Although best known as a track on 1970’s Let It Be album, ‘Across The Universe’ was recorded in early 1968 and first released on a World Wildlife Fund album the following year.
It was John Lennon’s first composition to be recorded by The Beatles since ‘I Am The Walrus’ five months earlier. The words were written before the music, and came to Lennon in the early hours one morning at his home in Kenwood.
I was lying next to my first wife in bed, you know, and I was irritated. She must have been going on and on about something and she’d gone to sleep and I’d kept hearing these words over and over, flowing like an endless stream. I went downstairs and it turned into sort of a cosmic song rather than an irritated song; rather than a ‘Why are you always mouthing off at me?’ or whatever, right? …But the words stand, luckily, by themselves. They were purely inspirational and were given to me as boom! I don’t own it, you know; it came through like that. I don’t know where it came from, what meter it’s in, and I’ve sat down and looked at it and said, ‘Can I write another one with this meter?’ It’s so interesting: ‘Words are flying [sic] out like [sings] endless rain into a paper cup, they slither while they pass, they slip away across the universe.’ Such an extraordinary meter and I can never repeat it! It’s not a matter of craftsmanship; it wrote itself. It drove me out of bed. I didn’t want to write it, I was just slightly irritable and I went downstairs and I couldn’t get to sleep until I put it on paper, and then I went to sleep.
It’s like being possessed; like a psychic or a medium. The thing has to go down. It won’t let you sleep, so you have to get up, make it into something, and then you’re allowed to sleep. That’s always in the middle of the bloody night, when you’re half awake or tired and your critical facilities are switched off.
All We Are Saying, David Sheff
Part of the song’s chorus – ‘Jai guru deva, om’ – is a Sanskrit phrase which roughly translates as ‘Victory to God divine’. It was likely inspired by Maharishi Mahesh Yogi, whom The Beatles had first met in August 1967. Maharishi’s spiritual master was called Guru Dev. ‘Jai’ is a Hindi word meaning ‘long live’ or ‘victory’, and ‘om’ is a sacred syllable in the Hindu, Jain and Buddhist religions.
It’s one of the best lyrics I’ve written. In fact, it could be the best. It’s good poetry, or whatever you call it, without chewin’ it. See, the ones I like are the ones that stand as words, without melody. They don’t have to have any melody, like a poem, you can read them.
Rolling Stone, 1970
Lennon initially wanted ‘Across The Universe’ to be released as a single while The Beatles were in India with Maharishi, but the group opted for ‘Lady Madonna’ instead. In March 1969 ‘Across The Universe’ was mooted for a never-released Yellow Submarine EP, but eventually appeared on No One’s Gonna Change Our World, an 11-song charity album also featuring The Bee Gees, Cilla Black, The Hollies and others.
It was a lousy track of a great song and I was so disappointed by it. It never went out as The Beatles; I gave it to the Wildlife Fund of Great Britain, and then when Phil Spector was brought in to produce Let It Be, he dug it out of the Beatles files and overdubbed it. The guitars are out of tune and I’m singing out of tune ’cause I’m psychologically destroyed and nobody’s supporting me or helping me with it and the song was never done properly.
All We Are Saying, David Sheff
The song is about the experience of dying and your soul being summoned across the universe to join god. It’s blatantly obvious
When the Muse calls, she doesn’t care if you’re under the covers or busy doing something else. When you’re told “Write this!”, you have to do it because she won’t take no for an answer.
I never understood why The Beatles released so few singles in this period. In 1968 they only released TWO singles all year, surely if John really felt this much about this song as he did, they could have released this as another single?
It’s not as if The Beatles would need to promote it much, all it would require would be a half day filming for a promo film.
Like John Lennon said – he was disappointed by the first result, and probably didn’t care about any release, other than giving it to the Wildlife Fund, which was great enough. In between all this he parted from Cynthia and fell in love with Yoko.
For many years, I listened to the “Let It Be” version and the original version (which first became available here in the US on the “Rarities” album), and although I loved the song, I always felt that something was not quite “right” with it. Then I heard the outtake on “Anthology 2” and said to myself, “That’s the version they should’ve issued in the first place”…
Joe, is that really Ringo playing Svaramandel on this?
Isn’t it more likely to be George?
Joe, the only source I can find for Ringo playing Svaramandel on ‘Across The Universe’ is in the main text for the song on beatlesbooks.com but in the list of instruments played by each member at the end of the piece Ringo’s Svaramandel contribution is not listed there which makes it uncertain whether his contribution was included on the final track or not.
The version of the album “Let it be… naked” is the best I’ve heard, pure sound and live. I get goosebumps listening to it.
McCartney used to sabotage Lennon’s songs. Wow!
Yeah, that’s why he played the unforgettable keyboards including the intros to “Lucy in the sky” and “Strawberry fields”, the blistering guitar solo on “Good morning”, the legendary bass line on “Come together”, added all the masterful ingredients to “A day in the life”, the tapeloops to “Tomorrow never knows”, sang the middle part of “A hard day’s night”, helped him with countless lyrics and harmony vocals (Ticket to ride…)
Some people are just ridiculous.
Some actual experts DID assume indeed that JOHN was actively sabotaging some of Paul’s songs by playing the bass very badly (Long and winding road)…
Typically John: he usually had rough basic ideas – and relied on the others (mainly Paul and George and GM) to make a proper song out of these with a good arrangement. See Tomorrow never Knows, A Day in the Life, Come Together, but also Strawberry Fields, Please Please Me, being For the Benefit OMK … (George Martin), Dont´let Me Down, In My Life, Lucy in the Sky … (Paul), Norwegian Wood, I Want You (George) etc.
What would A Hard Day´s Night be without the starting chord? certainly a creation of George, Paul and G.Martin …
Across the Universe has got good lyrics, but quite a boring melody and no real rhythmic drive – it´s simple to see the fault with others, John himself had no ideas to improve the song – and whined about the lack of assistance from the group, mainly Paul – who even organised the two fan-girls singing at the end (WWLF-release – questionable though if it is for the benefit). I cannot see any “sabotage”, rather a lack of ideas by John himself …
So claimed John Lennon in his most bitter I’m-going-to-swing-hard-and-hurt-everyone-I-ever-loved period. Him saying it doesn’t make it true.
One of John’s finest and most special, and particularly the poetic lyrics – so thanks to Cynthia.
Regardless, wasn’t the over detailed album version produced by Spector?