Performances of ‘Ain’t She Sweet’ bookended The Beatles’ career. They recorded the song in Hamburg before they had a record deal, and again in 1969 during the Abbey Road sessions.
The song was written by Milton Ager and Jack Yellen in 1927 and quickly became a standard. A host of singers and band leaders went on to record it, including Frank Sinatra.
A lot of our tracks may not have been ‘cool’. I think if we’d just been cool, we wouldn’t have made it how we did… The fact that we weren’t ashamed of those [cabaret] leanings meant that the band could be a bit more varied. And there was a need for that, because we played cabaret a lot. Songs like ‘Till There Was You’ and ‘Ain’t She Sweet’ would be the late-night cabaret material. They showed that we weren’t just another rock ‘n’ roll group.
It was Gene Vincent’s 1956 version that inspired The Beatles to add it to their live repertoire. Through numerous performances in Hamburg and elsewhere, it became a rock ‘n’ roll barnstormer with John Lennon on vocals.
Gene Vincent’s recording of ‘Ain’t She Sweet’ is very mellow and high-pitched and I used to do it like that, but the Germans said, ‘Harder, harder’ – they all wanted it a bit more like a march – so we ended up doing a harder version.
Anthology
In the studio
While performing in Hamburg’s Top Ten club in summer 1961, the group – with Pete Best on drums – were approached by local producer Bert Kaempfert to record as the backing band for British singer Tony Sheridan.
The session took place on 24 June 1961 at Hamburg’s Studio Rahlstedt. They also recorded versions of ‘Take Out Some Insurance On Me, Baby’ and ‘Nobody’s Child’ on the same day.
The fact that Lennon and McCartney chose not to record any of their joint compositions suggests that they may have been unsure of the quality of their original material. Alternatively, The Beatles may have initially misunderstood that they were to be contracted as Sheridan’s backing group, and so chose to save their stronger material for the future.
Long available on bootleg and non-Apple collections, three of the seven 1961 recordings – ‘Ain’t She Sweet’, ‘My Bonnie’, and ‘Cry For A Shadow’ – were eventually released on Anthology 1.
An impromptu version of ‘Ain’t She Sweet’, similar in tempo and style to Gene Vincent’s version, was recorded on 24 July 1969. The Beatles became sidetracked while recording ‘Sun King’/‘Mean Mr Mustard’, and performed three Gene Vincent songs: ‘Ain’t She Sweet’, ‘Who Slapped John?’, and ‘’Be-Bop-A-Lula’’. Of these, only ‘Ain’t She Sweet’ is available officially, and can be heard on Anthology 3.
Another version of ‘Ain’t She Sweet’ was taped at New York’s Record Plant East in the summer of 1974, during the sessions for John Lennon’s Walls And Bridges. Featuring Lennon on vocals and guitar and Nicky Hopkins on piano, the 30-second snippet was eventually released on the 1998 box set John Lennon Anthology.
Lyrics
Oh ain’t she sweet?
Well see her walking down that street
Yes I ask you very confidentially
Ain’t she sweet?
Oh ain’t she nice?
Well look her over once or twice
Yes I ask you very confidentially
Ain’t she nice?
Just cast an eye
In her direction
Oh me, oh my
Ain’t that perfection?
Oh I repeat
Well don’t you think that’s kind of neat?
Yes I ask you very confidentially
Ain’t she sweet?
Oh ain’t she sweet?
Well see her walking down that street
Well I ask you very confidentially
Ain’t she sweet?
Oh ain’t that nice?
Well look it over once or twice
Yes I ask you very confidentially
Ain’t she nice?
Just cast an eye
In her direction
Oh me, oh my
Ain’t that perfection?
Oh I repeat
Well don’t you think that’s kind of neat?
Yes I ask you very confidentially
Ain’t she sweet?
Oh ain’t she sweet?
Well see her walking down that street
Well I ask you very confidentially
Ain’t she sweet?
Well I ask you very confidentially
Ain’t she sweet?
The 1969 version has a more organic feel to it, and I find it humorous at the end when John breaks the ‘fourth wall’ and utters “I hope you like that sh!t”
I’m glad the boys turned this into an uptempo number, because Gene Vincent’s 1956 version is not really one of the high points of his “Bluejean Bop” album. By making it faster, they made it their own, much like their unique arrangement of “I’m Gonna Sit Right Down And Cry (Over You)”.
You forgot about the impromptu Anthology performance by Paul, George, and Ringo on ukeleles-probably my favorite moment in the tv series.
Yeah, Ain’t She Sweet w/ Paul on George on ukeleles on Anthology video. That’s cool, they seem like on an outdoor picnic. Ringo doing the lap/hand claps.
This song appears to have been released as a single in 1964, but there is no mention of that in the article.
I have the 45 of the 1964 release.
Pete Best plays some mean drums!
