‘My Bonnie’, The Beatles’ first commercially-released record, featured English singer Tony Sheridan on lead vocals and was recorded in Hamburg in 1961.
The Beatles had performed with Sheridan at the Top Ten club in Hamburg. They came to the attention of German bandleader Bert Kaempfert, who suggested that they record some songs together.
‘My Bonnie’ was chosen because of its popularity with Hamburg’s sailors; it was part of The Beatles’ live set for the same reason.
In the studio
The recording took place on a converted stage at Hamburg’s Friedrich-Ebert-Halle school, during a two-day session on 22–23 June 1961. The group were the backing band for Sheridan, who took lead vocals, and together they recorded ‘My Bonnie’ and ‘The Saints’, the latter a rocked-up version of ‘When The Saints Go Marching In’.
It’s just Tony Sheridan singing, with us banging in the background. It’s terrible. It could be anybody.
The ‘Love Me Tender’-style introduction was sung by Sheridan in the song’s traditional waltz arrangement, before a tempo- and key-change took the song into the realm of rock ‘n’ roll.
George Harrison performed lead guitar on ‘My Bonnie’, although Sheridan played the solo, which was later spliced in from a different take. Two edit pieces were also taped for the introduction, in English and German. The translation was by Bernd Bertie.
Following the recording, The Beatles – minus Sheridan – recorded two songs of their own choosing: ‘Ain’t She Sweet’, and ‘Cry For A Shadow’.
The release
‘My Bonnie’ was released as a single, with ‘The Saints’ on the b-side, in October 1961. Credited to Tony Sheridan and The Beat Brothers, it reached number 32 on the German singles chart.
It was released in Britain on 5 January 1962, credited to Tony Sheridan and The Beatles.
We did a recording with Tony Sheridan, ‘My Bonnie’, for Bert Kaempfert, a band leader and producer. It was actually ‘Tony Sheridan und die Beat Brothers’. They didn’t like our name and said, ‘Change to The Beat Brothers; this is more understandable for the German audience.’ We went along with it – it was a record.
In addition to being The Beatles’ first commercially-released disc, ‘My Bonnie’ played a more pivotal role in their fortunes: it brought them to the attention to Liverpool record shop owner Brian Epstein. A local fan named Raymond Jones is said to have requested the song in his NEMS store, setting events in motion which led to Epstein becoming The Beatles’ manager.
A kid had gone into Brian’s record store and asked for ‘My Bonnie’ by The Beatles. Brian had said, ‘No it’s not, it’s by Tony Sheridan,’ and he ordered it. Then Brian heard that we were playing 200 yards away. So he came to the Cavern and the news got to us: ‘Brian Epstein is in the audience – he might be a manager or a promoter. He is a grown-up, anyway.’ It was Us and Grown-ups then.
Anthology
Lyrics
My Bonnie lies over the ocean
My Bonnie lies over the sea
My Bonnie lies over the ocean
Oh bring back my Bonnie to me
My Bonnie lies over the ocean
My Bonnie lies over the sea
My Bonnie lies over the ocean
Yeah, bring back my Bonnie to me
Yeah, bring back, ah bring back
Oh bring back my Bonnie to me, to me
Oh bring back, ah bring back
Bring back my Bonnie to me
Well, my Bonnie lies over the ocean
My Bonnie lies over the sea
Yeah, my Bonnie lies over the ocean
Whoa, I said bring back my Bonnie to me
Yeah, bring back now, ah bring back
Oh bring back my Bonnie to me, to me
Oh bring back, ah bring back
Bring back my Bonnie to me
I never thought the backing vocals on this song sounded like any of the Beatles. Did Tony Sheridan overdub his own backing vocals?
Well, you can actually hear Paul quite well. He does the high harmonies. I have no idea who sings the bass vocal, though. Doesn’t sound like John or George, and I’m quite certain it isn’t Paul either, though he has sung that low on other songs and when he did, his voice became nearly unrecognisable. Anyway, John can be heard a bit in the screams, but I don’t hear George’s voice anywhere. The only Beatle you can really make out is Paul. Their playing style is quite distinct, though, so at least that’s easier to identify.
