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4.11am
2 May 2013
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I’m wondering whether there is a cultural effect with The Long And Winding Road . I was strongly reminded that despite our many similarities there appears to be a difference in perception between (say) and American and British perspective after viewing the opening of last night’s Superbowl. Whilst this is clearly a stereotype, American’s seem much more inclined to take sentimentality at absolute face value, with uttermost sincerity whereas British seem to view it through largely jaundiced eyes. Is this at play in this song given the US producer? Not saying either perspective is right or wrong, simply that it might be a cultural thing.
11.09am
24 August 2021
Offline I personally love the new mix on the Super Deluxe edition of Let It Be . The orchestra doesn’t smother the original instrumentation anymore, and it breathes a lot better. It sounds more like how George Martin would’ve handled the orchestra overdubs.
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Mr. Moonlight11.05pm
14 June 2016
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Paul Prole said
Love this song. Love the Spector treatment. Listening to the Naked version is like listening to a demo by comparison. Can’t see why people all of a sudden didn’t/don’t like strings on a Beatles track. Think they mean the choir. For me it’s epic. Huge fan of it.
My standout moment of Spector’s treatment is “the wild and windy night, that the rain washed away has left a pool of tears”. Goosebumps.
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2.35am
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1 May 2011
Offline How Paul sings “You left me waiting here, a long long time ago” after the instrumental section is gorgeous. You can here the emotion.
I still prefer the bareness of the bare performance but there is something about Spector’s arrangement that is growing on me – maybe if he had reigned it in just a little bit. It works later on in the song.
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Richard, Rube, Mr. Moonlight"I told you everything I could about me, Told you everything I could" ('Before Believing' - Emmylou Harris)
10.20am
17 June 2021
Offline It’s a brilliant song. I love all versions of it, including the Phil Spector one. The strings and the choir on that version is beautiful.
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5.10pm
30 August 2021
Online Paul Prole said
Love this song. Love the Spector treatment. Listening to the Naked version is like listening to a demo by comparison. Can’t see why people all of a sudden didn’t/don’t like strings on a Beatles track. Think they mean the choir. For me it’s epic. Huge fan of it.
If it had been released that way to begin with, I’d probably also dislike the additions but in the context of what we have the whole Naked album sounds sterile by comparison.
"Nothing is Beatle-proof."
8.11pm
7 November 2022
Offline Now today I find, you have changed your mind
12.59pm
17 June 2021
Offline Sea Belt said
Paul said he originally wrote this for Tom Jones. I would have liked to hear/see that, however it’s not a song Tom could swivel his hips to, so that’s a big drawback.
I didn’t know he initially wrote it for him. It may not be a song Tom could move to, but I could see him do a cover of it nowadays. Tom’s voice still sounds fantastic at 82.
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