The version on ANTHOLOGY has drums overdubbed by session drummer Bernard Purdie. This was done when Atlantic/Atco records purchased the U.S. distribution rights to the Tony Sheridan & the Beat Brothers German recordings. SO, Pete’s drums were buried in the mix, and most of what you’re hearing is Bernard Purdie.
Cite your source – otherwise it’s just typical interwebosphere nonsense-spewing.
I believe the source on this is Purdie himself, who made these sorts of claims for years. I believe it’s true that someone was hired to overdub drums ahead of the Atco release in 1964, but I’m not sure it’s ever been proved to have been Purdie (who also claimed he played on over 20 Beatles songs recorded for EMI, including She Loves You).
Indeed. I was asking for a much more credible source, but didn’t make that clear. Thanks, Joe.
What’s indisputable is that the US Atco single has a new drum part overdubbed, when compared to the earlier German version.
Whether that’s Purdie or someone else is not certain, but it’s not too far fetched either. He played on hundreds of sessions in New York in that era.
As I listen to the Anthology 1 version, around 1:41 it sounds like two out-of-sync snare hits, which if true, would give credence to overdubbed drums. Being out of sync would also make sense knowing that Pete Best (at least at that time) struggled to maintain a steady beat, varying widely during each song. If a more skilled session drummer was overdubbed, his snare hits would be a bit off of Best’s.
Now, if this is evidence of drum overdubs, it doesn’t indicate who is playing. Is it Pete doing a better, cleaner version? Purdie? Different session drummer?
I love this song, great John Lennon vocals. It is just so catchy. I have an old 45 of this and recently obtained a Japanese made copy with a lovely sleeve. Both of course are taken from the 1961 recording. On the Japanese one ” Cry For A Shadow” is on the other side.
talkin’ about the *ukulele* version, can anybody tell me what are the additional words sung by McCartney and Harrison after the bridge ending with *ain’t that perfection*?
approximately after 20 seconds.
Thanks
🙂
They sing “Vo-de-o-do”, a phrase often used in 1920s pop songs. While the 1961 Beatles recording may have been a rocked-up cover of Gene Vincents quite slower recording, which is more like The Beatles 1969 take, this ukulele performance hints towards another source of inspiration. In the 1969 Get Back session and the Lennon 1974 takes John sing something else as well. It sounds like “I ask you very (hydropholicly) – ain´t she sweet.” Beats me what he really sings here.
Vo-do-de-o
Does anyone know what uke chords George is playing? Love this version.
I think these are the chords:
0003, 0101, 2210, 0212
0003, 0101, 2210, 0212
0003, 1202, 0100, 0110, 2223, 0212, 0003, 0212
0003, 0101, 2210, 0212
0003, 0101, 2210, 0212
0003, 1202, 0100, 0110, 2223, 0212, 0003
For the chorus:
fast progression: 0003, 0002, 0001
and then 2013, 1013, 0003
again fast progression: 0003, 0002, 0001
and then 2013, 2323, 0003
Hope this helps.
Sorry, last chord is 0232 (G), not 0003 (C)
One of the writers of “Ain’t She Sweet”, Jack Yellen, retired to a farm in upstate New York.
After Yellen died, one of my friends went to an estate sale at his former residence near Springville NY.
In Yellen’s study was a framed picture of the Beatles and himself, taken when they visited him at his house during one of their US tours.
One of my favorite John Lennon lead vocals, and probably my favorite unofficial Beatles song. How cool would it have been if they’d pulled out this rockin’ little number and recorded it for Please Please Me or With The Beatles? What might’ve been…
Like your handle.
I’ve always enjoyed this version. Some “rocked up” versions of old standards sound awfully silly, but this one works – for me anyway. Lennon’s voice really suits it.
Boy, I love John’s voice on this one. So typical and characteristic of what we’re used to hearing on “perfection,” but so different and young on “confidentially” – it’s really fun. Love those guys.
My favourite version of “Ain’t She Sweet” is the one recorded in 1969 during the “Abbey Road” sessions. It significantly differs from the Hamburg version and I mean it in a good way:
a) Ringo is on drums and doing one of his best C&W shuffles.
b) Paul’s bass playing really stands out (according to Walter Everett, he was using his Fender Jazz Bass on “Sun King” and “Mean Mr. Mustard”, both of which were also recorded at the session) and he plays a really nice 3-note fill at the end.
c) John sings in a more subdued manner, including a few made-up gibberish words (including “microphonicky” or “hydraphonicky”, I’m not sure which one he sings), and plays his electric guitar through a Leslie speaker.
d) George is playing his electric guitar with a tremolo effect and he plays a very nicely-performed solo.
It is very well-produced thanks to the golden-eared genius George Martin and I love the ending E major and F# major chords played by George on his guitar and Paul’s ending bass fill.