I feel certain that the low bass voice in the slow first section can’t be any of the Beatles. Has there ever been any speculation about other personnel on this recording?
You’ve got Tony Sheridan and George as both playing lead guitar. Is that correct? Did they both play the solo?
It’s one or the other on the solo, though I think it’s probably Tony Sheridan. The flourishes at the start are said to be Harrison. There are some little fills later on in the song which I presume are Harrison too. Anyone else know for sure?
The fills are by Harrison in the main , but the solo is Sheridan . At that time there was no way that the young George could have played that powerfull a solo , complete with jazz touches . The same way that he couldn’t be playing ” Cry For A Shadow ” either , which obviously has 2 lead guitars plus Lennon on rythm .
George is playing lead guitar on “Cry for a Shadow”, which made sense, given that he cowrote it with John, and he himself clearly stated that Tony Sheridan had no involvement with its recording.
I have the 45 of My Bonnie minus the record sleeve-Are there many of those left?
I have the 45 of My Bonnie WITH the original record sleeve bought it when it first came out
In the Mayles Brothers doco that resurfaced in the new Millenium on DVD and was shown to cinema students the world over as an embryionic example of ‘fly on the wall’ docos; there is a sequence in which George is speaking to a BBC interviewer on air via phone from their NY suite, and he reels off all the Beatles singles that are zooming up the charts, and he says at one point ‘and ‘My Bonnie’ which is a laff’, presumably as it was re-released hastily and in a very timely fashion to capitalise on the initial US Beatle-mania,meaning that your rundown here is missing the fact that this record charted VERY well indeed, probably making Sheridan rich(ish).
Yes, in early 1964, “My Bonnie” was re-released on single in the US by M-G-M.
I’m not very well up on bootlegs and so on, so can anybody help me out with a bit of background information on the 47-track album called “The Beatles: Early Recordings 1961-1962”? The recordings seem to be quite a hotchpotch: Love Me Do and PS I Love You; the Tony Sheridan recordings (including the horrible “Beatles’ hair” version of Sweet Georgia Brown) plus Ain’t She Sweet and Cry For a Shadow; and lots of poorly recorded versions of covers from the first two albums (A Taste of Honey, Money, Roll Over Beethoven, etc.), a few other standards and two or three Lennon & McCartney songs, such as Ask Me Why and I Saw Her Standing There.
Do those of you who are more in the know than me have any views on this compilation? Is it worth a few quid of my hard-earned cash, or is it just a rip-off?
Oddly this showed up on iTunes (in France) a few days ago. I took a couple of days to get round to downloading it… and yesterday it simply disappeared. Very odd…
To me it sounds like Tony Sheridan singing lead with guitar solo, Paul on high harmony and bass, John on low harmony, George not singing and the lead guitar part and Pete on drums. And it also sounds like overdubbed handclaps to me.
John is clearly playing his Rickenbacker 325 – just listen to the four syncopated strums prior to Pete’s snare drum roll.
Makes sense, but then who is doing the handclaps with the backing vocals? It can’t be Tony as he’s on a different track. It’s possible I guess that they overdubbed the harmonies afterwards, but why would only one of them clap along? I can only make out two guitar parts in any part of the song. Perhaps Tony borrowed John’s Rickenbacker?
My theory of the lineup is:
Tony Sheridan: Lead vocal and rhythm guitar (apart from the spliced in guitar solo)
Paul McCartney: Bass, backing vocals
John Lennon: Backing vocals, claps
George Harrison: Lead guitar and rhythm guitar in edited in solo, backing vocals (only in intro)
Pete Best: Drums
It’s hard to say for sure who’s playing the guitar in which parts, it does certainly sound like John playing rhythm but could easily be Tony too. The handclaps are the real evidence that someone’s not playing an instrument, and the guitar licks don’t sound like John.
Perhaps Bert Kaempfert might have provided the handclaps, since he was serving the producer.
I serioulsy doubt that is the Beatles on cheesy background vocals. Whomever it is is doing a pretty fair Jordaniaires impression.
