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17 December 2012
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I revealed on 2 May
Just staring a Dylan Marathon with 1961The Home of Bob and Sid Gleason
East Orange, New Jersey; February or March 19611: San Francisco Bay Blues (Jessie Fuller)
2: Jesus Met the Woman at the Well (traditional)
3: Gypsy Davey (traditional, arranged by Woody Guthrie)
4: Pastures of Plenty (Woody Guthrie)
5: Trail of the Buffalo (traditional, arranged by Woody Guthrie)
6: Jesse James (traditional)
7: Car, Car (Woody Guthrie)
8: Southern Cannonball (R Hall/Jimmie Rodgers)
9: Bring Me Back, My Blue-Eyed Boy (traditional)
10: Remember Me (When the Candle Lights Are Gleaming) (traditional)Montewese Hotel (Indian Neck Folk Festival)
Branford, Connecticut; 6 May 196111: Talking Columbia (Woody Guthrie)
12: Hangknot, Slipknot (Woody Guthrie)
13: Talking Fish Blues (Woody Guthrie)unidentified coffeehouse
Minneapolis, Minnesota; May 196114: Ramblin’ Round (Woody Guthrie)
15: Death Don’t Have No Mercy (Reverend Gary Davis)
16: It’s Hard to Be Blind (traditional)
17: This Train Is Bound for Glory (Big Bill Broonzy, arranged by Woody Guthrie)
18: harmonica solo
19: Talking Fish Blues (Woody Guthrie)
20: Pastures of Plenty (Woody Guthrie)
21: This Land Is Your Land (Woody Guthrie)
22: Two Trains Runnin’ (McKinley Morganfield)
23: Wild Mountain Thyme (traditional)
24: Howdido (Woody Guthrie)
25: Car, Car (Woody Guthrie)
26: Don’t Push Me Down (Woody Guthrie)
27: Come See (Woody Guthrie)
28: I Want My Milk (Woody Guthrie)
29: San Francisco Bay Blues (Jesse Fuller)
30: A Long Time a-Growin’ (traditional)
31: Devilish Mary (Bess Lomax Hawes)
32: Railroad Bill (traditional)
33: Will the Circle Be Unbroken (A.P. Carter)
34: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
35: Pretty Polly (traditional)
36: Railroad Boy (traditional)
37: James Alley Blues (Richard Brown)
38: Bonnie, Why’d You Cut My Hair?Riverside Church (12-Hour Hootenanny Special: Saturday of Folk Music)
New York City, New York; 29 July 196139: Handsome Molly (traditional)
40: Naomi Wise (traditional)
41: Poor Lazarus (traditional)
42: Mean Old Southern Railroad (Danny Kalb) *1
43: Acne (Eric von Schmidt) *2*1 Bob Dylan & Danny Kalb
*2 Bob Dylan & Ramblin’ Jack ElliottGaslight Café
New York City, New York; September 196144: Man on the Street
45: He Was a Friend of Mine (traditional)
46: Talking Bear Mountain Picnic Massacre Blues
47: Song to Woody
48: Pretty Polly (traditional)
49: Car, Car (Woody Guthrie) ** Bob Dylan & Dave van Ronk
Studio A, Columbia Recording Studios (Carolyn Hester session)
New York City, New York; 30 September 196150: Swing and Turn Jubilee [take 1] (traditional) *
51: Come Back, Baby [take 1] (traditional) *
52: Come Back, Baby [take 5] (traditional) *
53: Los Biblicos [take 1] (traditional) *
54: I’ll Fly Away [take 1] (Albert E Brumley) *
55: I’ll Fly Away [take 2] (Albert E Brumley) ** Carolyn Hester (Bob on harmonica)
WYNC Radio Studio (Oscar Brand’s Folk Song Festival)
New York City, New York; 29 October 196156: interview (1)
57: Sally Gal (Woody Guthrie)
58: interview (2)
59: The Girl I Left Behind (traditional)Carnegie Chapter Hall
New York City, New York; 4 November 196160: Pretty Peggy-O (traditional)
61: In the Pines (Huddie “Leadbelly” Leadbetter)
62: Gospel Plow (traditional)
63: 1913 Massacre (Woody Guthrie)
64: Backwater Blues (Bessie Smith)
65: A Long Time a-Growin’ (traditional)
66: Fixin’ to Die (Bukka White)
67: Talking Bear Mountain Picnic Massacre Blues
68: Man on the Street
69: This Land Is Your Land (Woody Guthrie)
70: Talking Merchant Marine (Woody Guthrie)
