Later given to Billy J Kramer and the Dakotas, the early Lennon-McCartney song ‘I’ll Be On My Way’ was recorded by The Beatles just once, during a 1963 radio session.
Clearly inspired by Buddy Holly, The Beatles’ ‘I’ll Be On My Way’ is believed to date from around 1961. The song’s touchingly naive lyrics rhyme “June light” with “moonlight”, and speaks of a place “where the winds don’t blow and golden rivers flow”.
That’s Paul, through and through. Doesn’t it sound like him? Tra la la la la [laughs]. Yeah, that’s Paul on the voids of driving through the country.
Although a part of the group’s early live repertoire, ‘I’ll Be On My Way’ wasn’t performed at either The Beatles’ audition at Decca or their first EMI session, suggesting it had largely fallen out of favour by 1962.
Nevertheless, the Beatles performed ‘I’ll Be On My Way’ on 4 April 1963, for the BBC Light Programme series Side By Side. The Beatles recorded five songs that day at the BBC Paris Studio in London, which were first broadcast on 24 June.
It’s a little bit too June-moon for me, but these were very early songs and they worked out quite well.
Many Years From Now, Barry Miles
The BBC version is the only known recording of the song by The Beatles, and was released in 1994 on the Live At The BBC collection. Billy J Kramer and the Dakotas released their version as the b-side to their debut single – ‘Do You Want To Know A Secret’, another Lennon-McCartney song.
The Dakotas were, like The Beatles, managed by Brian Epstein and signed to Parlophone. They recorded ‘I’ll Be On My Way’ at Abbey Road Studios on 14 March 1963, with George Martin producing. The single was released on 26 April, and reached number two in the UK singles chart.
What, no comment on this fantastic song?!
I think it’s one the highlights on the excellent BBC album.
How they start unison, then split up in two great harmonies – pure genius.
And they considered THIS a throwaway song!
I agree, one of my favorite early tunes, along with How Do You Do It which also seems to be overlooked.
Not a Lennon/McCartney song.
I couldn’t agree more…fantastic early Lennon-McCartney tune. Too bad they couldn’t find room for it on “With The Beatles” later that fall!
I agree with everything paulsbass said. It’s a gorgeous song. It would have been a number one for them had they not thrown it away; Kramer’s version just seems wrong to me. I can’t stand Paul’s moon-june comment! Buddy Holly would have LOVED this song!
Yeah this song is quite good. Maybe just because it’s the only original song on Live at the BBC, but I would call it one of the highlights on this record. I’m pleased that they did release one version of this song.
A decent song in the vein of ‘I’ll Follow the Sun’.
I’m pretty sure it’s George and Paul singing together on this one with John helping out.
Oh no, that’s John’s signature early raspy voice!
Too bad there’s not an EMI version of this. I first heard this on the Westwood One radio series years ago & loved it…
Since I first heard this song on a Norwegian radio broadcast back in 91 (they broadcasted some old BBC-recordings with a really dull Norwegian speaker), I totally fell in love with it. I would love for Paul to record the song today.
How Do You Do It wasn’t a Lennon-McCartney song, man!
I don’t know if it was implied that it was a lennon-mccartney written song.
A beauty. wirtten by Paul. (See John’s comment above) Lennon is the lead singer, since he was the singer and the leader in those early days. I love it. Ohad
One of my favourite songs from Live at the BBC. I’m sure I can hear George singing harmony in the ‘I’ll be on my way’ part. According to some sources, apparently the song was written in 1961, which means Paul would have been 19 years old. In light of that, I’m sure he can be forgiven the ‘June night – moon light’ lyric.
From memory, the BBC radio shows complete indicate that George had a throat infection when the group recorded these 5 songs, so they avoided doing one which required him to sing. The BBC interviewer asks them about this and George gives a wordless raspy response to demonstrate. Presumably, when the group was trying to work out what to do for the day, one of them has recalled this simple tune from earlier times, in much the same vein as the Get Back sessions show them doing. The moment was right for them to run through it well enough to record for the BBC fortunately, since otherwise posterity would be the poorer.
