"What are you listening to right now?" thread | Page 515 | Fab Forum | The Beatles Bible

I love this song so much, one of my favourite musical show tunes. Of the seldom times I wish I were a lad, it’d be to be able to play Tony- his songs are brilliant and I am nowhere capable of being Maria.

I revealed on 2 May
Just starting a Dylan Marathon with 1961

Reveal Spoiler

The Home of Bob and Sid Gleason
East Orange, New Jersey; February or March 1961

1: San Francisco Bay Blues (Jessie Fuller)
2: Jesus Met the Woman at the Well (traditional)
3: Gypsy Davey (traditional, arranged by Woody Guthrie)
4: Pastures of Plenty (Woody Guthrie)
5: Trail of the Buffalo (traditional, arranged by Woody Guthrie)
6: Jesse James (traditional)
7: Car, Car (Woody Guthrie)
8: Southern Cannonball (R Hall/Jimmie Rodgers)
9: Bring Me Back, My Blue-Eyed Boy (traditional)
10: Remember Me (When the Candle Lights Are Gleaming) (traditional)

Montewese Hotel (Indian Neck Folk Festival)
Branford, Connecticut; 6 May 1961

11: Talking Columbia (Woody Guthrie)
12: Hangknot, Slipknot (Woody Guthrie)
13: Talking Fish Blues (Woody Guthrie)

unidentified coffeehouse
Minneapolis, Minnesota; May 1961

14: Ramblin’ Round (Woody Guthrie)
15: Death Don’t Have No Mercy (Reverend Gary Davis)
16: It’s Hard to Be Blind (traditional)
17: This Train Is Bound for Glory (Big Bill Broonzy, arranged by Woody Guthrie)
18: harmonica solo
19: Talking Fish Blues (Woody Guthrie)
20: Pastures of Plenty (Woody Guthrie)
21: This Land Is Your Land (Woody Guthrie)
22: Two Trains Runnin’ (McKinley Morganfield)
23: Wild Mountain Thyme (traditional)
24: Howdido (Woody Guthrie)
25: Car, Car (Woody Guthrie)
26: Don’t Push Me Down (Woody Guthrie)
27: Come See (Woody Guthrie)
28: I Want My Milk (Woody Guthrie)
29: San Francisco Bay Blues (Jesse Fuller)
30: A Long Time a-Growin’ (traditional)
31: Devilish Mary (Bess Lomax Hawes)
32: Railroad Bill (traditional)
33: Will the Circle Be Unbroken (A.P. Carter)
34: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
35: Pretty Polly (traditional)
36: Railroad Boy (traditional)
37: James Alley Blues (Richard Brown)
38: Bonnie, Why’d You Cut My Hair?

Riverside Church (12-Hour Hootenanny Special: Saturday of Folk Music)
New York City, New York; 29 July 1961

39: Handsome Molly (traditional)
40: Naomi Wise (traditional)
41: Poor Lazarus (traditional)
42: Mean Old Southern Railroad (Danny Kalb) *1
43: Acne (Eric von Schmidt) *2

*1 Bob Dylan & Danny Kalb
*2 Bob Dylan & Ramblin’ Jack Elliott

Gaslight Café
New York City, New York; September 1961

44: Man on the Street
45: He Was a Friend of Mine (traditional)
46: Talking Bear Mountain Picnic Massacre Blues
47: Song to Woody
48: Pretty Polly (traditional)
49: Car, Car (Woody Guthrie) *

* Bob Dylan & Dave van Ronk

Studio A, Columbia Recording Studios (Carolyn Hester session)
New York City, New York; 30 September 1961

50: Swing and Turn Jubilee [take 1] (traditional) *
51: Come Back, Baby [take 1] (traditional) *
52: Come Back, Baby [take 5] (traditional) *
53: Los Biblicos [take 1] (traditional) *
54: I’ll Fly Away [take 1] (Albert E Brumley) *
55: I’ll Fly Away [take 2] (Albert E Brumley) *

* Carolyn Hester (Bob on harmonica)

WYNC Radio Studio (Oscar Brand’s Folk Song Festival)
New York City, New York; 29 October 1961

56: interview (1)
57: Sally Gal (Woody Guthrie)
58: interview (2)
59: The Girl I Left Behind (traditional)

Carnegie Chapter Hall
New York City, New York; 4 November 1961

60: Pretty Peggy-O (traditional)
61: In the Pines (Huddie “Leadbelly” Leadbetter)
62: Gospel Plow (traditional)
63: 1913 Massacre (Woody Guthrie)
64: Backwater Blues (Bessie Smith)
65: A Long Time a-Growin’ (traditional)
66: Fixin’ to Die (Bukka White)
67: Talking Bear Mountain Picnic Massacre Blues
68: Man on the Street
69: This Land Is Your Land (Woody Guthrie)
70: Talking Merchant Marine (Woody Guthrie)
71: Black Cross (Lord Buckley)
72: Freight Train Blues (John Lair)
73: Song to Woody
74: Talkin’ New York

Studio A, Columbia Recording Studios
New York City, New York; 20 November 1961

75: You’re No Good [take 5] (Jesse Fuller)
76: Fixin’ to Die [take 3] (Bukka White)
77: He Was a Friend of Mine [take 2] (traditional)
78: House of the Risin’ Sun [take 3] (traditional)
79: Talkin’ New York [take 2]
80:Song to Woody [take 2]
81: Baby Let Me Follow You Down [take 1] (Eric von Schmidt)
82: In My Time of Dyin’ [take 1] (traditional)

Studio A, Columbia Recording Studios
New York City, New York; 22 November 1961

83: Man on the Street [take 2]
84: Man of Constant Sorrow [take 4] (traditional, arranged by Bob Dylan)
85: Pretty Peggy-O [take 2] (traditional)
86: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
87: Gospel Plow [take 1] (traditional, arranged by Bob Dylan)
88: Highway 51 [take 1] (traditional, arranged by Bob Dylan)
89: Freight Train Blues[take 1] (John Lair)
90: House Carpenter [take 1] (traditional)

The Home of Bonnie Beecher
Minneapolis, Minnesota; 22 December 1961

91: Candy Man (traditional, arranged by Reverend Gary Davis)
92: Baby Please Don’t Go (Big Joe Williams)
93: Hard Times in New York Town
94: Stealin’ (traditional, arranged by the Memphis Jug Band)
95: Poor Lazarus (traditional)
96: I Ain’t Got No Home (Woody Guthrie)
97: It’s Hard to Be Blind (traditional)
98: Dink’s Song (traditional, arranged by John & Alan Lomax)
99: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
100: Story of East Orange
101: Naomi Wise (traditional)
102: Wade in the Water (traditional)
103: I Was Young When I Left Home
104: In the Evening (Brownie McGhee)
105: Baby Let Me Follow You Down (Eric von Schmidt)
106: Sally Gal (Woody Guthrie)
107: Gospel Plow (traditional, arranged by Bob Dylan)
108: Long John (traditional)
109: Cocaine Blues (traditional, arranged by Reverend Gary Davis)
110: VD Blues (Woody Guthrie)
111: VD Waltz (Woody Guthrie)
112: VD City (Woody Guthrie)
113: VD Gunner’s Blues (Woody Guthrie)
114: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
115: Ramblin’ Round (Woody Guthrie)
116: Black Cross (Lord Buckley)

And on 4 May I reported
…now I move into 1962 and Folksinger’s Choice…

Reveal Spoiler

WBAI Studios (Folksinger’s Choice)
New York Town, New York; 13 January 1962

117: Lonesome Whistle Blues (Hank Williams/Jimmy Davis)
118: Fixin’ to Die (Bukka White)
119: Smokestack Lightning (Howlin’ Wolf)
120: Hard Travelin’ (Woody Guthrie)
121: The Death of Emmett Till
122: Standing on the Highway
123: Roll On, John (traditional, arranged by Bob Dylan)
124: Stealin’ (traditional, arranged by the Memphis Jug Band)
125: Long Time Man (traditional, arranged by Alan Lomax)
126: Baby Please Don’t Go (Big Joe Williams)
127: Hard Times in New York Town

