Recorded as one with ‘Sun King’, ‘Mean Mr Mustard’ was composed in India by John Lennon in spring 1968.
‘Mean Mr Mustard’ was considered for inclusion on the White Album. A demo version was recorded in May 1968 at George Harrison’s home, Kinfauns, and was released on Anthology 3 and some formats of the 50th anniversary reissue of the White Album.
In ‘Mean Mr Mustard’ I said ‘his sister Pam’ – originally it was ‘his sister Shirley’ in the lyric. I changed it to Pam to make it sound like it had something to do with it [‘Polythene Pam’]. They are only finished bits of crap that I wrote in India.
Anthology
It was also played several times during the Get Back/Let It Be sessions, on 8, 14, 23, and 25 January 1969.
‘Mean Mr Mustard’ was based on a miserly man, John Alexander Mustard, about whom Lennon had read in the Daily Mirror on 7 June 1967. Mustard, a 65-year-old Scotsman, had been taken to a divorce court by his wife due to his meanness.
That’s me, writing a piece of garbage. I’d read somewhere in the newspaper about this mean guy who hid five-pound notes, not up his nose but somewhere else. No, it had nothing to do with cocaine.
All We Are Saying, David Sheff
Another interpretation of ‘Mean Mr Mustard’ was later offered by Tony Bramwell, an associate of the group.
There was an old ‘bag lady’ who used to hang around the Knightsbridge end of Hyde Park, London, close to the army barracks. She had all her possessions in plastic bags and slept in the park. I’m sure that she had something to do with the song.
During the development of Abbey Road’s long medley, ‘Her Majesty’ was originally included between ‘Mean Mr Mustard’ and ‘Polythene Pam’, before Paul McCartney decided that the sequence didn’t work.
However, when ‘Her Majesty’ appeared at the end of the album it was anticipated by the final crashing chord of ‘Mean Mr Mustard’, left in from an early mix.
In the studio
‘Mean Mr Mustard’ was recorded as one with ‘Sun King’. The Beatles began recording the songs back-to-back on 24 July.
They taped 35 takes of the basic track, although take seven was a version of ‘Ain’t She Sweet’ later released on Anthology 3. Take 20 of ‘Sun King’/’Mean Mr Mustard’, meanwhile, can be heard on some formats of the 50th anniversary reissue of Abbey Road.
Paul McCartney’s bass guitar was recorded on track one of the eight-track tape, with a distortion pedal used during ‘Mean Mr Mustard’; Ringo Starr’s drums were on track two; John Lennon’s guitar was on three; George Harrison’s guitar was on four; and Lennon’s guide vocal was on six. The final take, 35, was considered the best.
The Beatles added a series of overdubs on 25 and 29 July. On ‘Mean Mr Mustard’ Lennon and McCartney duetted on vocals for much of the song, and piano and tambourine were also overdubbed.
what did john do to make his voice sound like that..
or just how did his vocals come to be?
i’d also like to know. i’m inclined to think his vocals didn’t just come to be that way, because they sound so different from his vocals in the other takes. it’s a really neat effect, whatever it is!
There is a play called The Beatles Slept Here and there are these characters named Minx Jinx and Finx and they are a part of Mr. Mustard’s gang. Does anyone know where the names Jinx, Minx and Finx come from in relation to the Beatles?
I think this song may be one of the Beatles’ best. I’ve always been touched by the evidence that, although the Beatles were breaking up slowly but surely, they were still so tight with each others’ creations. Listen to Paul’s backup vocals on this tune… just incredible. Incredible.
First time I have ever replied to a comment, so here, so here I go. Mean Mr. Mustard (written & recorded in India) was a “piece of garbage”; according to the songwriter himself. Any idiot would know this song was the precluder to Mc Cartney’s “Band on the run.” This is actually one long medley ending with the appropriately titled “The End” & Polythene Pam” who allegedly “Came in through the bathroom window & I think Maxwell’s Silver Hammer” would have worked well in this genius of lyrical & melodic masterpiece. This is a Da Vinci painting, a work of art. Though not as popular (it was a joke people) as Jesus, Lennon/McCartney are still the greatest songwriters to join forces. Just think what wonderful songs we were all robbed of when some mentally ill person decided to end John’s life. RIP Mr. Lennon we all love your contributions to make a better world to live in.
The Beatles came on the scene in the 60’s and their music and message was relevant to that decade. I doubt that they would have been relevant in the 70s the age of disco. Peoples attitudes and view points changed in the 70s. The music itself changed. The same applies to the 80s and the 90s. The age of Rock (60s, 70s, 80s and to some extent the 90s) was the greatest and will never be repeated. It is ageless and priceless.
Lewishon said there were piano, but Everett said it was John who played it.
One more time, “…Pam” and “Bathroom” were recorded as one, and Lewishon said electric and acosutic pianos as well as assorted percussion were overdub, but didn´t mention who played what.
I read it is Lennon on piano. Are there really two guitars, I always thought there would be just one
I dig the abrupt meter changes. Lennon could do things like that. Probably without even realizing that it was as special as it was. Tunes like this one, across the universe for instance. Oh and of course Good morning good morning.
