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1.25am
8 January 2015
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natureaker said
Towards the end of Lovely Rita , you can hear John (and George, I believe) in the background saying “Ahhh” as it slowly gets louder. I don’t know, I just love that part
I love that bit too because the rhythm stops being so 2/4 and the song really swings and gets a bit spooky; I’ve never understood why it should feel spooky, but I always get a charge from it.
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4.29pm
22 November 2015
Offline Don’t know if somebody’s mentioned it already but I love the little piano bit which fades out at the end of Tomorrow Never Knows , it sounds so eery combined with the loops!
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20 August 2013
Offline OskarMcCartney said
Don’t know if somebody’s mentioned it already but I love the little piano bit which fades out at the end of Tomorrow Never Knows , it sounds so eery combined with the loops!
Welcome to the BB forum, @OskarMcCartney. No worries, this is the kind of thread where it is perfectly acceptable to post something that has already been posted before. We want to know which song fragments grab you.
I’ve been grabbed by The Beatles so many times … 
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1.26am
8 January 2015
Offline Speaking of spooky ending parts, like Tomorrow Never Knows , the end of Magical Mystery Tour does a similar thing to the end of Lovely Rita , shifting into swing with a reverb-y piano. Not to mention the end of Flying which is very cool and psychedelic, but that’s more loops and I think a Mellotron? Some of my favourite endings of all time.
I'm like Necko only I'm a bassist ukulele guitar synthesizer kazoo penguin and also everyone. Or is everyone me? Now I'm a confused bassist ukulele guitar synthesizer kazoo penguin everyone who is definitely not @Joe. This has been true for 2016 & 2017 but I may have to get more specific in the future.
6.18am
2 March 2015
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ewe2 said
Speaking of spooky ending parts, like Tomorrow Never Knows , the end of Magical Mystery Tour does a similar thing to the end of Lovely Rita , shifting into swing with a reverb-y piano. Not to mention the end of Flying which is very cool and psychedelic, but that’s more loops and I think a Mellotron? Some of my favourite endings of all time.
MMT’s outro is so oddly mystical. Love it.
The Greensleeves segment and John yelling the chorus to She Loves You at the end of All You Need Is Love are amazing too. What a moment. It’s very moving.
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15 February 2015
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long long long said
<snip>
The Greensleeves segment and John yelling the chorus to She Loves You at the end of All You Need Is Love are amazing too. What a moment. It’s very moving.
I love that bit. I remember when I first noticed that Greensleeves bit, I was elated. Greensleeves is my favourite old folk ballad type song.
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2.35pm
24 March 2014
Offline John’s falsettos in “A Day In The Life “
the strings glissando from the “I Am The Walrus ” intro
“Sun king” intro
first “my baby don’t care” at the end of Ticket To Ride … falsettos again
“Bad boy” intro
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7.38pm
3 November 2015
Offline “We Can Work It Out “: The ritardando during “…for fussing and fighting my friends.”
“Twist And Shout “: Crescendo and screaming. Enough said.
“Yesterday “: When Paul holds back on “…go, I don’t know….”
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8.22pm
8 January 2015
Offline Interestingly the official score makes no mention of ritardando usually abbreviated as rit. in the score of We Can Work It Out which is a bit of an oversight I would have thought, but importantly it is also using a 3/4 time in a 4/4 bar, which means two triplets which looks weird and wrong. It would have been simpler to just do two bars of 3/4 perhaps!
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3.21am
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1 May 2011
Offline How Paul sings “There’s a chance that we may fall apart before too lo-oong” at the end of ‘We Can Work It Out ‘.
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4.13am
4 June 2015
Offline At the end of It’s Only Love , how John sings “It’s So Hard loving you, loving yooooouuuuuu ….”. Wonderful.
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1.41am
24 March 2014
Offline And the way George sings the word “care” at the end of the intro of “Do You Want To Know A Secret “.
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7.52am
28 March 2014
Offline lillo78 said
the strings glissando from the “I Am The Walrus ” intro
Me like very much!!!! 
BEATLES Music gives me Eargasms! 
5.06pm
15 May 2015
Offline The squinchy sound at the very start of “Ram On “, sounds like a plastic plug was pulled suddenly from a high pressure valve, releasing a flow of watery piano arpeggios… (it’s really the sound of a reel-to-reel tape, I think)
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7.12pm
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15 February 2015
Offline lillo78 said
And the way George sings the word “care” at the end of the intro of “Do You Want To Know A Secret “.
You’ll never know how much I reeeally caaare…. 
That bit cracks me up. I always say that’s George doing his very best Elvis impression, which is adorably, laughably incongruous with his wholly un-Elvis-like voice.
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7.52am
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15 February 2015
Offline The way George sings the line ‘you know that I need you’ in Long, Long, Long always gets me. It’s the fool-proof* ‘if you weren’t crying already, well, here ya go’ bit.
*As it happens, I am a representative of the ever-joking, takes-nothing-seriously Fool archetype, which is part of why I am terrible at crying. But some songs are fool-proof…
*cough Stuck Inside A Cloud cough*
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4.39pm
24 March 2014
Offline The vocal harmonies in Mean Mr. Mustard… they are subtle, but very nice.
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5.00pm
5 November 2011
Offline The very beginning of Mean Mr. Mustard. It’s such a good segue into that song and away from Sun King .
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1.13am
24 March 2014
Offline unknown said
The very beginning of Mean Mr. Mustard. It’s such a good segue into that song and away from Sun King .
very true
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12.45am
31 July 2014
Offline Funny bit at the end of an early Xmas fan club taping has always touched my heart. “…Get a piece of paper and write it down…I haven’t got any paper, Bodgie…Well I’ll say ‘matches’ and you say ‘candles’, that way we’ll BOTH remember…Matches…Candles…Matches…Candles…Matches…Candles…Matches…(fade out)
I wish I could send a link to this sweet little passage.
For well over 40 years, my dear friend Linda & I have signed our Christmas cards to each other Matches…Candles…(so that we’d BOTH remember)
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