As a Beatle fan and Cavern Club member
I bought this record in 1961 after seeing them at the Tower Ballroom, New Brighton, where I lived, and that is definitely the Beatles.
The screaming and shouting at the end is pure Beatles, typical of their live performances.
Not something I would buy as a Beatles collector. At least: Ain’t She Sweet has the Beatles singing in it
Did The Beatles themselves ever do My Bonnie live?
Bongo, unless you have an extra $15,000 lying around 😉 this is, in fact, not something you could buy as a Beatle collector!
With the possible exception of the Vee-Jay “Anna/Ask Me Why”, “My Bonnie” is the most valuable single ever released
featuring The Beatles aka The Beat Brothers.
When the agreement was made for The Beatles to record with Tony/Bert, Stu was still the bass player. The recording session occurred in June 1961 and Stu officially left the next month. So, had The Beatles already unofficially moved on? Most sources say that, while Stu attended the recording session, Paul is on bass. That said, is Paul playing Stu’s right handed bass upside down or had Paul already saved up to secure his Hoffner?
Photographs from the second Hamburg residency show that Paul had already obtained his left-handed Höfner 500/1 violin bass as well as him and Stuart with his right-handed Höfner President bass, but it does make it difficult to pin down who was actually their bassist at the time of their gig.
Here’s a link that shows Paul and Stuart playing their basses together.
I have an original single of My Bonnie that someone gave me. I also have the Vee-Jay album Introducing The Beatles. For a goof I looked online and there were people asking upwards of $300.00 for Introducing. I Love The Beatles as much as one can love but if I didn’t have the vinyl I would not spend that kind of dough for a copy. That being said, I realize how lucky I am to have their vinyl records. I have the CDs too, but each time I got a Beatles record was a cherished event.
Can i put the record strait.My name is Sid Edwards Date of Birth 7th July 1944.It was me.
The Beatles had just returned from Hamburg and after seeing them perform “The Saints ” at a lunch time session at the Cavern,Liverpool,I went strait over to “Nems Music” shop to buy the record.They had never heard of it or the group.The manager called Brian Epstein and his brother over and after searching through 3 catalog’s found “My Bonnie” by Tony Sheridan.Brian Epstein said to me you will have to leave a deposit as the Polydor recording was made in Germany.After about a week I received a phone call to say the 45rpm record had arrived and as they say the rest is history.About a week or two later I saw Brian Epstein at the back of the Cavern listening to The Beatles.My brother Eddy and I had a group at the time Called The Nashpool 4 after recording with Joe Meek we went to The Starr Club in Hamburg in Nov 1964.Tony Sheridan gigged with our group (band) and years later we met up again in Liverpool.
I am now Chairman of The Liverpool Rock and Roll Society and we play every Thursday at The Cadwa Club,Liverpool.with many of the old Merseybeat stars. Yours.Sid Edwards.
So you were never actually looking for a copy of ‘My Bonnie’ as the legend goes? Well, you are one of the links in the chain that brought about the complete change of everything musical we listen to today.
Where do you get that idea? Indeed, Sid Edwards is one of the links in the chain that brought about the complete change of everything musical we listen to today. He also clearly indicates that he went to the Nems Music shop to buy the record after hearing The Beatles play “My Bonnie” during a lunch session at the Cavern Club. A record he assumed (unless I’m mistaken) that was released as a single by The Beatles, but was actually credited to Tony Sheridan instead as he soon learned. That’s why the Epstein brothers had trouble finding it in the record catalogues. Oh, and thank you Sid Edwards for setting the record straight and especially gaining the attention of Brian Epstein! Who knows, things could had turned a whole different direction in music history had you not looked for a Beatles record.
We had the 45 juke box version when We were a kids. Never knowing the record would one day be value, my brother played frisbee with it and …..
Never has the phrase “If I knew then what I know now!” been more appropriate.
what was the material of these old diy records made of?
According To A More Recent Publication Paul Played His Hofner 500/1 On ”Cry For A Shadow”,
The chart info on its first German release in 1961 is wrong.
Highest position was on #32, not #5 at all.
https://www.offiziellecharts.de/details/titel-details-111339