71: Black Cross (Lord Buckley)
72: Freight Train Blues (John Lair)
73: Song to Woody
74: Talkin’ New YorkStudio A, Columbia Recording Studios
New York City, New York; 20 November 196175: You’re No Good [take 5] (Jesse Fuller)
76: Fixin’ to Die [take 3] (Bukka White)
77: He Was a Friend of Mine [take 2] (traditional)
78: House of the Risin’ Sun [take 3] (traditional)
79: Talkin’ New York [take 2]
80:Song to Woody [take 2]
81: Baby Let Me Follow You Down [take 1] (Eric von Schmidt)
82: In My Time of Dyin’ [take 1] (traditional)Studio A, Columbia Recording Studios
New York City, New York; 22 November 196183: Man on the Street [take 2]
84: Man of Constant Sorrow [take 4] (traditional, arranged by Bob Dylan)
85: Pretty Peggy-O [take 2] (traditional)
86: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
87: Gospel Plow [take 1] (traditional, arranged by Bob Dylan)
88: Highway 51 [take 1] (traditional, arranged by Bob Dylan)
89: Freight Train Blues[take 1] (John Lair)
90: House Carpenter [take 1] (traditional)The Home of Bonnie Beecher
Minneapolis, Minnesota; 22 December 196191: Candy Man (traditional, arranged by Reverend Gary Davis)
92: Baby Please Don’t Go (Big Joe Williams)
93: Hard Times in New York Town
94: Stealin’ (traditional, arranged by the Memphis Jug Band)
95: Poor Lazarus (traditional)
96: I Ain’t Got No Home (Woody Guthrie)
97: It’s Hard to Be Blind (traditional)
98: Dink’s Song (traditional, arranged by John & Alan Lomax)
99: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
100: Story of East Orange
101: Naomi Wise (traditional)
102: Wade in the Water (traditional)
103: I Was Young When I Left Home
104: In the Evening (Brownie McGhee)
105: Baby Let Me Follow You Down (Eric von Schmidt)
106: Sally Gal (Woody Guthrie)
107: Gospel Plow (traditional, arranged by Bob Dylan)
108: Long John (traditional)
109: Cocaine Blues (traditional, arranged by Reverend Gary Davis)
110: VD Blues (Woody Guthrie)
111: VD Waltz (Woody Guthrie)
112: VD City (Woody Guthrie)
113: VD Gunner’s Blues (Woody Guthrie)
114: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
115: Ramblin’ Round (Woody Guthrie)
116: Black Cross (Lord Buckley)And on 4 May I reported
…now I move into 1962 and Folksinger’s Choice…WBAI Studios (Folksinger’s Choice)
New York Town, New York; 13 January 1962117: Lonesome Whistle Blues (Hank Williams/Jimmy Davis)
118: Fixin’ to Die (Bukka White)
119: Smokestack Lightning (Howlin’ Wolf)
120: Hard Travelin’ (Woody Guthrie)
121: The Death of Emmett Till
122: Standing on the Highway
123: Roll On, John (traditional, arranged by Bob Dylan)
124: Stealin’ (traditional, arranged by the Memphis Jug Band)
125: Long Time Man (traditional, arranged by Alan Lomax)
126: Baby Please Don’t Go (Big Joe Williams)
127: Hard Times in New York TownThe Home of Eve and Mac MacKenzie
New York City, New York; 29 January 1962128: Hard Times in New York Town
129: The Death of Emmett Tillunknown studio (Leeds Music demos)
New York City, New York; February 1962130: Hard Times in New York Town
131: Poor Boy Blues
132: Ballad for a Friend
133: Rambling, Gambling Willie
134: Man on the Street
135: Talking Bear Mountain Picnic Massacre Blues
136: Standing on the HighwayWebster Hall (Harry Belafonte session)
New York City, New York; 2 February 1962137: Midnight Special [take 19] (traditional) *
138: Midnight Special [take 20] (traditional) ** Harry Belafonte (Bob on harmonica)
Cue Recording Studios (Victoria Spivey session)
New York City, New York; 2 March 1962139: Sittin’ on Top of the World (Big Joe Williams) *
140: Wichita (Big Joe Williams) *
141: Big Joe, Dylan and Victoria (Big Joe Williams) *
