1.06pm
20 January 2016
He was slowly developing as a songwriter. It’s a shame that just when he was at his peak in Abbey Road , the group disbanded. It was practically a crime to limit such a soulful singer and great guitarist to just 2 songs per album. What I would have done: after The White Album , they should have had a more equal split in songwriting: 30% George, 30% John, 30% Paul, 10% Ringo.
Lennon brought the Beatles into the psychedelic phase when there was a clear need for a change in direction. Likewise, I think The Beatles were starting to get some inertia at the end tip of their career. Paul’s late-Beatles songs were hit and miss ; very few of them drove the band in a bold new direction. George coming in and totally changing up the sound could have given them the boost they needed for a few more albums.
Plus, giving Harrison a lead role would have eased the tensions in the band. First, it would give him less motivation to want to mount a solo career so soon. He likely would have cooperated more with Ringo to make sure he was valued and put an end to the granny-music that drove Lennon away.
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pepperland3.18pm
3 August 2012
I agree that George deserved more songs on their albums but if he did, we certainly wouldn’t have the masterpiece All Things Must Pass (at least in the form that it is today).
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3.27pm
28 July 2015
I agree that George should’ve got more songs on the albums. But, at the beginning, he never wrote songs, and didn’t start writing songs until I believe 1964 (correct me if I’m wrong). Also, he did write lots at some point, but I’m pretty sure he was fine with how much stuff he had on an album. I believe he stated something like “I had my share of songs on one or two albums, but I wasn’t really tied down (not able to have songs on their albums). John and Paul were the main songwriters, and that’s just how it was”.
So yes, I agree that he should’ve had a little more songs, but I don’t think he would’ve really wanted more of a “lead role”, as you would say. He enjoyed playing instruments and occasionally singing, and he just kept on doing what he was doing, y’know?
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3 August 2012
natureaker said
But, at the beginning, he never wrote songs, and didn’t start writing songs until I believe 1964 (correct me if I’m wrong).
1963 with Don’t Bother Me . (Well, you told me to correct you)
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3.49pm
Reviewers
Moderators
1 May 2011
George took longer to match the level of output to rival Paul and/or John; his desire at the beginning was to play guitar and songwriting only came about when he saw the royalties John and Paul were making and thought if they could so could he. He started getting more of a backlog in the mid-60’s but I don’t know to what level exactly – a few titles are bandied around as coming from then but were they finished to the same standard that he eventually released?
As John said it was hard as even tho he and Paul saw George was matching them by even 1968 in terms of quality their egos meant they were never going to let him get that space.
I think personally that overall George had a pretty big role in the Beatles its just less pronounced, reported and expressed.
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3.49pm
Moderators
15 February 2015
Even though it kind of sucked for George, I’m rather glad it happened the way it did. It pushed George to become a better songwriter and I like George’s solo career so I mean, All Things Must Pass … nuff said
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5.28pm
3 November 2015
If you look at Abbey Road , it’s pretty much what it would be like if Ringo and George had been given equal roles to John and Paul. It’s the first time you hear an actual drum solo and having more than one single for George (if I’m getting my history right). Musically and as a group, they hit their peak here. The result was a matured group with more introspective music than singing a typical song. They could do this because they were so famous and managed to keep people’s interest where it would wane elsewhere.
Paul and John were obviously the best vocally, had the best stage-presence, and were the best writers in the beginning. George was younger and Ringo played the drums. Naturally, this was what crowds wanted to see. However, George could probably compose the best guitar accompaniments and could have been better with his instrumental skills. But as we all know, in the real world, skill doesn’t always come out on top. It’s what people want to see–and hear; people want to hear words, and I don’t blame them. I enjoy seeing John and Paul in the forefront because I think they handle it the best.
As they became more popular, there is absolutely no reason John and Paul shouldn’t have given George a more prominent role in the band. I don’t know about an “equal” role, but they should have encouraged him to write more singles because he was more than capable. John and Paul are great at churning out lyrics and chords, but you can see from Abbey Road that George had equal songwriting abilities (but perhaps couldn’t compete with the quantities; not that he was given a chance).
What happens to George happens too often. It’s hard, in any “business,” to accurately give credit where it is due. I feel for the guy, but at least he was competing against the best musicians in the world and not some unprofessional, asinine buffoons.