I absolutely love this song. But I must say; it sounds more like George and John than Paul and John to me. But whether it’s Paul or George, it’s still a lovely tune and it would’ve made a great addition to the Beatles catalog, no matter how much John dissed it.
It’s interesting how during the early days, a good portion of the McCartney originals were given away to other artists, while the Lennon songs were kept for the albums. “I’ll Be On My Way” would have been a great song for one of their early LPs. The “where golden rivers flow” line always gives me a laugh.
I heard this song for the first time in my 58-year life just yesterday, and now I can’t get it out of my head! At first I thought it was a cover of a Buddy Holly song that I also had never heard of.
Lennon’ s songs were also given to other artists, think of “Do you want to know a scret”, “Bad to me”, “Hello little girl”, “I’m in love”, respectively by Billy J Kramer and the Dakotas for the two first ones and the Fourmosts for the two others.
I wish they would release all the audio for the David Sheff 1980 interview as he goes through song by song. It’s about time to release this stuff. Probably one if his best interviews.
John says it was Paul’s song, but to me it sounds co-written. Like maybe John has the first half of the verses “The sun is fading away/that’s the end of the day”, “just one kiss and I’ll go/don’t hide the tears that don’t show”, “they were right I was wrong/true love didn’t last long”, sounds like early John. Then Paul comes in with “as the junelight turns to moonlight, I’ll be on my way”. The bridge sounds like Paul as well. They could’ve hammered out the melody together.
Anyways it was a great song despite some iffy lyrics, the harmonies are brilliant
“They were right, I was wrong” — someone that’s the line that somehow rises above the rest for me. If a song can be inconsequential yet utterly charming, this is it!
I loved this song first time I heard it off the “BBC” CD. Fell in love, had to learn it for my own Beatle repertoire. Fairly easy to reproduce. I agree with a few others above. Sounds like George and John together…something about the “scouse inflections” on ‘true love didn’t last long’. Agree, very Buddy Holly-influenced here. Have performed it for a select few folks..they loved it! Some didn’t believe it was a Beatles song. I reworked a slightly different lead break than the twinky octave leads George does. Unfortunately, the great rhythm guitar chirds drop out, leavibg a void for those measures.
Obviously John’s right about it being Pauls song but doesn’t his remark that its the void of
driving through the country sound like he’s talking about “Two of Us.”?
I don’t know why this one wasn’t on “Please Please Me” instead of “Boys” or “Chains”. I’d rather hear originals than their covers.
I am 80 and I am still a big Buddy Holly fan. I recorded those BBC programmes on my reel-to-reel tape recorder so I had it until it broke down about 1970. but the song stuck in my head forever. When the BBC tapes were released this song was the main reason I bought them! As for the chit chat I never listen to it! I read somewhere that John didn’t like it.
The Billy J Kramer version has a fascinating twist. In the key of A, the Beatles go A E A D for “the sun is fading away” – typical Buddy Holly, as pointed out in the main article – but the Dakotas go Am A E Am A D – they do some version of this each time – more pronounced on the first Am – it’s hard to hear where the C natural is coming from – there’s one point where you can loop it and you definitely hear a C-natural, creating the Ami – it kind of scoops up from the minor into the major. I assume George Martin is behind this arrangement? Maybe my ear is playing tricks on me or maybe it’s some bizarre artifact of the recording process that just happens to sound cool, but once you get used to it, it really does sound pretty cool! There’s also an interesting instrumental figure that starts the track that’s kind of in keeping with Holly homage idea – the aggressive guitar strum in contrast with the sugary melody. The guitar figure also bangs out the Cuban cinquillo rhythm that’s also in the vocal melody Xo XX oX Xo. Does anyone know if there are any other Beatles versions beside the June ’63 BBC version? I mean … the moonlight/Junelight thing is pretty disqualifying but I hate to throw out the baby with the bathwater.