142: It’s Dangerous (Victoria Spivey) ** Victoria Spivey, Big Joe Williams & Bob Dylan
Gerde’s Folk City
New York City, New York; 16 April 1962143: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
144: Talkin’ New York
145: Corrina Corrina (traditional, arranged by Bob Dylan)
146: Deep Ellem Blues (Joe & Bob Attlesay)
147: Blowin’ in the WindStudio A, Columbia Recording Studios
New York City, New York; 24 April 1962148: Going to New Orleans [take 1] (traditional)
149: Going to New Orleans [take 2] (traditional)
150: Sally Gal [take 1] (Woody Guthrie)
151: Sally Gal [take 2] (Woody Guthrie)
152: Sally Gal [take 3] (Woody Guthrie)
153: Rambling, Gambling Willie [take 1]
154: Rambling, Gambling Willie [take 3]
155: Corrina Corrina [take 1] (traditional, arranged by Bob Dylan)
156: Corrina Corrina [take 2] (traditional, arranged by Bob Dylan)
157: The Death of Emmett Till [take 1]
158: Talking John Birch Paranoid Blues [take 3]
159: (I Heard That) Lonesome Whistle [take 2] (Hank Williams/Jimmie Davies)Studio A, Columbia Recording Studios
New York City, New York; 25 April 1962160: Rocks and Gravel [take 2]
161: Rocks and Gravel [take 3]
162: Let Me Die in My Footsteps [take 1]
163: Let Me Die in My Footsteps [edit of take 1]
164: Talkin’ Hava Negiliah Blues [take 1]
165: Sally Gal [take 1] (Woody Guthrie)
166: Sally Gal [take 2] (Woody Guthrie)
167: Baby Please Don’t Go [take 1] (Big Joe Williams)
168: Baby Please Don’t Go [take 3] (Big Joe Williams)
169: Milk Cow’s Calf’s Blues [take 1] (Robert Johnson)
170: Milk Cow’s Calf’s Blues [take 3] (Robert Johnson)
171: Wichita (Going to Louisiana) [take 1]
172: Talking Bear Mountain Picnic Massacre Blues [take 3]
173: Milk Cow’s Calf’s Blues [take 4] (Robert Johnson)
174: Wichita (Going to Louisiana) [take 2]WBAI Studios (Broadside show)
New York City, New York; May 1962175: Ballad of Donald White
176: The Death of Emmett Till
177: Blowin’ in the Wind ** Bob Dylan with Gil Turner, Pete Seeger & Sis Cunningham
Witmark Studio (Witmark demo)
New York City, New York; July 1962178: Blowin’ in the Wind
Finjan Club
Montreal, Quebec, Canada; 2 July 1962179: The Death of Emmett Till
180: Stealin’ (traditional, arranged by the Memphis Jug Band)
181: Hiram Hubbard (traditional)
182: Blowin’ in the Wind
183: Rocks and Gravel
184: Quit Your Low Down Ways
185: He Was a Friend of Mine (traditional)
186: Let Me Die in My Footsteps
187: Two Trains Runnin’ (McKinley Morganfield)
188: Ramblin’ on My Mind (Robert Johnson)
189: Blues Yodel No. 8 (Jimmie Rodgers/G. Vaughan)Studio A, Columbia Recording Studios
New York City, New York; 9 July 1962190: Baby, I’m in the Mood for You [take 2]
191: Baby, I’m in the Mood for You [take 3]
192: Blowin’ in the Wind [take 1]
193: Blowin’ in the Wind [take 2]
194: Blowin’ in the Wind [take 3]
195: Quit Your Low Down Ways [take 1]
196: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
197: Down the Highway
198: Worried Blues [take 1] (Hally Wood)
199: Worried Blues [take 2] (Hally Wood)
200: Baby, I’m in the Mood for You [take 4]
201: Bob Dylan’s Blues [take 1]
202: Bob Dylan’s Blues [take 2]Carnegie Hall (Carnegie Hall Hootenanny)
New York City, New York; 22 September 1962203: Sally Gal (Woody Guthrie)
204: Highway 51 (Curtis Jones)
205: Talking John Birch Paranoid Blues
206: Ballad of Hollis Brown
207: A Hard Rain ‘s a-Gonna FallThe Home of Eve and Mac MacKenzie
New York City, New York; September 1962208: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
209: Ballad of Donald White
210: A Hard Rain ‘s a-Gonna Fall
211: unidentified instrumentalWBAI Studios (Billy Faier Show)
New York City, New York; October 1962212: Baby Let Me Follow You Down (Eric von Schmidt)