The Home of Eve and Mac MacKenzie
New York City, New York; 29 January 1962

128: Hard Times in New York Town
129: The Death of Emmett Till

unknown studio (Leeds Music demos)
New York City, New York; February 1962

130: Hard Times in New York Town
131: Poor Boy Blues
132: Ballad for a Friend
133: Rambling, Gambling Willie
134: Man on the Street
135: Talking Bear Mountain Picnic Massacre Blues
136: Standing on the Highway

Webster Hall (Harry Belafonte session)
New York City, New York; 2 February 1962

137: Midnight Special [take 19] (traditional) *
138: Midnight Special [take 20] (traditional) *

* Harry Belafonte (Bob on harmonica)

Cue Recording Studios (Victoria Spivey session)
New York City, New York; 2 March 1962

139: Sittin’ on Top of the World (Big Joe Williams) *
140: Wichita (Big Joe Williams) *
141: Big Joe, Dylan and Victoria (Big Joe Williams) *
142: It’s Dangerous (Victoria Spivey) *

* Victoria Spivey, Big Joe Williams & Bob Dylan

Gerde’s Folk City
New York City, New York; 16 April 1962

143: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
144: Talkin’ New York
145: Corrina Corrina (traditional, arranged by Bob Dylan)
146: Deep Ellem Blues (Joe & Bob Attlesay)
147: Blowin’ in the Wind

Studio A, Columbia Recording Studios
New York City, New York; 24 April 1962

148: Going to New Orleans [take 1] (traditional)
149: Going to New Orleans [take 2] (traditional)
150: Sally Gal [take 1] (Woody Guthrie)
151: Sally Gal [take 2] (Woody Guthrie)
152: Sally Gal [take 3] (Woody Guthrie)
153: Rambling, Gambling Willie [take 1]
154: Rambling, Gambling Willie [take 3]
155: Corrina Corrina [take 1] (traditional, arranged by Bob Dylan)
156: Corrina Corrina [take 2] (traditional, arranged by Bob Dylan)
157: The Death of Emmett Till [take 1]
158: Talking John Birch Paranoid Blues [take 3]
159: (I Heard That) Lonesome Whistle [take 2] (Hank Williams/Jimmie Davies)

Studio A, Columbia Recording Studios
New York City, New York; 25 April 1962

160: Rocks and Gravel [take 2]
161: Rocks and Gravel [take 3]
162: Let Me Die in My Footsteps [take 1]
163: Let Me Die in My Footsteps [edit of take 1]
164: Talkin’ Hava Negiliah Blues [take 1]
165: Sally Gal [take 1] (Woody Guthrie)
166: Sally Gal [take 2] (Woody Guthrie)
167: Baby Please Don’t Go [take 1] (Big Joe Williams)
168: Baby Please Don’t Go [take 3] (Big Joe Williams)
169: Milk Cow’s Calf’s Blues [take 1] (Robert Johnson)
170: Milk Cow’s Calf’s Blues [take 3] (Robert Johnson)
171: Wichita (Going to Louisiana) [take 1]
172: Talking Bear Mountain Picnic Massacre Blues [take 3]
173: Milk Cow’s Calf’s Blues [take 4] (Robert Johnson)
174: Wichita (Going to Louisiana) [take 2]

WBAI Studios (Broadside show)
New York City, New York; May 1962

175: Ballad of Donald White
176: The Death of Emmett Till
177: Blowin’ in the Wind *

* Bob Dylan with Gil Turner, Pete Seeger & Sis Cunningham

Witmark Studio (Witmark demo)
New York City, New York; July 1962

178: Blowin’ in the Wind

Finjan Club
Montreal, Quebec, Canada; 2 July 1962

179: The Death of Emmett Till
180: Stealin’ (traditional, arranged by the Memphis Jug Band)
181: Hiram Hubbard (traditional)
182: Blowin’ in the Wind
183: Rocks and Gravel
184: Quit Your Low Down Ways
185: He Was a Friend of Mine (traditional)
186: Let Me Die in My Footsteps
187: Two Trains Runnin’ (McKinley Morganfield)
188: Ramblin’ on My Mind (Robert Johnson)
189: Blues Yodel No. 8 (Jimmie Rodgers/G. Vaughan)

Studio A, Columbia Recording Studios
New York City, New York; 9 July 1962

190: Baby, I’m in the Mood for You [take 2]
191: Baby, I’m in the Mood for You [take 3]
192: Blowin’ in the Wind [take 1]
193: Blowin’ in the Wind [take 2]
194: Blowin’ in the Wind [take 3]
195: Quit Your Low Down Ways [take 1]
196: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
197: Down the Highway
198: Worried Blues [take 1] (Hally Wood)
199: Worried Blues [take 2] (Hally Wood)
200: Baby, I’m in the Mood for You [take 4]
201: Bob Dylan’s Blues [take 1]
202: Bob Dylan’s Blues [take 2]

Carnegie Hall (Carnegie Hall Hootenanny)
New York City, New York; 22 September 1962

203: Sally Gal (Woody Guthrie)
204: Highway 51 (Curtis Jones)
205: Talking John Birch Paranoid Blues
206: Ballad of Hollis Brown
207: A Hard Rain ‘s a-Gonna Fall

The Home of Eve and Mac MacKenzie
New York City, New York; September 1962

208: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
209: Ballad of Donald White
210: A Hard Rain ‘s a-Gonna Fall
211: unidentified instrumental

WBAI Studios (Billy Faier Show)
New York City, New York; October 1962

212: Baby Let Me Follow You Down (Eric von Schmidt)
213: Talking John Birch Paranoid Blues
214: The Death of Emmett Till
215: Make Me a Pallet on Your Floor (traditional)

Gaslight Café
New York City, New York; 15 October 1962

216: Barbara Allen (traditional)
217: A Hard Rain ‘s a-Gonna Fall
218: Don’t Think Twice, It’s All Right
219: Black Cross (Lord Buckley)
220: No More Auction Block (traditional)
221: Rocks and Gravel
222: Moonshiner (traditional)
223: John Brown
224: Ballad of Hollis Brown
225: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
226: Cocaine Blues (traditional, arranged by Reverend Gary Davis)
227: The Cuckoo Is a Pretty Bird (traditional)
228: Ain’t No More Cane (Huddie “Leadbelly” Leadbetter)
229: Motherless Children (traditional)
230: Handsome Molly (traditional)
231: Kindhearted Woman Blues (Robert Johnson)
232: West Texas (traditional)

Studio A, Columbia Recording Studios
New York City, New York; 26 October 1962

233: Corrina Corrina [take 2] (traditional, arranged by Bob Dylan)
234: Corrina Corrina [take 3] (traditional, arranged by Bob Dylan)
235: Corrina Corrina [take 4] (traditional, arranged by Bob Dylan)
236: That’s All Right Mama [take 1] (Arthur Crudup)
237: That’s All Right Mama [take 3] (Arthur Crudup)
238: That’s All Right Mama [take 5] (Arthur Crudup)
239: Mixed-Up Confusion [take 1]
240: Mixed-Up Confusion [take 3]
241: Corrina Corrina [take 7] (traditional, arranged by Bob Dylan)

Folkways Studios (Broadside demos)
New York City, New York; circa October 1962

242: I’d Hate to Be You on That Dreadful Day
243: Oxford Town
244: Paths of Victory
245: Walkin’ Down the Line

Witmark Studio (Witmark demo)
New York City, New York; November 1962

246: Long Ago Far Away

Studio A, Columbia Recording Studios
New York City, New York; 1 November 1962

247: Mixed-Up Confusion [take 1]
248: Mixed-Up Confusion [take 2]
249: Mixed-Up Confusion [take 4]
250: Mixed-Up Confusion [take 5]
251: Mixed-Up Confusion [take 6]
252: That’s All Right Mama (Arthur Crudup) [take 1]
253: Rocks and Gravel [take 1]
254: Rocks and Gravel [take 2]

Studio A, Columbia Recording Studios
New York City, New York; 14 November 1962

255: Mixed-Up Confusion [take 10]
256: Mixed-Up Confusion [take 13]
257: Mixed-Up Confusion [take 15]
258: Don’t Think Twice, It’s All Right [take 1]
259: Ballad of Hollis Brown [take 2]
260: Kingsport Town [take 1]
261: Kingsport Town [take 2]
262: Whatcha Gonna Do [take 1]