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6.40pm
Reviewers
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1 May 2011
Only one single for George @KaleidoscopeMusic. ‘Here Comes The Sun ‘ was a standout album track but the only single was the double a-side ‘Something ‘ c/w ‘Come Together ‘. Unless it was released in some country elsewhere where the Beatles didnt have either a say or a clue in its release.
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6.43pm
Moderators
15 February 2015
Very good points, @KaleidoscopeMusic. However, as it happens, you’re not getting your history right: Something was George’s only A-side single with the Beatles. Here Comes The Sun wasn’t a single, though it’s quite famous enough.
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6.14pm
12 May 2015
Harrisons personality kind of held him back a bit…. i’m not sure a bigger role would have suited him,john and paul were both very dominant and it would have taken a huge effort to challenge that especially in the touring years. I think in a lot of ways he played it just right and learned his craft quietly in the background.
From what i can gather george was choked with resentment at not being included in the songwriting process with john and paul. I can see both points of view on that one.
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27 March 2015
I’m not so sure John and Paul ‘ought’ to have done anything, to be honest.
The roles within the Beatles were clear from day 1, and everyone seemed to be happy with that. And then, after doing the bulk of the work for years, John and Paul are expected to make room for a third captain, when having two was complicated enough? Just because George wanted to change the rules in his favour, doesn’t mean the others were required to go along with it.
I can see George’s point of view, I certainly can. I can also see why John and Paul didn’t feel the need to take a step back. And let’s not forget that as lead guitarist, George already held a crucial position in the band. Just because he wasn’t one of the main songwriters, doesn’t mean his contribution was less important. He was, after all, one of the main vocalists, and his guitar playing was largely responsible for the Fabs’ sound.
He may have felt he played an inferior role, and the title of this topic implies it as well, but that’s simply not true. Even without getting more songs, he was just as important as John and Paul, and so was Ringo.
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4.35am
18 December 2012
JPM-Fangirl said
I’m not so sure John and Paul ‘ought’ to have done anything, to be honest.The roles within the Beatles were clear from day 1, and everyone seemed to be happy with that. And then, after doing the bulk of the work for years, John and Paul are expected to make room for a third captain, when having two was complicated enough? Just because George wanted to change the rules in his favour, doesn’t mean the others were required to go along with it.
I can see George’s point of view, I certainly can. I can also see why John and Paul didn’t feel the need to take a step back. And let’s not forget that as lead guitarist, George already held a crucial position in the band. Just because he wasn’t one of the main songwriters, doesn’t mean his contribution was less important. He was, after all, one of the main vocalists, and his guitar playing was largely responsible for the Fabs’ sound.
He may have felt he played an inferior role, and the title of this topic implies it as well, but that’s simply not true. Even without getting more songs, he was just as important as John and Paul, and so was Ringo.
That’s not entirely accurate. While it’s true George became a songwriter later on, he arguably was considered more of an equal before the Lennon/McCartney brand became a thing. John and Paul relied on him to teach them chords, he pushed the band into going electric, had much more control over the guitar parts and played a big role in live performances. By 1967 he had essentially become Paul’s session musician and at times wasn’t needed at all. I feel like Abbey Road is the only album in that later period where George really had an opportunity to show what he could bring to the band.
Also, let’s be honest, John and Paul weren’t exactly at the top of their game by that point. John was having a lot of trouble coming up with songs while George was in his most prolific period. The logical step would’ve been to use more of George’s songs, but they cared more about keeping the illusion of Lennon/McCartney going than making the best albums.
6.41am
27 March 2015
You got a few things wrong there.
Paul did not rely on George to learn chords. George himself said (on record!) that Paul was always better with chords, especially the more difficult ones. They each went all over Liverpool to learn new chords, which they then would show to the others. But to say George taught Paul to play guitar, is not accurate. Don’t take my word for it, check George’s comments on this topic.
Paul and John weren’t at the top of their game from ’67 onwards? Sure, John’s output was waning, but Paul did much of his best work in the final years. Saying he wasn’t doing very well is just silly and untrue.
Something tells me you don’t like (John and) Paul very much. That’s fine, just try not to pose an opinion as fact. George was never just a session musician to anyone though he may have felt like one at times. Don’t underestimate him, though. He was very much capable of voicing his opinion. He didn’t just sit in a corner and sulk, he spoke his mind when he wasn’t happy. And it’s probably a good thing he did because he did influence the others more than once. John may have underestimated George until the day he died, but Paul never denied that George was massively important to the band.
