2.37am
1 November 2012
This consensus about Revolution 2 being better than 1 (with some grudging concessions to 1) solidifies my suspicion that’s been brewing in my head for a while now. I see it now: there are two types of Beatles fans — one type loves rock & roll; the other type just likes good music and isn’t all that crazy about rock & roll per se.
I’m the latter type; and maybe that’s why to me Revolution 1 is infinitely superior to 2.
When I make that distinction about rock & roll, I realize even R1 is quite a rock song. But what tips a person into thinking R2 is better I suspect is their enthusiasm for rock and thus embracing R2 because it just has more rock in it!
Also, I like most Beatles songs that delve into rock (e.g., Birthday , Back In The USSR ) — but mainly because they are good music, not because I’m a rock fan.
This sense I have was also underscored from that recent topic where people listed their favorite bands, and I saw that like 90% of people here like all these rock bands that make me yawn when they don’t make me flinch with annoyed nervousness.
Faded flowers, wait in a jar, till the evening is complete... complete... complete... complete...
3.14am
6 December 2012
That depends on your definition of rock or what type of rock you’re talking about. I’m not a huge fan of ACDC or Aerosmith or anything like that, but I love Revolution and Helter Skelter , for example. I also love Revolution 1 , but I love songs like Honey Pie and When I’m Sixty-Four , too. I love A Day In The Life , and I love While My Guitar Gently Weeps , and I love Strawberry Fields Forever , and I love Something , and I love Penny Lane , and I love The Inner Light , and I love Tomorrow Never Knows , and I love I Saw Her Standing There , and I love Ticket To Ride , and I love She Said She Said , and I love Eleanor Rigby , and I even love Yellow Submarine . I could go on and on and on. What I’m trying to say is that I’m not a “rock” fan, using what I would assume is your definition of rock, but I love all these songs. I love all different types of music. I’m not crazy about rock, yet I love the rock songs I mentioned (and many others). The Beatles’ music is very diverse, which is one of the reasons I love them so much.
Gah. That makes no sense. Whatever.
Also known as Egg-Rock, Egg-Roll, E-George, Eggy, Ravioli, Eggroll Eggrolli...
~witty quote~
3.57am
1 November 2012
Well, it was just a hypothesis; but I had second thoughts that maybe it was too simplistic. I was just trying to find a rational reason for why anyone would choose Revolution 2 over 1 …
Faded flowers, wait in a jar, till the evening is complete... complete... complete... complete...
5.51am
17 January 2013
meanmistermustard said
The ‘live’ tv performance of Revolution is a very nice kind of hybrid of the two with the backing vocals from #1 added to the fast single version.
Love Paul in this video… that smug look on his face.
Also I have to kind of agree with “The Long And Winding Road .” I very much prefer the “naked” version. Damn “wall of sound” ruins it.
"Please don't bring your banjo back, I know where it's been.. I wasn't hardly gone a day, when it became the scene.. Banjos! Banjos! All the time, I can't forget that tune.. and if I ever see another banjo, I'm going out and buy a big balloon!"
9.45pm
14 December 2009
Funny Paper said
Well, it was just a hypothesis; but I had second thoughts that maybe it was too simplistic. I was just trying to find a rational reason for why anyone would choose Revolution 2 over 1 …
I’d say they’re both “rock” songs…but, as such, “2” just rocks MORE. As far as that goes.
There are many of us here who like all sorts of musics, Funny Paper! Maybe you just haven’t run across all too many of them because some have been absent for awhile, and you’ve only been posting for a few months.
Paul: Yeah well… first of all, we’re bringing out a ‘Stamp Out Detroit’ campaign.
8.25am
1 November 2012
Von Bontee said
I’d say they’re both “rock” songs…but, as such, “2” just rocks MORE. As far as that goes.
To me, it’s more than just a quantitative thing (not merely less or more). The slower version has lots of qualitative features that make it better. I suppose I could try to articulate and define them if I spent time giving thought to it; for now, I just know I can feel it.
One I can say off the top of my head is that the slower more relaxed tempo also takes on the sense of a bit of jaded weariness nicely suited to the tonality of wise disillusionment in Lennon’s lyrics.
Faded flowers, wait in a jar, till the evening is complete... complete... complete... complete...
12.37pm
21 November 2012
2.06am
3 September 2012
I prefer 1, actually. I like the harmonies a lot more on that version. The original version is good too, but there’s a line where some songs are loud enough that I could use a break from them sometimes. Paperback Writer is probably the borderline, there, because I love that song enough it never gets to that point.
Please don't wake me, no don't shake me, leave me where I am, I'm only sleeping~.
2.15am
18 April 2013
2.26am
12 January 2013
The following people thank Beatles in the Blood for this post:
Hey Jude !The Incedibly True Story THat Never Ends. By Sam.
Best Friend: WHat are you listening to
Me: The Beatles
Best Friend: Go Figure
2.28am
14 January 2013
Expert Textpert said
She’s A Woman .
2.31am
18 April 2013
I hate that screamy voice he uses and the rhyme of “don’t give me presents” with “she’s no peasant” is really lame. In fact, it sounds like he spent five minutes writing it.
Come to think of it, I seem to remember reading it was written in a hurry…not sure, though.
"If you're ever in the shit, grab my tit.” —Paul McCartney
3.41am
3 September 2012
I like the live versions of She’s A Woman a lot. With songs like this and Long Tall Sally , John will just start doing the Some Other Guy rythm. You’ll find some videos of him doing that, somewhere..
EDIT: Ha, I actually found a version where Paul isn’t even audible. I was startled when John came in.
Please don't wake me, no don't shake me, leave me where I am, I'm only sleeping~.
3.19pm
3 May 2012
3.57am
3 September 2012
I’m less for the studio version because he didn’t let the guitar ring as much. When they did it live, he did so very well, and I like a lot of the songs where they go into a jam at the end, like I’m Down and Long Tall Sally .. I like She’s A Woman the most, though. It’s interesting to hear take 1 and how they changed it, as well.
Please don't wake me, no don't shake me, leave me where I am, I'm only sleeping~.
11.41am
21 November 2012
12.21pm
Reviewers
Moderators
1 May 2011
1.00pm
27 December 2012
She’s A Woman is one nice track (I prefer to avoid using “favourite”). It’s 1965, and Paul is getting better on the bass (as I Saw Her Standing There wasn’t enough just rememberback in 1962, he picked up the bass the for the first time and played a complicated bass line while singing). Paul’s Elvis-like rocker vocal is even more egregious in this take.
6.21pm
18 December 2011
Not much, but a few that I almost never listen to:
– “Wild Honey Pie “
– “The Continuing Story Of Bungalow Bill “
– “Revolution #9″
– “Dig It “
– “Julia ” (sorry John, but it doesn’t quite catch me as it should, but I understand your feelings for you mother)
– “It’s All Too Much ” (as the song title indicates, It’s All Too Much )
I can’t understand why so many hates “Mr. Moonlight” it’s one of the best from Beatles For Sale , it’s nothing wrong with it.
"Real music is made by real people playing real instruments using own creativity and skills."
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