I’ve always been nutty about this one; Mustard’s a riot and irresistible. In The Beatles: The Biography, Bob Spitz reports some rot to the effect that Lennon had said he was planning on saying “…rattle your f*****g jewelry” while delivering his now famous (clean) quip at the royal command performance, and that poor Epstein was sweating bullets fearing he’d actually do it, but obviously it was never remotely conceivable. Something of the myth finds its way into Mustard, however, who’s taken out to look at the queen and always shouts out something obscene.
I’m really curious about Mr Mustard sleeping firstly in a park, and then in a hole in the road, although it sounds more like “sheeps” in a hole in the road. I find this quite strange…. Was Lennon messing with us? Or did he simply think so little of the song that he never bothered to go over the lyrics more intently?
John pisses me off. The only reason the song is piece of crap is because he said so, he said this because he totally hated his carrer with the Beatles and thereon. He hated fame but yet, he decided to go big with the Beatles. Every interview i have read with John after the band broke up, all he talked about was his hatred of touring and stardom. “God bless John Lennon for trying to make the world a better place,” if that’s what you really want to believe about John then knock yourself out. John had amazing music, i agree, but don’t go blessing him before you don’t even know what kind of person he was. Wikipedia is not a good source by the way, so don’t look there. John Lennon is one of my most beloved artist but one of my least favorite people. Besides, I don’t understand why but people are sometimes blinded by what society wants them to know. for example: Paul is dead, there was a third person shooter at the grassy knole, Bill Clinton was a cheater. We are all just paper people living in our paper towns.
He hated his career with the Beatles? Show where – just ONE quote – where he says or implies that!
He sure had no problem talking about it – more than the others at the time and in great detail.
As far as the rambling rest of your comment….I haven’t a clue where you’re trying to go with that.
Holly, being a lifelong Beatles fan, I had the good fortune to visit Liverpool recently. Loved it. Spent time speaking with Liverpool locals and heard their opinions. And I have read many books written about the Beatles. I must say that after reading and researching, I have to agree with you that John was not really a nice person. I’m sure his childhood had a lot to do with that. He just seemd to be so mean at times, almost hateful. And yet, prior to reading so much about him as a man, he was always my favorite Beatle creatively. So talented, yet it seemed he became lazy after the Beatles broke up. I think he needed Paul there with him as an incentive to excel. They fed off each other. John was obsessed with success until he achieved it. Then it seems he resented it in some way, always trying to distance himself from the Beatles, as if it was something to be ashamed of. Even his comments about his songwriting as a Beatle seemed derogatory. I think had he lived, he would have gone on to embrace his past, and would have provided us with more outstanding material.
He was brilliant, but not very nice.
When you say John wasn’t always nice I can agree. My cousin ran into him at a party in L.A., and in passing on the stairway John exclaimed “I know who you are, your that punk from Detroit” and then proceeded to give him a swift kick. That was the late Johnny Angelos who had one of his songs covered by Joe Cocker as did John also. I still think Lennon is a genius and one of my favorite singer/songwriters.
Context, Context. Context…….
John distinguished his songs truthfully as he saw to be the truth, often in positive light. It shouldn’t be unexpected for a quality songwriter to second guess ones self. A good melody about superficial subject matter, left him unsatisfied many times. He considered his best work to be sincere material with something to say. John was an iconoclast, and there were myths he wanted broken, truths he wanted told however unflattering to himself. John raised awareness, and “Give peace a chance” was a very positive statement, along with many others. He dumped his first wife and abandoned his son, most of us know. A flawed messenger indeed, but a good and effective one. A multi faceted human being, who never lived to fully make amends for his past. The Beatles message is a positive one, as is the post band work by all members. There’s skeletons in every closet, but they don’t have to define the human being.
I’ll always defend John Lennon because he was murdered at the age of 40 and thereby denied any chance of making any amends with people whose lives he had touched. How many of us have done things we have not been proud of and apologised later; acknowledging our mistakes and misdemeanours.
John had a real nasty streak, it was well known in Liverpool. And despite this, he composed so many beautiful songs. John had duel personality for sure.
A product of a broken home who never got over it.
Mean Mr Mustard lived and presumably died in a bungalow on Old Park View, Enfield having been born in Elgin. At least according to Lewisohn’s show. I live nearby so am off to have a look later today.
Yes, John Lennon could be bitter, nasty and sarcastic to people. He could also be warm and friendly (do read some of the YouTube comments on ‘Women’ from people who meet him in New York after the Beatles ended). As for criticising his songs – he wrote them! He also praised many Beatle songs he wrote (e.g. ‘In My Life’) and Paul wrote (e.g. ‘Hey Jude’).
Every time Paul’s vocals enters, the sound of the tambourine disappears from the recording. As soon as the vocals disappears the tambourine returns
Good catch, Norman. I never noticed that before, but once you hear it, it’s very obvious. It was not uncommon in those days of limited tracks to put multiple instruments/voices on a single track. They usually chose things that didn’t overlap, like a harmony vocal and a guitar solo, or similar. I’m guessing (but don’t know) that’s what happened here.
I always thought the “bass” was actually the Moog synth they used on this album. It certainly has that quality (and would likely still be played by Paul).