10.36pm
4 December 2010
12.10am
1 December 2009
I enjoyed that book a lot, considered it practically like a tragic real-life novel. But apparently it's got a lot of inaccuracies, that you may or may not consider minor.
GEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
12.22am
4 December 2010
2.25pm
19 September 2010
http://www.beatlesnews.com/new…..rrors.html
Apparently he wrote the photo captions in a rush just before a deadline, and were corrected for a second edition. I don't know about the rest – I've not read the book.
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4.15pm
19 September 2010
9.42pm
4 December 2010
9.51pm
19 September 2010
PennyLane said:
I haven't finished the book yet. I got as far as I think about John taking dance lessons. I haven't had time to finish it because of my classes.
But reading those mistakes on the article made me laugh.
I saw them earlier, but I gave it a try. Bad choice.
As if it matters how a man falls down.'
'When the fall's all that's left, it matters a great deal.
3.56pm
4 February 2011
I think this is the book where he says Patti and George met on the set of Help …I found a few mistakes which quite annoyed me. He heavily used the official bio of the Beatles from 1968 by Hunter Davies for source quotes.
7.34pm
1 December 2009
That's exactly the sort of silly, easily correctable error that plagues the book – I think at one point Spitz claims that Rubber Soul has 13 songs, or something equally flat-out wrong. But when I call the book a “real-life novel”, I'm thinking specifically about dramatic passages like this one, depicting the recording of “Twist & Shout”:
Everyone knew they’d have to get it on the first take — the band, the engineer, everybody had to do his job, without a missed note or a glitch. There would be nothing left of John’s voice after that.
[. . .]
John tore open a wax carton and gargled noisily with milk. He’d played most of the day in a rumpled suit, but sometime after dinner the jacket was removed and two fingers yanked down the tie. Now, without a word, he stripped off his shirt. He draped it over a bench, then walked over to the mike and nodded to the others: good to go.
It is obvious from the very first notes that John was straining for control. “Shake it up bay-be-eee. . .” was more of a shriek than singing. There was nothing left of his voice. It was bone-dry, stripped bare, with all the resonance husked from the tone, and the sound it made was like an angry, hoarse-voiced fan screeching at a football match. Between clamped jaws, contorting his face, he croaked, “Twist And Shout .” He had been struggling all day to reach notes, but this was different, this hurt. And it was painful to listen to. Still, John held nothing in reserve. Trancelike, as the band rocked harder, buliding excitement with their impetuous energy, the struggle grew more intense. “C’mon, and twist a litle closer” broke up into an agonizing, demonic rasp, until on the last refrain of the tortured throatiness strangled every word before Paul, in admiration, shouted, “Hey,” celebrating, as they miraculously crossed the finished line.
John was wasted, near collapse, but the others already knew what he was about to find out from a playback: that for all its hairiness, “Twist And Shout ” is a masterpiece . . .
That may not be entirely appropriate reporting – it's not as though Spitz was actually there, obviously – but it's good stuff. I'm not necessarily recommending Spitz's book (presumably everyone is going to wait for the Lewisohn's definitive works), just explaining what I liked about it.
GEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
8.09pm
19 September 2010
vonbontee said:
That's exactly the sort of silly, easily correctable error that plagues the book – I think at one point Spitz claims that Rubber Soul has 13 songs, or something equally flat-out wrong. But when I call the book a “real-life novel”, I'm thinking specifically about dramatic passages like this one, depicting the recording of “Twist & Shout”
That may not be entirely appropriate reporting – it's not as though Spitz was actually there, obviously – but it's good stuff. I'm not necessarily recommending Spitz's book (presumably everyone is going to wait for the Lewisohn's definitive works), just explaining what I liked about it.
I know that mistakes are inevitable, and that passage is great, but The story doesn't pass basic tests.
As if it matters how a man falls down.'
'When the fall's all that's left, it matters a great deal.
8.51pm
1 May 2010
I read this book a few years ago and thought it was okay, but I’m leafing through it again at work and it appears as though Spitz let his imagination get the best of him at certain points. That’s not necessarily a bad thing because it makes the book more interesting and readable, but I don’t know how factual the book is, especially the White Album and Apple stuff where he really goes off the deep end. He seems to get most of his information from Anthology and various other places, but I get the feeling that he filled in a few areas with his own interpretations. He spends a lot of time talking about Brian’s and John’s personalities and how self destructive they both were.
It’s tough to say about this one, it’s a good book but it seems more like fiction in certain places.
I sat on a rug, biding my time, drinking her wine
10.03pm
4 December 2010
7.33pm
28 May 2011
Spitz's book was pretty tough to read and reading his mistakes on here were shocking.
However, it's a very detailed book and probably stands as the top biography of the band running through the Beatle years.
He comes of full of himself on Utube videos and endorsed Goldman prior to the Goldman book and ripped him after.
"If George Harrison can have a triple album, why can't I have a double album?"–Yoko Ono
11.57pm
5 February 2014
12.11am
Reviewers
1 November 2013
12.07am
5 February 2014
5.17pm
Reviewers
29 November 2012
I’ve made my thoughts on this book known here and elsewhere…it’s putrid and not worth reading. Beyond that, Spitz is a grade-A a*****e, as evidenced by how he responded to fans who pointed out some his numerous errors to him:
http://www.beatlesnews.com/new…..rrors.html
To give you an idea of what I think of this book, a few years ago our garage flooded and I lost several of my books that were ruined by water and mold damage…the Spitz book survived, to which I was incredibly disappointed. I threw it out with the lot anyway.
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7.01pm
Reviewers
14 April 2010
9.27pm
Reviewers
29 November 2012
Zig said
Thanks for that link DrB – it was a great read – hilarious!
Haha, no problem! Can you imagine the nerve of that clown talking to his customers like that? What a DB! It’s not FANS’ fault his book is riddled with inaccuracies!
"I know you, you know me; one thing I can tell you is you got to be free!"
Please Visit My Website, The Rock and Roll Chemist
Twitter: @rocknrollchem
Facebook: rnrchemist
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