Studio A, Columbia Recording Studios
New York City, New York; 6 December 1962

263: Hero Blues [take 1]
264: Whatcha Gonna Do [take 1]
265: Oxford Town [take 1]
266: I Shall Be Free [take 2]
267: I Shall Be Free [take 4]
268: I Shall Be Free [take 5]
269: Hero Blues [take 2]
270: Hero Blues [take 4]
271: A Hard Rain ‘s a-Gonna Fall [take 1]

Witmark Studio (Witmark demos)
New York City, New York; December 1962

272: A Hard Rain ‘s a-Gonna Fall
273: Tomorrow Is a Long Time
274: The Death of Emmett Till
275: Let Me Die in My Footsteps
276: Ballad of Hollis Brown
277: Quit Your Low Down Ways
278: Baby, I’m in the Mood for You

Then on 7 May I updated
…and so onto 1963 which begins with Bobby in London, and ends with the two most influential post-World War II musical artists – Bob and The Beatles – starting to become aware of each other…

Reveal Spoiler

Dobell’s Jazz Record Shop (Dick Farina & Eric von Schmidt session)
London, England; 14 & 15 January 1963

279: Glory, Glory (traditional) *
280: You Can Always Tell (Furry Lewis) *
281: Christmas Island (Dick Farina) *
282: Cocaine Blues (traditional) *
283: London Waltz (Dick Farina) *
284: Oversea Stomp (The Memphis Jug Band) *

* Dick Farina & Eric von Schmidt (Bob on harmonica and backing vocal as Blind Boy Grunt)

Folkways Studios (Broadside demos)
New York City, New York; circa January 1963

285: I Shall Be Free
286: Train a-Travelin’
287: Cuban Missile Crisis

Folkways Studios (Broadside demo)
New York City, New York; 19 January 1963

288: Farewell

Folkways Studios (Broadside demos)
New York City, New York; 24 January 1963

289: Masters of War
290: Playboys and Playgirls
291: Let Me Die in My Footsteps *

* Happy Traum & [Bob Dylan as] Blind Boy Grunt

Folkways Studios (Broadside demos)
New York City, New York; February 1963

292: Only a Hobo *
293: John Brown *
294: Talkin’ Devil *

* [Bob Dylan as] Blind Boy Grunt

The Basement of Gerde’s Folk City
New York City, New York; 8 February 1963

295: Lonesome River Edge (unknown)
296: Back Door Blues (traditional)
297: Bob Dylan’s Dream
298: You Can Get Her (unknown)
299: Farewell *1
300: All Over You *1
301: Masters of War *1
302: instrumental
303: Keep Your Hands Off Her (Huddie “Leadbelly” Leadbetter) *1
304: Honey Babe (unknown)
305: Goin’ Back to Rome (unknown)
306: Stealin’ (traditional, arranged by the Memphis Jug Band) *2

*1 Bob Dylan & Happy Traum
*2 Bob Dylan, Happy Traum & Gil Turner

WBAI Studios (Skip Weshner Show)
New York City, New York; February 1963

307: Tomorrow Is a Long Time
308: Masters of War
309: Bob Dylan’s Blues

Witmark Studio (Witmark demos)
New York City, New York; winter 1963

310: Bound to Lose, Bound to Win
311: All Over You
312: I’d Hate to Be You on That Dreadful Day
313: Talking John Birch Paranoid Blues

WNBC Radio Studios (Oscar Brand Show)
New York City, New York; March 1963

314: Girl from the North Country
315: Only a Hobo

Witmark Studio (Witmark demos)
New York City, New York; March 1963

316: Long Time Gone
317: Masters of War
318: Farewell
319: Oxford Town
320: Don’t Think Twice. It’s All Right
321: Walkin’ Down the Line

Westinghouse Studios (Folk Songs and More Folk Songs)
New York City, New York; 3 March 1963

322: Blowin’ in the Wind
323: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
324: Ballad of Hollis Brown

Witmark Studio (Witmark demos)
New York City, New York; April 1963

325: I Shall Be Free
326: Bob Dylan’s Blues
327: Bob Dylan’s Dream
328: Boots of Spanish Leather

Town Hall
New York City, New York; 12 April 1963

329: Ramblin’ Down Thru the World
330: Bob Dylan’s Dream
331: Talkin’ New York
332: Ballad of Hollis Brown
333: Walls of Red Wing
334: All Over You
335: Talking John Birch Paranoid Blues
336: Boots of Spanish Leather
337: Hero Blues
338: Blowin’ in the Wind
339: John Brown
340: Tomorrow Is a Long Time
341: A Hard Rain ‘s a-Gonna Fall
342: Dusty Old Fairgrounds
343: Who Killed Davey Moore?
344: Seven Curses
345: Highway 51 (Curtis Jones)
346: Pretty Peggy-O (traditional, arranged by Bob Dylan)
347: Bob Dylan’s New Orleans Rag
348: Don’t Think Twice, It’s All Right
349: Hiding Too Long
350: With God on Our Side
351: Masters of War
352: Last Thoughts on Woody Guthrie

The Home of Eve and Mac MacKenzie
New York City, New York; 18 April 1963

353: James Alley Blues (Richard Brown)
354: Long Time Gone
355: Only a Hobo
356: unidentified instrumental
357: A Hard Rain ‘s a-Gonna Fall

The Home of Eve and Mac MacKenzie
New York City, New York; 19 April 1963

358: I Rode Out One Morning
359: House of the Risin’ Sun (traditional)

Studio A, Columbia Recording Studios
New York City, New York; 24 April 1963

360: Girl from the North Country [take 2]
361: Masters of War [take 3]
362: Walls of Red Wing [take 3]
363: Talking World War III Blues [take 5]
364: Bob Dylan’s Dream [take 2]

The Bear
Chicago, Illinois; 25 April 1963

365: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
366: Talking John Birch Paranoid Blues
367: Bob Dylan’s Dream
368: Ballad of Hollis Brown
369: Talking World War III Blues
370: A Hard Rain ‘s a-Gonna Fall
371: With God on Our Side

WFMT-Radio Studio (Studs Terkel Wax Museum)
Chicago, Illinois; 26 April 1963

372: Farewell
373: A Hard Rain ‘s a-Gonna Fall
374: Bob Dylan’s Dream
375: Boots of Spanish Leather
376: John Brown
377: Who Killed Davey Moore?
378: Blowin’ in the Wind

Witmark Studio (Witmark demos)
New York City, New York; May 1963

379: Girl from the North Country
380: Seven Curses
381: Hero Blues

Brandeis University (The Brandeis University Folk Festival)
Waltham, Massachusetts; 10 May 1963

382: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
383: Talking John Birch Paranoid Blues
384: Ballad of Hollis Brown
385: Masters of War
386: Talking World War III Blues
387: Bob Dylan’s Dream
388: Talking Bear Mountain Picnic Massacre Blues

Silas Magee’s Farm (Voter Registration Rally)
Greenwood, Mississippi; 6 July 1963

389: Only a Pawn in Their Game

unidentified recording studio (Ramblin’ Jack Elliott session)
New York City, New York; summer 1963

390: Will the Circle Be Unbroken (A.P. Carter) *

* Jack Elliott (Bob on harmonica as Tedham Porterhouse)

Freebody Park (Newport Folk Festival; evening)
Newport, Rhode Island; 26 July 1963

391: Talkin’ World War III Blues
392: Only a Pawn in Their Game
393: A Hard Rain ‘s a-Gonna Fall

Freebody Park (Newport Folk Festival; evening finale)
Newport, Rhode Island; 26 July 1963

394: Blowin’ in the Wind *1
395: We Shall Overcome (traditional) *2

*1 Bob Dylan with Joan Baez, the Freedom Singers, Pete Seeger and Peter, Paul & Mary
*2 Bob Dylan with Joan Baez, Theo Bikel, the Freedom Singers, Pete Seeger and Peter, Paul & Mary

Porch #1 of Newport Casino, Freebody Park (Newport Folk Festival; Ballads workshop)
Newport, Rhode Island; 27 July 1963

396: North Country Blues
397: With God on Our Side *

* Bob Dylan & Joan Baez

Porch #2, lawn of Newport Casino, Freebody Park (Newport Folk Festival; Topical Songs and New Songwriters)
Newport, Rhode Island; 28 July 1963