213: Talking John Birch Paranoid Blues
214: The Death of Emmett Till
215: Make Me a Pallet on Your Floor (traditional)Gaslight Café
New York City, New York; 15 October 1962216: Barbara Allen (traditional)
217: A Hard Rain ‘s a-Gonna Fall
218: Don’t Think Twice, It’s All Right
219: Black Cross (Lord Buckley)
220: No More Auction Block (traditional)
221: Rocks and Gravel
222: Moonshiner (traditional)
223: John Brown
224: Ballad of Hollis Brown
225: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
226: Cocaine Blues (traditional, arranged by Reverend Gary Davis)
227: The Cuckoo Is a Pretty Bird (traditional)
228: Ain’t No More Cane (Huddie “Leadbelly” Leadbetter)
229: Motherless Children (traditional)
230: Handsome Molly (traditional)
231: Kindhearted Woman Blues (Robert Johnson)
232: West Texas (traditional)Studio A, Columbia Recording Studios
New York City, New York; 26 October 1962233: Corrina Corrina [take 2] (traditional, arranged by Bob Dylan)
234: Corrina Corrina [take 3] (traditional, arranged by Bob Dylan)
235: Corrina Corrina [take 4] (traditional, arranged by Bob Dylan)
236: That’s All Right Mama [take 1] (Arthur Crudup)
237: That’s All Right Mama [take 3] (Arthur Crudup)
238: That’s All Right Mama [take 5] (Arthur Crudup)
239: Mixed-Up Confusion [take 1]
240: Mixed-Up Confusion [take 3]
241: Corrina Corrina [take 7] (traditional, arranged by Bob Dylan)Folkways Studios (Broadside demos)
New York City, New York; circa October 1962242: I’d Hate to Be You on That Dreadful Day
243: Oxford Town
244: Paths of Victory
245: Walkin’ Down the LineWitmark Studio (Witmark demo)
New York City, New York; November 1962246: Long Ago Far Away
Studio A, Columbia Recording Studios
New York City, New York; 1 November 1962247: Mixed-Up Confusion [take 1]
248: Mixed-Up Confusion [take 2]
249: Mixed-Up Confusion [take 4]
250: Mixed-Up Confusion [take 5]
251: Mixed-Up Confusion [take 6]
252: That’s All Right Mama (Arthur Crudup) [take 1]
253: Rocks and Gravel [take 1]
254: Rocks and Gravel [take 2]Studio A, Columbia Recording Studios
New York City, New York; 14 November 1962255: Mixed-Up Confusion [take 10]
256: Mixed-Up Confusion [take 13]
257: Mixed-Up Confusion [take 15]
258: Don’t Think Twice, It’s All Right [take 1]
259: Ballad of Hollis Brown [take 2]
260: Kingsport Town [take 1]
261: Kingsport Town [take 2]
262: Whatcha Gonna Do [take 1]Studio A, Columbia Recording Studios
New York City, New York; 6 December 1962263: Hero Blues [take 1]
264: Whatcha Gonna Do [take 1]
265: Oxford Town [take 1]
266: I Shall Be Free [take 2]
267: I Shall Be Free [take 4]
268: I Shall Be Free [take 5]
269: Hero Blues [take 2]
270: Hero Blues [take 4]
271: A Hard Rain ‘s a-Gonna Fall [take 1]Witmark Studio (Witmark demos)
New York City, New York; December 1962272: A Hard Rain ‘s a-Gonna Fall
273: Tomorrow Is a Long Time
274: The Death of Emmett Till
275: Let Me Die in My Footsteps
276: Ballad of Hollis Brown
277: Quit Your Low Down Ways
278: Baby, I’m in the Mood for YouThen on 7 May I updated
…and so onto 1963 which begins with Bobby in London, and ends with the two most influential post-World War II musical artists – Bob and The Beatles – starting to become aware of each other…Dobell’s Jazz Record Shop (Dick Farina & Eric von Schmidt session)
London, England; 14 & 15 January 1963279: Glory, Glory (traditional) *
280: You Can Always Tell (Furry Lewis) *
281: Christmas Island (Dick Farina) *
282: Cocaine Blues (traditional) *
283: London Waltz (Dick Farina) *
284: Oversea Stomp (The Memphis Jug Band) ** Dick Farina & Eric von Schmidt (Bob on harmonica and backing vocal as Blind Boy Grunt)
