Log In
Register
12.17pm
15 June 2014
Offline
You dont have to agree with me but whenever I play Sgt. Pepper ‘s Lonely Hearts Club Band (I listened to the song after having listened How Do You Sleep) I sorta expect John’s voice opening “So Sgt. Pepper took you…”. Both the songs have a similar beginning, How Do You Sleep being a little louder. What do you guys think about how HDYS sounds a bit like Sgt. Peppers in the opening and includes the famous reference to the song as well?
1.55pm
3 June 2014
Offline I would think (without knowing for sure) that the similarity between the start of each would be (if it did relate to Sgt. Pepper ) just another stab at Paul, since Sgt. Pepper was his idea.
The following people thank Bulldog for this post:
Hey Jude !If you're lonely (or not!), you can talk to me. .....Hey! Are you a new member on this fine forum and don't know where to go to introduce yourself?
Well, you can do it here! Dig it?
2.20pm
Reviewers
Moderators
1 May 2011
Offline It was a deliberate shot at Paul by John to have the orchestra warm-up, he didnt do subtlety and this was a way to ensure Paul would get the message instantly – “so Sgt Pepper took you” being the follow-up blow.
"I told you everything I could about me, Told you everything I could" ('Before Believing' - Emmylou Harris)
4.20pm
15 June 2014
Offline hmm, I felt foolish trying to stretch this too far at first.
6.30pm
Reviewers
14 April 2010
Offline 
StrawberryFieldsForever said
hmm, I felt foolish trying to stretch this too far at first.
Not foolish at all. The first time I heard ‘How Do You Sleep’, my first thought was of the opening to ‘SPLHCB ‘ because of the instrumental warm-up.
I love the music/melody/mood in ‘How Do You Sleep’. IMHO it would have made for a cool song regardless of the message/lyrics.
To the fountain of perpetual mirth, let it roll for all its worth. And all the children boogie.
7.21pm
14 December 2009
Online
That string arrangement – through the entire song, not just the intro – is Phil Spector’s greatest contribution the album. Such eerieness, just like “Glass Onion “. (Actually I think I like Spector’s arrangement and production of “…solder…” too, but I can’t be sure since I never play it, such a weak and endless song.)
Paul: Yeah well… first of all, we’re bringing out a ‘Stamp Out Detroit’ campaign.
1 Guest(s)