398: Who Killed Davey Moore?
399: Playboys and Playgirls *

* Bob Dylan & Pete Seeger

Freebody Park (Newport Folk Festival; Joan Baez set)
Newport, Rhode Island; 28 July 1963

400: With God on Our Side *

* Joan Baez & Bob Dylan

Freebody Park (Newport Folk Festival; evening finale)
Newport, Rhode Island; 28 July 1963

401: This Land Is Your Land (Woody Guthrie) *

* Pete Seeger with Bob Dylan, Joan Baez, Theo Bikel, the Freedom Singers and Peter, Paul & Mary

WNEW TV Studios (Songs of Freedom)
New York City, New York; 30 July 1963

402: Blowin’ in the Wind
403: Only a Pawn in Their Game

Studio A, Columbia Recording Studios
New York City, New York; 6 August 1963

404: North Country Blues [take 4]
405: Seven Curses [take 3]
406: Farewell [take 4]

Studio A, Columbia Recording Studios
New York City, New York; 7 August 1963

407: Ballad of Hollis Brown [take 1]
408: With God on Our Side [take 1]
409: Only a Pawn in Their Game [take 1]
410: Boots of Spanish Leather [take 1]
411: Eternal Circle [unknown take]

Studio A, Columbia Recording Studios
New York City, New York; 12 August 1963

412: Paths of Victory [take 1]
413: Hero Blues [take 3]
414: Moonshiner [take 1] (traditional)
415: Eternal Circle [take 4]
416: Only a Hobo [take 1]

Witmark Studio (Witmark demos)
New York City, New York; August 1963

417: Whatcha Gonna Do
418: Gypsy Lou
419: Ain’t Gonna Grieve
420: John Brown
421: Only a Hobo
422: When the Ship Comes In

Forest Hills Tennis Stadium (Joan Baez concert)
New York City, New York; 17 August 1963

423: Troubled and I Don’t Know Why (traditional, arranged by Bob Dylan) *

* Joan Baez & Bob Dylan

Lincoln Memorial (March On Washington for Jobs and Freedom)
Washington, District of Columbia; 26 August 1963

424: When the Ship Comes In *1
425: Only a Pawn in Their Game
426: Keep Your Eyes on the Prize (Hold On  ) (Len Chandler) *2

*1 Bob Dylan & Joan Baez
*2 Len Chandler with Bob Dylan, Joan Baez and Gil Turner

Witmark Studio (Witmark demo)
New York City, New York; October 1963

427: The Times They Are a-Changin’

Studio A, Columbia Recording Studios
New York City, New York; 23 October 1963

428: Percy’s Song [take 1]
429: The Lonesome Death of Hattie Carroll [take 2]
430: When the Ship Comes In [take 2]
431: The Times They Are a-Changin’ [unknown take]
432: East Laredo Blues
433: That’s All Right Mama (Arthur Crudup)

Studio A, Columbia Recording Studios
New York City, New York; 24 October 1963

434: Eternal Circle [take 1]
435: The Times They Are a-Changin’ [take 1]
436: Lay Down Your Weary Tune [take 1]
437: One Too Many Mornings [take 3)
438: Suze (The Cough Song) [take 1]
439: Bob Dylan’s New Orleans Rag [take 2]

Carnegie Hall
New York City, New York; 24 October 1963

440: The Times They Are a-Changin’
441: Ballad of Hollis Brown
442: Who Killed Davey Moore?
443: Boots of Spanish Leather
444: Talking John Birch Paranoid Blues
445: Lay Down Your Weary Tune
446: Blowin’ in the Wind
447: Percy’s Song
448: Seven Curses
449: Walls of Red Wing [take 3 24/04/63] [audience overdubbed]
450: North Country Blues
451: A Hard Rain ‘s a-Gonna Fall
452: Talking World War III Blues
453: Don’t Think Twice, It’s All Right
454: With God on Our Side
455: Only a Pawn in Their Game
456: Masters of War
457: The Lonesome Death of Hattie Carroll
458: When the Ship Comes In

Studio A, Columbia Recording Studios
New York City, New York; 31 October 1963

459: Restless Farewell [take 9]

Witmark Studio (Witmark demo)
New York City, New York; December 1963

460: Paths of Victory

While on 12 May I confided
….and now we reach 1964 and Bobby’s taking stock, touring and working out what the arrival of the Beatles means. He only spends three hours, one evening in June, in the studio all year, invites a bunch of friends along, gets through two bottles of Beaujolais, and records the whole of the Another Side album with three tracks to spare!!! The first Beatles/Dylan summit takes place in New York in August. The influence of Bob on them, especially John, is evident on the year end Beatles For Sale . Dylan’s producer Tom Wilson tries a couple of experiments at the end of year, he overdubs an electric band onto Simon & Garfunkel’s The Sound of Silence, which he releases, and does the same to a couple of Bob’s acoustic tracks, which he plays Bob…

Reveal Spoiler

Witmark Studio (Witmark demos)
New York City, New York; January 1964

461: Guess I’m Doing Fine
462: Baby Let Me Follow You Down (Eric von Schmidt)

CBC TV Studios (Quest: The Times They Are a-Changin’)
Toronto, Ontario, Canada; 1 February 1964

463: The Times They Are a-Changin’
464: Talking World War III Blues
465: The Lonesome Death of Hattie Carroll
466: Girl from the North Country
467: A Hard Rain ‘s a-Gonna Fall
468: Restless Farewell

NBC Studios (Steve Allen Show)
Los Angeles, California; 25 February 1964

469: The Lonesome Death of Hattie Carroll

Elektra Studios (Blues Project session)
New York City, New York; early 1964

470: Downtown Blues *

Geoff Muldaur (Bob on piano as Bob Landy)

The Home of Eric von Schmidt
Sarasota, Florida; May 1964

471: Bob and Eric Blues #1 (Bob Dylan/Eric von Schmidt) *
472: Black Betty (traditional, arranged by Bob Dylan/Eric von Schmidt) *
473: Come All You Fair and Tender Ladies (traditional, arranged by Bob Dylan/Eric von Schmidt) *
474: Florida Woman (Eric von Schmidt) *
475: Johnny Cuckoo (traditional, arranged by Eric von Schmidt) *
476: Money Honey (Jesse Stone) *
477: More and More (Webb Pierce/Merie Kilgore) *
478: Mr Tambourine Man *
479: Suzie Q (Dale Hawkins/Robert Chaisson/Stan Lewis/Eleanor Broadwater) *
480: harmonica duet (Bob Dylan/Eric von Schmidt) *
481: Glory Glory (traditional, arranged by Bob Dylan/Eric von Schmidt) *
482: Dr Strangelove Blues (Eric von Schmidt) *
483: Stoned on the Mountain *
484: Stoned on the Mountain *
485: Walkin’ Down the Line *
486: Joshua Gone Barbados (Eric von Schmidt) *

* Bob Dylan & Eric von Schmidt

BBC Studios (Tonight)
London, England; early May 1964

487: With God on Our Side

Didsbury Studios
Manchester, England; 14 May 1964

488: Don’t Think Twice, It’s All Right

Royal Festival Hall
London, England; 17 May 1964

489: The Times They Are a-Changin’
490: Girl from the North Country
491: Who Killed Davey Moore?
492: Talking John Birch Paranoid Blues
493: Ballad of Hollis Brown
494: It Ain’t Me, Babe
495: Walls of Red Wing
496: Chimes of Freedom
497: Mr Tambourine Man
498: Eternal Circle
499: A Hard Rain ‘s a-Gonna Fall
500: Talking World War III Blues
501: Don’t Think Twice, It’s All Right
502: Only a Pawn in Their Game
503: With God on Our Side
504: The Lonesome Death of Hattie Carroll
505: Restless Farewell
506: When the Ship Comes In