Perhaps we should all be a bit more like Ringo: he loved George very, very much, yet he doesn’t turn him into a saint. Just this morning, I saw an interview in which Ringo repeatedly expressed that George wasn’t the easiest person to work with, and he joked about George trying to work his religion into other people’s songs.
Let’s face it: they were all complicated, flawed people – George included. Isn’t that much of their charm anyway?
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8.23am
22 July 2015
9.03am
20 January 2016
I was the walrus said
If George had a bigger role than he already did with the Beatles, well then they wouldn’t have that Beatles tune to them. It would take away from the suttle art George displayed at a low key.
When Lennon ushered in the psychadelic sound, there were probably people back then saying “This is not the Beatles I remember”.
If “Something “, “Here Comes The Sun “, and “While My Guitar Gently Weeps ” isn’t a Beatles sound, I’m not sure what is.
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Beatlebug, I was the walrus4.22pm
18 December 2012
JPM-Fangirl said
You got a few things wrong there.Paul did not rely on George to learn chords. George himself said (on record!) that Paul was always better with chords, especially the more difficult ones. They each went all over Liverpool to learn new chords, which they then would show to the others. But to say George taught Paul to play guitar, is not accurate. Don’t take my word for it, check George’s comments on this topic.
Paul and John weren’t at the top of their game from ’67 onwards? Sure, John’s output was waning, but Paul did much of his best work in the final years. Saying he wasn’t doing very well is just silly and untrue.
Something tells me you don’t like (John and) Paul very much. That’s fine, just try not to pose an opinion as fact. George was never just a session musician to anyone though he may have felt like one at times. Don’t underestimate him, though. He was very much capable of voicing his opinion. He didn’t just sit in a corner and sulk, he spoke his mind when he wasn’t happy. And it’s probably a good thing he did because he did influence the others more than once. John may have underestimated George until the day he died, but Paul never denied that George was massively important to the band.
Perhaps we should all be a bit more like Ringo: he loved George very, very much, yet he doesn’t turn him into a saint. Just this morning, I saw an interview in which Ringo repeatedly expressed that George wasn’t the easiest person to work with, and he joked about George trying to work his religion into other people’s songs.
Let’s face it: they were all complicated, flawed people – George included. Isn’t that much of their charm anyway?
Excuse me, but you’ve made a lot of assumptions in this post that aren’t true. I never said George taught Paul how to play guitar, but he did know the most about guitars out of the 3 of them, and it has been documented – either in Mark Lewisohn’s new book or another reliable one – that they used new chords George showed them to write songs.
Again, not what I said. I was referring to 1969 when George was at his most prolific, and yes, it was not Paul’s best year imo.
Actually, Paul happens to be my second favourite Beatle. Your post comes across as pretty condescending here. Maybe you’re not familiar with my previous posts, but I have never tried to claim any of The Beatles were saints. That didn’t really have anything to do with my point. At the time Paul DID treat George as if he wasn’t important to the band. Sorry but he did – George wasn’t upset with him for no reason, and it wasn’t until he walked out of the Let It Be sessions that anyone took him seriously.
7.31pm
8 January 2015
Let’s not be hasty shall we? There is room enough for differences of opinion without accusations and ad hominems. It’s not the best way at all, says George
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1.47am
18 December 2012
ewe2 said
Let’s not be hasty shall we? There is room enough for differences of opinion without accusations and ad hominems. It’s not the best way at all, says George
Don’t worry, I’m completely chill and don’t mean to attack anyone. It’s just kind of annoying when people automatically assume you don’t know what you’re talking about just because they disagree.
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I was the walrus7.55am
27 March 2015
George left the Let It Be sessions over an argument with John, not because of anything Paul said. But please, let’s just agree to disagree. Life is very short, and there’s no time for fussing and fighting
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8.03am
22 July 2015
Derek Francis said
If “Something “, “Here Comes The Sun “, and “While My Guitar Gently Weeps ” isn’t a Beatles sound, I’m not sure what is.
I do agree, no doubt, George has written some incredible songs, but he is only the lead in 1 or 2 per album, which I feel is a perfect role for him. His songs always seem to be at the top of my list for every album though.
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