The Beatles’ second all-group composition, after Magical Mystery Tour’s ‘Flying’, ‘Dig It’ was improvised during studio jams in January 1969.
…Like a rolling stone
Like a rolling stone
Like the FBI, and the CIA
And the BBC, BB King
And Doris Day, Matt Busby
Dig it, dig it, dig it, dig it…
John Lennon led the jams, based upon a sequence of I-IV-V chords, onto which he free-associated a set of mostly nonsensical lyrics.
‘Dig It’ began life as ‘Can You Dig It?’, an improvised 12-bar blues taped on 24 January 1969. Led by John Lennon, The Beatles recorded around 14 minutes of the song over several attempts.
At the end of the last performance that day, Lennon spoke the words: “That was ‘Can You Dig It?’ by Georgie Wood. And now we’d like to do ‘Hark The Angels Come’.” The words were used on Let It Be between ‘Dig It’ and ‘Let It Be’.
In the studio
Although just 49 seconds of ‘Dig It’ found their way onto Let It Be, the song was originally much longer. On 26 January 1969 they taped a version lasting 12 minutes.
The opening minutes of the performance featured Yoko Ono singing wordlessly over The Beatles’ backing.
John Lennon dominated the latter half of the song, singing lyrics from ‘Twist And Shout’ and Bob Dylan’s ‘Like A Rolling Stone’ along with his own improvisations. During the middle of the jam Paul McCartney repeatedly sang a refrain based around the words “Dig it up”.
A segment from this take, from 8’52” to 9’41”, was used on the Let It Be album, with a slightly longer version appearing in the film.
That version of ‘Dig It’ featured Billy Preston on organ and George Martin on percussion, and Lennon playing a Fender VI six-string bass guitar. Linda McCartney’s six-year-old daughter Heather also made an impromptu vocal contribution early on in the song.
The Beatles played ‘Dig It’ again on 28 and 29 January, although nothing from these performances was released. The former version saw Lennon singing the titles of songs recorded by the group during the Let It Be sessions.
Come on and dig it… dig it every night and day… dig it any time of day. You can dig it for breakfast, dig it for your tea. You can dig it in the morning, dig it for dinner, any day… ‘Don’t Let Me Down’, ‘Get Back’, ‘I’ve Got A Feeling’, ‘Two Of Us’, ‘All I Want Is You’, ‘Teddy Boy’, ‘One After 909’, ‘All Things Must Pass’, ‘Dig It’, ‘Let It Be’, ‘The Long And Winding Road’, ‘For You Blue’, ‘Maxwell’s Silver Hammer’…
In the film, Mr. Lennon plays a 6-string bass while singing this rocking number
Heathers singing still soujnds 10 times better than anything yoko ever sang-
And it’s just cute that they let her do that.
Yeah, it’s cute when Ringo lets her play with his drums (in the movie) too!
(Don’t agree with your Yoko putdown but haha nonetheless)
I agree with your Yoko put-down.
I just watched the film and lennon definitely plays guitar or he plays chords on a 6-string bass but i don’t know if you can play chords on 6-string bass
He’s playing a Fender VI six-string bass, definitely.
You can, although it’s more common to play double-stops (two notes) rather than chords (three or more notes). At that time, their six-string might have used standard tuning, but today five-string basses have a low B-string, and while I have no idea what today’s six-string basses use, I would guess a low D is on top of the low B.
If you try to play full chords on a bass, all you get is a very low distorted rumble. To get the “idea” of a chord, the single notes comprising the chord (each string) can be plucked one after another in quick succession, as long as each string is not allowed to “ring out” completely (so you only hear one note at a time).
George and John usually played the fender 6 string bass when Paul was on piano mainly I think for comfort because it has more of a guitar feel then a heavier 4-string Bass
Since the Beatles jammed on other cover songs during the “Let It Be” sessions, (Besame Mucho, Shake, Rattle and Roll, You’ve Really Got A Hold On Me, etc.) I thought “Dig It” was merely an extension of a jam of Dylan’s “Like A Rolling Stone”, and the snippet that made the album was entitled “Dig It”, merely John improvising the lyrics, as opposed to an actual pre-written song.
It might sound crazy, but I thought this was a dig at the Stones. The lyric ‘like a rolling stone,’ and Lennon sounds like he’s doing a Jagger impression.
Yeah, right on the money, it’s “Jagger”!
John also did Dylan impression on Happiness Is A Warm Gun:
“When I hold you in my arms (oh, yeah)
And I feel my finger on your trigger (oh, yeah)
I know nobody can do me no harm (oh, yeah)”
“When i hold you in my arms, etc”.seems to me a satirical ref to the bassman’s recital in the Diamonds’ (1957ish) “Little Darlin'”: “My darlin’, I need you, to call my own, and never do wrong…”
I think he’s mocking or references Dylan
Who should get writing credit for ‘Dig It’? It’s listed as ‘Lennon-McCartney-Harrison-Starkey’ on the album label. However, several books give Lennon as the main contributor. I’ve always gone with the former, but as it’s such an insignificant track, it probably doesn’t really matter.
To use a phrase Lennon used about many Beatles songs at one time or another, it’s a piece of crap.
If you think about it, this song can be measured in both 3/4 AND 4/4.
The worst ditty they ever performed.
It should never have been put on Let It Be.
Atrocious.
I agree with you and MikeP, it’s a stinker. Is this an inclusion we can “credit” to Phil Spector? Oh well, what’s done is done.