Columbia Studios
New York Town, New York; 9 June 1964

507: Denise [take 1]
508: It Ain’t Me, Babe [take 1]
509: It Ain’t Me, Babe [take 2]
510: To Ramona [take 1]
511: Spanish Harlem Incident [take 3]
512: Spanish Harlem Incident [take 4]
513: Spanish Harlem Incident [take 5]
514: Ballad in Plain D [take 2]
515: Ballad in Plain D [take 5]
516: I Don’t Believe You (She Acts Like We Never Have Met) [take 1]
517: I Don’t Believe You (She Acts Like We Never Have Met) [take 3]
518: I Don’t Believe You (She Acts Like We Never Have Met) [take 5]
519: Chimes of Freedom [take 1]
520: Chimes of Freedom [take 3]
521: Chimes of Freedom [take 7]
522: Motorpsycho Nitemare [take 4]
523: Mr Tambourine Man [take 1] *
524: Mr Tambourine Man [take 2] *
525: All I Really Want to Do [take 1]
526: Black Crow Blues [take 1]
527: Black Crow Blues [take 2]
528: Black Crow Blues [take 3]
529: I Shall Be Free No 10 [take 1]
530: I Shall Be Free No 10 [take 2]
531: I Shall Be Free No 10 [take 3]
532: I Shall Be Free No 10 [take 4]
533: I Shall Be Free No 10 [edit of takes 4 & 5]
534: Mama, You Been on My Mind [take 1]
535: My Back Pages [take 2]

* Bob Dylan & Ramblin’ Jack Elliott

unidentified recording studio (Witmark demos)
New York City, New York; mid to late June 1964

536: Mr Tambourine Man
537: Mama, You Been on My Mind
538: I’ll Keep It with Mine

The Lawn of St Michael School (Newport Folk Festival; Broadsides (Topical Songs) Workshop)
Newport, Rhode Island; 24 July 1964

539: It Ain’t Me, Babe
540: Mr Tambourine Man

Freebody Park (Newport Folk Festival; evening)
Newport, Rhode Island; 24 July 1964

541: It Ain’t Me, Babe *

* Joan Baez & Bob Dylan

Freebody Park (Newport Folk Festival; evening)
Newport, Rhode Island; 26 July 1964

542: All I Really Want to Do
543: To Ramona
544: Mr Tambourine Man
545: Chimes of Freedom
546: With God on Our Side *

* Bob Dylan & Joan Baez

Forest Hills Tennis Stadium (Joan Baez concert at The Forest Hills Music Festival)
New York City, New York; 8 August 1964

547: Mama, You Been on My Mind *
548: It Ain’t Me, Babe *
549: With God on Our Side *

* Joan Baez & Bob Dylan

Town Hall
Philadelphia, Pennsylvania; 10 October 1964

550: The Times They Are a-Changin’
551: Girl from the North Country
552: Who Killed Davey Moore?
553: Talking John Birch Paranoid Blues
554: To Ramona
555: Ballad of Hollis Brown
556: Chimes of Freedom
557: I Don’t Believe You (She Acts Like We Never Have Met)
558: It’s Alright, Ma (I’m Only Bleeding)
559: Mr Tambourine Man
560: Talking World War III Blues
561: A Hard Rain ‘s a-Gonna Fall
562: Don’t Think Twice, It’s All Right
563: Only a Pawn in Their Game
564: With God on Our Side
565: It Ain’t Me, Babe
566: The Lonesome Death of Hattie Carroll
567: All I Really Want to Do

Philharmonic Hall
New York City, New York; 31 October 1964

568: The Times They Are a-Changin’
569: Spanish Harlem Incident
570: Talking John Birch Paranoid Blues
571: To Ramona
572: Who Killed Davey Moore?
573: Gates of Eden
574: If You Gotta Go, Go Now
575: It’s Alright, Ma (I’m Only Bleeding)
576: I Don’t Believe You (She Acts Like We Never Have Met)
577: Mr Tambourine Man
578: A Hard Rain ‘s a-Gonna Fall
579: Talking World War III Blues
580: Don’t Think Twice, It’s All Right
581: The Lonesome Death of Hattie Carroll
582: Mama, You Been on My Mind *1
583: Silver Dagger (traditional) *2
584: With God on Our Side *1
585: It Ain’t Me, Babe *1
586: All I Really Want to Do

*1 Bob Dylan & Joan Baez
*2 Joan Baez & Bob Dylan

Civic Auditorium
San José, California; 25 November 1964

587: The Times They Are a-Changin’
588: Talking John Birch Paranoid Blues
589: To Ramona
590: Gates of Eden
591: If You Gotta Go, Go Now
592: It’s Alright, Ma (I’m Only Bleeding)
593: Mr Tambourine Man
594: A Hard Rain ‘s a-Gonna Fall
595: Talking World War III Blues
596: Don’t Think Twice, It’s All Right

Masonic Memorial Auditorium
San Francisco, California; 27 November 1964

597: Gates of Eden
598: If You Gotta Go, Go Now
599: It’s Alright, Ma (I’m Only Bleeding)
600: Talking World War III Blues
601: Don’t Think Twice, It’s All Right
602: Mama, You Been on My Mind *

* Bob Dylan & Joan Baez

Columbia Recording Studios (Tom Wilson overdub session)
New York City, New York; 8 December 1964

603: House of the Risin’ Sun [take 3 20/11/61] [overdub]
604: Rocks and Gravel [take 1 01/11/62] [overdub]

And on 15 May I spouted
…1965 and it’s all change, what popular music sounded like and said – its limits – was possibly redefined more in that year than any other, and few were as important Bob as he strapped on a Fender. 1965 is daunting as he’s officially released, one way or another, virtually every existing note recorded that year. With the studio sessions mixed differently to the original album masters, I decided to include Bringing It All Back and Highway 61 Revisited as released. Didn’t matter so much with the one-person acoustic recordings. He start the year backed by an acoustic band of friends and session players, and ends it onstage with Ronnie Hawkins backing band, The Hawks. War has been declared between artist and audience, and the Hawks have taken their first step on the road to becoming the Band…

Reveal Spoiler

Studio A, Columbia Recording Studios
New York City, New York; 13 January 1965

605: Love Minus Zero/No Limit [take 1]
606: Love Minus Zero/No Limit [take 2]
607: I’ll Keep It with Mine [take 1]
608: It’s All Over Now, Baby Blue [take 1]
609: Bob Dylan’s 115th Dream [take 1]
610: Bob Dylan’s 115th Dream [take 2]
611: She Belongs to Me [take 1]
612: Subterranean Homesick Blues [take 1]
613: Outlaw Blues [take 1]
614: On the Road Again [take 1]
615: Farewell Angelina [take 1]
616: If You Gotta Go, Go Now [take 1]
617: You Don’t Have to Do That [take 1]
618: California [take 1]
619: Love Minus Zero/No Limit [remake take 3]
620: She Belongs to Me [remake take 2]
621: Outlaw Blues [remake take 1]
622: Outlaw Blues [remake take 2]

Studio A, Columbia Recording Studios
New York City, New York; 14 January 1965

623: Love Minus Zero/No Limit [remake take 1]
624: Love Minus Zero/No Limit [remake take 2]
625: Love Minus Zero/No Limit [insert]
626: Subterranean Homesick Blues [remake take 1]
627: Subterranean Homesick Blues [remake take 2]
628: Subterranean Homesick Blues [remake take 3]
629: Outlaw Blues [remake take 1]
630: Outlaw Blues [remake take 2]
631: Outlaw Blues [remake take 3]
632: She Belongs to Me [remake take 1]
633: She Belongs to Me [remake take 2]
634: Bob Dylan’s 115th Dream [take 1]
635: Bob Dylan’s 115th Dream [take 2]
636: Bob Dylan’s 115th Dream [edit of take 1 13/01 & take 2 14/01]
637: On the Road Again [take 1]
638: On the Road Again [take 2]
639: On the Road Again [take 3]
640: On the Road Again [take 4]

