all.
Beautiful song., my wife always said if you want to learn a place you need to drive around and get lost … so true..
Here’s some trivia: if you watch the song’s film clip, you can see Paul’s Höfner and Rickenbacker basses (now sanded down to natural finish) standing together side by side. He must’ve recently stripped down the psychedelic finish off his Rickenbacker bass at the time, since like a couple of days prior to the 31st of January, footage shot at Apple Studios shows it in its psychedelic finish and you can watch that clip on YouTube.
Funny no one mentions the rather complicated time changes in the chorus, with four 3/4 bars and one 2/4. It’s so great that the word “home” always lands on the one (strong) beat.
I have the strangest reaction to this song. Despite it’s being light-hearted and full of fun, it makes
me sad. It echoes to me the break-up, not of The Beatles so much, as the ending of Paul and John.
I know it’s about Linda, but I feel Paul and John more. Their friendship. And even being this late
in the game, the way their voices sound together. Like voices that were always meant to sing together.
So, it makes me cry. It was a relief when I got to hear them sing it in different accents on Get Back.
Then I could smile. But when I’ve heard it since, it still makes me cry. Strange how songs can elicit
such strong emotions. That’s The Beatles and me.
This song seems to have been written from a combination of musings (about both John and Linda), as good songwriters are known to do.
And though they certainly passed around the Fender VI during these sessions, that is a Telecaster George is playing the bassline on.
Love this tune, reminds me of me old bandmates.
I didn’t realize there were so many comments on these pages of Beatles Bible although I noticed the vast majority of them are from many years ago, and there’s only about six from this year which as we know is almost over now which means an average of about one comment every two months. Anyway there’s a lot of interesting information here, and a lot of bickering going on about what kind of guitar George was playing bass on.
One thing I find remarkable is the way Paul is strumming his guitar in a very even way, up and down, both seem the same. When I strum up and down usually the down strum is harder and I can’t make both of them exactly even, like Paul seems to be doing
A well executed simple and quite frankly run of the mill song . Very bland apart from the nice harmony singing. A very uninspiring piece of work. The faster version is so much better.