3.11pm
5 February 2010
Always loved this song. Always had a bit of a hard time playing it, though, because it's in F, so playing it “straight” on the guitar means using lots of ham-fisted bar chords throughout. And it never seemed to have that nice, bassy resonance that I heard on the album.
And then the Anthology discs came out, and there was “Yesterday “, but with all the pre-recording banter. Paul says, presumably to George, “It'll be in F … for you.” That's when I realized that he was playing it in G, but with his guitar tuned down an entire step: DGCFAD
The chords usually run like this:
Verse: F – Em7 – A7 – Dm – Bb – C – F – Dm – G7 – Bb – F
Bridge: Em7 – A7 – Dm (descending) – Gm – C – F
In the new, dropped tuning, the chords all go up a full step, the voicings naturally change, and everything fits into place:
Verse: G – F#m7 – B7 – Em – C – D – G – Em – A7 – C – G
Bridge: F#m7 – B7 – Em (descending) – Am – D – G
Not a bit like Cagney.
3.28pm
14 October 2009
PeterWeatherby said:
And then the Anthology discs came out, and there was “Yesterday “, but with all the pre-recording banter. Paul says, presumably to George, “It'll be in F … for you.” That's when I realized that he was playing it in G, but with his guitar tuned down an entire step: DGCFAD
Ah-hah, that's what he meant. Always wondered why it was “F for YOU”
"If we feel our heads starting to swell.....we just look at Ringo!"
4.20pm
5 February 2010
Thanks for that! I never knew. I've always tried playing it in F. I presumed the “…for you” comment was due to the string instruments being in a different key, but on reflection I don't think they are.
Do you think he played an open or barred G chord? Barred seems more likely if he then dropped a semitone for the F#m7.
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4.36pm
5 February 2010
Joe said:
Do you think he played an open or barred G chord? Barred seems more likely if he then dropped a semitone for the F#m7.
Open, actually, in more ways than one. “Open” voicing, but it's also an “open 5th” chord, so you don't get to hear the 3rd (the B natural). It's formed like so:
DGCFAD
———–
3×0033
And the following F#m7 sounds like it's voiced this way (with the thumb fretting the bass note):
DGCFAD
———–
2x222x
Everything else sounds pretty standard from there on, except for the closing chords (where he's singing the “mmm” bit), which he only plays on the upper two strings:
xxxx33 —> xxxx23 —> xxxx13 —> xxxx33
The following people thank PeterWeatherby for this post:
BeatlebugNot a bit like Cagney.
Wow, thanks for that. You're able to hear these things much more clearly than I can. I just bash away at the chords…
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4.39am
15 February 2010
2.04pm
5 February 2010
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