Studio A, Columbia Recording Studios
New York City, New York; 15 January 1965

641: Maggie’s Farm [take 1]
642: On the Road Again [remake take 1]
643: On the Road Again [remake take 2]
644: On the Road Again [remake take 3]
645: On the Road Again [remake take 4]
646: On the Road Again [remake take 5]
647: On the Road Again [remake take 6]
648: On the Road Again [remake take 7]
649: On the Road Again [remake take 8]
650: On the Road Again [remake take 9]
651: On the Road Again [remake take 11]
652: On the Road Again [remake take 12]
653: On the Road Again [remake take 13]
654: It’s Alright, Ma (I’m Only Bleeding) [take 1]
655: It’s Alright, Ma (I’m Only Bleeding) [take 2]
656: Gates of Eden [take 1]
657: Mr Tambourine Man [take 1]
658: Mr Tambourine Man [take 2]
659: Mr Tambourine Man [take 3]
660: Mr Tambourine Man [take 4]
661: Mr Tambourine Man [take 5]
662: Mr Tambourine Man [take 6]
663: It’s All Over Now, Baby Blue [take 1]
664: If You Gotta Go, Go Now [take 1]
665: If You Gotta Go, Go Now [take 2]
666: If You Gotta Go, Go Now [take 3]
667: If You Gotta Go, Go Now [take 4]

WABC TV Studios (The Les Crane Show)
New York City, New York; 17 February 1965

668: It’s All Over Now, Baby Blue
669: It’s Alright, Ma (I’m Only Bleeding)

Bringing It All Back Home (Columbia CL-2328/CS-9128)
album release; 22 March 1965

670: Subterranean Homesick Blues [remake take 3 14/01] [master]
671: She Belongs to Me [remake take 2 14/01] [master]
672: Maggie’s Farm [take 1 15/01] [master]
673: Love Minus Zero/No Limit [remake take 2 14/01] [master]
674: Outlaw Blues [remake take 3 14/01] [master]
675: On the Road Again [remake take 13 15/01] [master]
676: Bob Dylan’s 115th Dream [edit of take 1 13/01 & take 2 14/01] [master]
677: Mr Tambourine Man [take 6 15/01] [master]
678: Gates of Eden [take 1 15/01] [master]
679: It’s Alright, Ma (I’m Only Bleeding) [take 2 15/01] [master]
680: It’s All Over Now, Baby Blue [take 1 15/01] [master]

Civic Auditorium
Santa Monica, California; 27 March 1965

681: To Ramona
682: Gates of Eden
683: If You Gotta Go, Go Now
684: It’s Alright, Ma (I’m Only Bleeding)
685: Love Minus Zero/No Limit
686: Mr Tambourine Man
687: Don’t Think Twice, It’s All Right
688: With God on Our Side
689: She Belongs to Me
690: It Ain’t Me, Babe
691: The Lonesome Death of Hattie Carroll
692: All I Really Want to Do
693: It’s All Over Now, Baby Blue

Arrival Area, London Airport
London, England; 26 April 1965

694: London Bridge Is Falling Down (traditional) *

* Bob Dylan, Joan Baez and Bob Neuwirth

The Oval, City Hall
Sheffield, England; 30 April 1965

695: The Times They Are a-Changin’
696: To Ramona
697: Gates of Eden
698: If You Gotta Go, Go Now
699: It’s Alright, Ma (I’m Only Bleeding)
700: Love Minus Zero/No Limit
701: Mr Tambourine Man
702: Talking World War III Blues
703: Don’t Think Twice, It’s All Right
704: With God on Our Side
705: She Belongs to Me
706: It Ain’t Me, Babe
707: The Lonesome Death of Hattie Carroll
708: All I Really Want to Do
709: It’s All Over Now, Baby Blue

Odeon
Liverpool, England; 1 May 1965

710: The Times They Are a-Changin’
711: To Ramona
712: Gates of Eden
713: If You Gotta Go, Go Now
714: It’s Alright, Ma (I’m Only Bleeding)
715: Love Minus Zero/No Limit
716: Mr Tambourine Man
717: Talking World War III Blues
718: Don’t Think Twice, It’s All Right
719: With God on Our Side
720: She Belongs to Me
721: It Ain’t Me, Babe
722: The Lonesome Death of Hattie Carroll
723: All I Really Want to Do
724: It’s All Over Now, Baby Blue

De Montford Hall
Leicester, England; 2 May 1965

725: The Times They Are a-Changin’
726: To Ramona
727: Gates of Eden
728: If You Gotta Go, Go Now
729: It’s Alright, Ma (I’m Only Bleeding)
730: Love Minus Zero/No Limit
731: Mr Tambourine Man
732: Talking World War III Blues
733: Don’t Think Twice, It’s All Right
734: With God on Our Side
735: She Belongs to Me
736: It Ain’t Me, Babe
737: The Lonesome Death of Hattie Carroll
738: All I Really Want to Do
739: It’s All Over Now, Baby Blue

hotel room, Savoy Hotel
London, England; 4 May 1965

740: Remember Me (When the Candle Lights Are Gleaming) (Scott Wiseman) *
741: More and More (Webb Pierce/Merle Kilgore) *
742: Blues Stay Away from Me (Alton Delmore/Rabon Delmore/Wayne Raney/Henry Glover) *
743: Weary Blues from Waitin’ (Hank Williams) *
744: Lost Highway (Leon Payne) *
745: I’m So Lonesome I Could Cry (Hank Williams) *
746: Young But Daily Growing (traditional) *
747: Wild Mountain Thyme (traditional) *

* Bob Dylan and Joan Baez

Town Hall
Birmingham, England; 5 May 1965

748: The Times They Are a-Changin’
749: To Ramona
750: Gates of Eden
751: If You Gotta Go, Go Now
752: It’s Alright, Ma (I’m Only Bleeding)
753: Love Minus Zero/No Limit
754: Mr Tambourine Man
755: Talking World War III Blues
756: Don’t Think Twice, It’s All Right
757: With God on Our Side
758: She Belongs to Me
759: It Ain’t Me, Babe
760: The Lonesome Death of Hattie Carroll
761: All I Really Want to Do
762: It’s All Over Now, Baby Blue

City Hall (backstage)
Newcastle, England; 6 May 1965

763: Piano Song #1
764: Piano Song #2
765: It Takes a Lot to Laugh, It Takes a Train to Cry

City Hall
Newcastle, England; 6 May 1965

766: The Times They Are a-Changin’
767: To Ramona
768: Gates of Eden
769: If You Gotta Go, Go Now
770: It’s Alright, Ma (I’m Only Bleeding)
771: Love Minus Zero/No Limit
772: Mr Tambourine Man
773: Talking World War III Blues
774: Don’t Think Twice, It’s All Right
775: With God on Our Side
776: She Belongs to Me
777: It Ain’t Me, Babe
778: The Lonesome Death of Hattie Carroll
779: All I Really Want to Do
780: It’s All Over Now, Baby Blue

Free Trade Hall
Manchester, England; 7 May 1965

781: The Times They Are a-Changin’
782: To Ramona
783: Gates of Eden
784: If You Gotta Go, Go Now
785: It’s Alright, Ma (I’m Only Bleeding)
786: Love Minus Zero/No Limit
787: Mr Tambourine Man
788: Talking World War III Blues
789: Don’t Think Twice, It’s All Right
790: With God on Our Side
791: She Belongs to Me
792: It Ain’t Me, Babe
793: The Lonesome Death of Hattie Carroll
794: All I Really Want to Do
795: It’s All Over Now, Baby Blue

hotel room, Savoy Hotel
London, England; 8 May 1965

796: It’s All Over Now, Baby Blue
797: Love Minus Zero/No Limit
798: She Belongs to Me
799: Let Me Die in My Footsteps

Royal Albert Hall (backstage)
London, England; 9 May 1965

800: Slow Down (Larry Williams) *

* Bob Dylan & Bob Neuwirth

Royal Albert Hall
London, England; 9 May 1965

801: The Times They Are a-Changin’
802: To Ramona
803: Gates of Eden
804: If You Gotta Go, Go Now
805: It’s Alright, Ma (I’m Only Bleeding)
806: Love Minus Zero/No Limit
807: Mr Tambourine Man
808: Talking World War III Blues
809: Don’t Think Twice, It’s All Right
810: With God on Our Side
811: She Belongs to Me
812: It Ain’t Me, Babe
813: The Lonesome Death of Hattie Carroll
814: All I Really Want to Do
815: It’s All Over Now, Baby Blue

Royal Albert Hall (backstage)
London, England; 10 May 1965

816: I’ll Keep It with Mine

Royal Albert Hall
London, England; 10 May 1965

817: The Times They Are a-Changin’
818: To Ramona
819: Gates of Eden
820: If You Gotta Go, Go Now
821: It’s Alright, Ma (I’m Only Bleeding)
822: Love Minus Zero/No Limit
823: Mr Tambourine Man
824: Talking World War III Blues
825: Don’t Think Twice, It’s All Right
826: With God on Our Side
827: She Belongs to Me
828: It Ain’t Me, Babe
829: The Lonesome Death of Hattie Carroll
830: All I Really Want to Do
831: It’s All Over Now, Baby Blue

Levy’s Recording Studio
London, England; 12 May 1965

832: Spoken Sales Message #1
833: Spoken Sales Message #2
834: If You Gotta Go, Go Now

Studio A, Columbia Recording Studios (Tom Wilson overdub session)
New York City, New York; 21 May 1965

835: If You Gotta Go, Go Now [unknown take 15/01] [overdub take 5]
836: If You Gotta Go, Go Now [unknown take 15/01] [overdub take 7]

BBC Studios (In Concert)
London, England; 1 June 1965

837: Ballad of Hollis Brown
838: Mr Tambourine Man
839: Gates of Eden
840: If You Gotta Go, Go Now
841: The Lonesome Death of Hattie Carroll
842: It Ain’t Me, Babe
843: Love Minus Zero/No Limit
844: One Too Many Mornings
845: Boots of Spanish Leather
846: It’s Alright, Ma (I’m Only Bleeding)
847: She Belongs to Me
848: It’s All Over Now, Baby Blue

Studio A, Columbia Recording Studios
New York City, New York; 15 June 1965

849: It Takes a Lot to Laugh, It Takes a Train to Cry [take 1]
850: It Takes a Lot to Laugh, It Takes a Train to Cry [take 2]
851: It Takes a Lot to Laugh, It Takes a Train to Cry [take 3]
852: It Takes a Lot to Laugh, It Takes a Train to Cry [take 4]
853: It Takes a Lot to Laugh, It Takes a Train to Cry [take 5]
854: It Takes a Lot to Laugh, It Takes a Train to Cry [take 6]
855: It Takes a Lot to Laugh, It Takes a Train to Cry [take 7] [insert]
856: It Takes a Lot to Laugh, It Takes a Train to Cry [take 8]
857: It Takes a Lot to Laugh, It Takes a Train to Cry [take 9]
858: Sitting on a Barbed-Wire Fence [take 1]
859: Sitting on a Barbed-Wire Fence [take 2]
860: Sitting on a Barbed-Wire Fence [take 3]
861: Sitting on a Barbed-Wire Fence [take 2] [edit]
862: It Takes a Lot to Laugh, It Takes a Train to Cry [remake take 1]
863: Sitting on a Barbed-Wire Fence [take 4]
864: Sitting on a Barbed-Wire Fence [take 5]
865: Sitting on a Barbed-Wire Fence [take 6]
866: Like a Rolling Stone [take 1]
867: Like a Rolling Stone [take 2]
868: Like a Rolling Stone [take 3]
869: Like a Rolling Stone [take 4]
870: Like a Rolling Stone [take 5]

Studio A, Columbia Recording Studios
New York City, New York; 16 June 1965

871: Like a Rolling Stone [remake] [rehearsal]
872: Like a Rolling Stone [remake take 1]
873: Like a Rolling Stone [remake take 2]
874: Like a Rolling Stone [remake take 3]
875: Like a Rolling Stone [remake take 4]
876: Like a Rolling Stone [remake take 5]
877: Like a Rolling Stone [remake take 6]
878: Like a Rolling Stone [remake take 8]
879: Like a Rolling Stone [remake take 9]
880: Like a Rolling Stone [remake take 10]
881:Like a Rolling Stone [remake take 11]
882: Like a Rolling Stone [remake take 12]
883: Like a Rolling Stone [remake take 13]
884: Like a Rolling Stone [remake take 14]
885: Like a Rolling Stone [remake take 13]

Festival Field (Newport Folk Festival; Contemporary Songs Workshop)
Newport, Rhode Island; 24 July 1965

886: All I Really Want to Do
887: Tombstone Blues
888: Mr Tambourine Man
889: If You Gotta Go, Go Now
890: Love Minus Zero/No Limit

Festival Field
Newport, Rhode Island; 25 July 1965

891: Maggie’s Farm *
892: Like a Rolling Stone *
893: It Takes a Lot to Laugh, It Takes a Train to Cry *
894: It’s All Over Now, Baby Blue
895: Mr Tambourine Man

* Bob Dylan & band

Studio A, Columbia Recording Studios
New York City, New York; 29 July 1965

896: It Takes a Lot to Laugh, It Takes a Train to Cry [take 1]
897: It Takes a Lot to Laugh, It Takes a Train to Cry [take 2]
898: It Takes a Lot to Laugh, It Takes a Train to Cry [take 3]
899: Tombstone Blues [take 1]
900: Tombstone Blues [take 2]
901: Tombstone Blues [take 3]
902: Tombstone Blues [take 4]
903: Tombstone Blues [take 5]
904: Tombstone Blues [take 6]
905: Tombstone Blues [take 7]
906: Tombstone Blues [take 9]
907: Tombstone Blues [take 10]
908: Tombstone Blues [take 11]
909: Tombstone Blues [take 12]
910: It Takes a Lot to Laugh, It Takes a Train to Cry [take 1]
911: It Takes a Lot to Laugh, It Takes a Train to Cry [take 2]
912: It Takes a Lot to Laugh, It Takes a Train to Cry [take 3]
913: It Takes a Lot to Laugh, It Takes a Train to Cry [take 4]
914: Positively 4th Street [take 1]
915: Positively 4th Street [take 2]
916: Positively 4th Street [take 3]
917: Positively 4th Street [take 4]
918: Positively 4th Street [take 5]
919: Positively 4th Street [take 6]
920: Positively 4th Street [take 7]
921: Positively 4th Street [take 8]
922: Positively 4th Street [take 10]
923: Positively 4th Street [take 12]
924: Desolation Row [take 1]

Studio A, Columbia Recording Studios
New York City, New York; 30 July 1965

925: From a Buick 6 [take 1]
926: From a Buick 6 [take 2]
927: From a Buick 6 [take 4]
928: From a Buick 6 [take 5]
929: Can You Please Crawl Out Your Window? [take 1]
930: Can You Please Crawl Out Your Window? [take 2]
931: Can You Please Crawl Out Your Window? [take 3]
932: Can You Please Crawl Out Your Window? [take 4]
933: Can You Please Crawl Out Your Window? [take 1] (restart numbering)
934: Can You Please Crawl Out Your Window? [take 2]
935: Can You Please Crawl Out Your Window? [take 3]
936: Can You Please Crawl Out Your Window? [take 4]
937: Can You Please Crawl Out Your Window? [take 5]
938: Can You Please Crawl Out Your Window? [take 6]
939: Can You Please Crawl Out Your Window? [take 7]
940: Can You Please Crawl Out Your Window? [take 8]
941: Can You Please Crawl Out Your Window? [take 10]
942: Can You Please Crawl Out Your Window? [take 11]
943: Can You Please Crawl Out Your Window? [take 12]
944: Can You Please Crawl Out Your Window? [take 14]
945: Can You Please Crawl Out Your Window? [take 15]
946: Can You Please Crawl Out Your Window? [take 17]

Studio A, Columbia Recording Studios
New York City, New York; 2 August 1965

947: Highway 61 Revisited [take 1]
948: Highway 61 Revisited [take 2]
949: Highway 61 Revisited [take 3]
950: Highway 61 Revisited [take 4]
951: Highway 61 Revisited [take 5]
952: Highway 61 Revisited [take 5] (again; error)
953: Highway 61 Revisited [take 6]
954: Highway 61 Revisited [take 7]
955: Highway 61 Revisited [take 8]
956: Highway 61 Revisited [take 9]
957: Just Like Tom Thumb’s Blues [take 1]
958: Just Like Tom Thumb’s Blues [take 3]
959: Just Like Tom Thumb’s Blues [take 4]
960: Just Like Tom Thumb’s Blues [take 5]
961: Just Like Tom Thumb’s Blues [take 9]
962: Just Like Tom Thumb’s Blues [take 10]
963: Just Like Tom Thumb’s Blues [take 11]
964: Just Like Tom Thumb’s Blues [take 12]
965: Just Like Tom Thumb’s Blues [take 13]
966: Just Like Tom Thumb’s Blues [take 14]
967: Just Like Tom Thumb’s Blues [take 15]
968: Just Like Tom Thumb’s Blues [take 16]
969: Queen Jane Approximately [take 1]
970: Queen Jane Approximately [take 2]
971: Queen Jane Approximately [take 3]
972: Queen Jane Approximately [take 4]
973: Queen Jane Approximately [take 5]
974: Queen Jane Approximately [take 6]
975: Queen Jane Approximately [take 7]
976: Ballad of a Thin Man [take 1]
977: Ballad of a Thin Man [take 2]
978: Ballad of a Thin Man [take 3]
979: Ballad of a Thin Man [take 4] [insert]
980: Desolation Row [take 1]
981:Desolation Row [take 2]
982: Desolation Row [remake take 3]
983: Desolation Row [remake take 4]

Studio A, Columbia Recording Studios [overdub session]
New York City, New York; 3 August 1965

984: Tombstone Blues [take 12 29/07] [overdub take 1]
985: Tombstone Blues [take 12 29/07] [overdub take 2]
986: Tombstone Blues [take 12 29/07] [overdub take 3]

Studio A, Columbia Recording Studios
New York City, New York; 4 August 1965

987: Desolation Row [take 1]
988: Desolation Row [take 2]
989: Desolation Row [take 1] (wrongly numbered)
990: Desolation Row [take 5]
991: Desolation Row [take 6] [guitar overdub]
992: Desolation Row [take 7] [guitar overdub]
993: Desolation Row [take 1] [harmonica overdub]

Forest Hills Tennis Stadium
New York City, New York; 28 August 1965

994: She Belongs to Me
995: To Ramona
996: Gates of Eden
997: Love Minus Zero/No Limit
998: Desolation Row
999: It’s All Over Now, Baby Blue
1000: Mr Tambourine Man
1001: Tombstone Blues *
1002: I Don’t Believe You (She Acts Like We Never Have Met) *
1003: From a Buick 6 *
1004: Just Like Tom Thumb’s Blues *
1005: Maggie’s Farm *
1006: It Ain’t Me, Babe *
1007: Ballad of a Thin Man *
1008: Like a Rolling Stone *

* Bob Dylan & band

Highway 61 Revisited (Columbia CL-2389/CS-9189)
album release; 30 August 1965

1009: Like a Rolling Stone [remake take 4 16/06] [master]
1010: Tombstone Blues [take 12 29/07] [master]
1011: It Takes a Lot to Laugh, It Takes a Train to Cry [take 4 29/07] [master]
1012: From a Buick 6 [take 5 30/07] [master]
1013: Ballad of a Thin Man [take 3 02/08] [master]
1014: Queen Jane Approximately [take 7 02/08] [master]
1015: Highway 61 Revisited [take 9 02/08] [master]
1016: Just Like Tom Thumb’s Blues [take 16 02/08] [master]
1017: Desolation Row [take 5 04/08] [master]

Hollywood Bowl
Los Angeles, California; 3 September 1965

1018: She Belongs to Me
1019: To Ramona
1020: Gates of Eden
1021: It’s All Over Now, Baby Blue
1022: Desolation Row
1023: Love Minus Zero/No Limit
1024: Mr Tambourine Man
1025: Tombstone Blues *
1026: I Don’t Believe You (She Acts Like We Never Have Met) *
1027: Just Like Tom Thumb’s Blues *
1028: From a Buick 6 *
1029: Maggie’s Farm *
1030: It Ain’t Me, Babe *
1031: Ballad of a Thin Man *
1032: Like a Rolling Stone *

* Bob Dylan & band

Studio A, Columbia Recording Studios
New York City, New York; 5 October 1965

1033: Medicine Sunday [take 1]
1034: Medicine Sunday [take 2]
1035: Jet Pilot [take 1]
1036: I Wanna Be Your Lover [rehearsal]
1037: Can You Please Crawl Out Your Window? [take 1]
1038: Can You Please Crawl Out Your Window? [take 2]
1039: I Wanna Be Your Lover [take 1]
1040: I Wanna Be Your Lover [take 1] [edit 1]
1041: I Wanna Be Your Lover [take 1] [edit 2]
1042: I Wanna Be Your Lover [take 2]
1043: I Wanna Be Your Lover [rehearsal]
1044: I Wanna Be Your Lover [take 3]
1045: I Wanna Be Your Lover [take 4]
1046: I Wanna Be Your Lover [take 5]
1047: I Wanna Be Your Lover [take 6]
1048: I Wanna Be Your Lover [take 6] (mis-slate)
1049: Instrumental “Number One” [take 1]
1050: Instrumental “Number One” [take 2]

Back Bay Theater
Boston, Massachusetts; 29 October 1965

1051: Tombstone Blues *
1052: Baby Let Me Follow You Down (Eric von Schmidt) *
1053: I Don’t Believe You (She Acts Like We Never Have Met) *
1054: Ballad of a Thin Man *

* Bob Dylan & The Hawks

Bushnell Memorial Hall
Hartford, Connecticut; 30 October 1965

1055: She Belongs to Me
1056: To Ramona
1057: Gates of Eden
1058: It’s All Over Now, Baby Blue
1059: Desolation Row
1060: Love Minus Zero/No Limit
1061: Mr Tambourine Man
1062: Tombstone Blues *
1063: Baby Let Me Follow You Down (Eric von Schmidt) *
1064: Just Like Tom Thumb’s Blues *
1065: Maggie’s Farm *
1066: It Ain’t Me, Babe *
1067: Ballad of a Thin Man *
1068: Positively 4th Street *
1069: Like a Rolling Stone *

* Bob Dylan & The Hawks

Studio A, Columbia Recording Studios
New York City, New York; 30 November 1965

1070: Visions of Johanna [take 1]
1071: Visions of Johanna [take 2]
1072: Visions of Johanna [take 3]
1073: Visions of Johanna [take 4]
1074: Visions of Johanna [take 5]
1075: Visions of Johanna [take 6]
1076: Visions of Johanna [take 7]
1077: Visions of Johanna [take 8]
1078: Visions of Johanna [take 9]
1079: Visions of Johanna [take 10]
1080: Visions of Johanna [take 11]
1081: Visions of Johanna [take 12]
1082: Visions of Johanna [take 13]
1083: Visions of Johanna [take 14]
1084: Can You Please Crawl Out Your Window? [take 1]
1085: Can You Please Crawl Out Your Window? [take 2]
1086: Can You Please Crawl Out Your Window? [take 3]
1087: Can You Please Crawl Out Your Window? [take 4]
1088: Can You Please Crawl Out Your Window? [take 5]
1089: Can You Please Crawl Out Your Window? [take 6]
1090: Can You Please Crawl Out Your Window? [take 7]
1091: Can You Please Crawl Out Your Window? [take 8]
1092: Can You Please Crawl Out Your Window? [take 9]
1093: Can You Please Crawl Out Your Window? [take 10]

Civic Auditorium
San José, California; 12 December 1965

1094: Tombstone Blues *
1095: I Don’t Believe You (She Acts Like We Never Have Met) *
1096: Baby Let Me Follow You Down (Eric von Schmidt) *
1097: Just Like Tom Thumb’s Blues *
1098: Long Distance Operator *
1099: It Ain’t Me, Babe *
1100: Ballad of a Thin Man *
1101: Positively 4th Street *
1102: Like a Rolling Stone *

* Bob Dylan & The Hawks

I reached the end of 1965 on Thursday. Then I got caught up in the fall of May. Now I’m back on the Bobby trail in 1966. A study in speed-psychosis. The recording of the majority of Blonde on Blonde, and probably the most hostile tour in rock history. That, beginning late-’65, was playing out to a strange script nightly (in which the audience became the improvised unscripted extra) – a hushed reverence with appropriate applause through-out the first acoustic set, though there’s not a protest song in sight anymore, a short intermission, and then Bob and the Hawks emerge to catcalls and varying boos. The Hawks went through three drummers. And, with a little more tutoring through the Basement Tapes, became The Band.

There was an overdue crash around the corner before the Basement though…