Folkways Studios (Broadside demos)
New York City, New York; circa January 1963285: I Shall Be Free
286: Train a-Travelin’
287: Cuban Missile CrisisFolkways Studios (Broadside demo)
New York City, New York; 19 January 1963288: Farewell
Folkways Studios (Broadside demos)
New York City, New York; 24 January 1963289: Masters of War
290: Playboys and Playgirls
291: Let Me Die in My Footsteps ** Happy Traum & [Bob Dylan as] Blind Boy Grunt
Folkways Studios (Broadside demos)
New York City, New York; February 1963292: Only a Hobo *
293: John Brown *
294: Talkin’ Devil ** [Bob Dylan as] Blind Boy Grunt
The Basement of Gerde’s Folk City
New York City, New York; 8 February 1963295: Lonesome River Edge (unknown)
296: Back Door Blues (traditional)
297: Bob Dylan’s Dream
298: You Can Get Her (unknown)
299: Farewell *1
300: All Over You *1
301: Masters of War *1
302: instrumental
303: Keep Your Hands Off Her (Huddie “Leadbelly” Leadbetter) *1
304: Honey Babe (unknown)
305: Goin’ Back to Rome (unknown)
306: Stealin’ (traditional, arranged by the Memphis Jug Band) *2*1 Bob Dylan & Happy Traum
*2 Bob Dylan, Happy Traum & Gil TurnerWBAI Studios (Skip Weshner Show)
New York City, New York; February 1963307: Tomorrow Is a Long Time
308: Masters of War
309: Bob Dylan’s BluesWitmark Studio (Witmark demos)
New York City, New York; winter 1963310: Bound to Lose, Bound to Win
311: All Over You
312: I’d Hate to Be You on That Dreadful Day
313: Talking John Birch Paranoid BluesWNBC Radio Studios (Oscar Brand Show)
New York City, New York; March 1963314: Girl from the North Country
315: Only a HoboWitmark Studio (Witmark demos)
New York City, New York; March 1963316: Long Time Gone
317: Masters of War
318: Farewell
319: Oxford Town
320: Don’t Think Twice. It’s All Right
321: Walkin’ Down the LineWestinghouse Studios (Folk Songs and More Folk Songs)
New York City, New York; 3 March 1963322: Blowin’ in the Wind
323: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
324: Ballad of Hollis BrownWitmark Studio (Witmark demos)
New York City, New York; April 1963325: I Shall Be Free
326: Bob Dylan’s Blues
327: Bob Dylan’s Dream
328: Boots of Spanish LeatherTown Hall
New York City, New York; 12 April 1963329: Ramblin’ Down Thru the World
330: Bob Dylan’s Dream
331: Talkin’ New York
332: Ballad of Hollis Brown
333: Walls of Red Wing
334: All Over You
335: Talking John Birch Paranoid Blues
336: Boots of Spanish Leather
337: Hero Blues
338: Blowin’ in the Wind
339: John Brown
340: Tomorrow Is a Long Time
341: A Hard Rain ‘s a-Gonna Fall
342: Dusty Old Fairgrounds
343: Who Killed Davey Moore?
344: Seven Curses
345: Highway 51 (Curtis Jones)
346: Pretty Peggy-O (traditional, arranged by Bob Dylan)
347: Bob Dylan’s New Orleans Rag
348: Don’t Think Twice, It’s All Right
349: Hiding Too Long
350: With God on Our Side
351: Masters of War
352: Last Thoughts on Woody GuthrieThe Home of Eve and Mac MacKenzie
New York City, New York; 18 April 1963353: James Alley Blues (Richard Brown)
354: Long Time Gone
355: Only a Hobo
356: unidentified instrumental
357: A Hard Rain ‘s a-Gonna FallThe Home of Eve and Mac MacKenzie
New York City, New York; 19 April 1963358: I Rode Out One Morning
359: House of the Risin’ Sun (traditional)Studio A, Columbia Recording Studios
New York City, New York; 24 April 1963360: Girl from the North Country [take 2]
361: Masters of War [take 3]
362: Walls of Red Wing [take 3]
363: Talking World War III Blues [take 5]
364: Bob Dylan’s Dream [take 2]The Bear
Chicago, Illinois; 25 April 1963365: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
366: Talking John Birch Paranoid Blues
367: Bob Dylan’s Dream
368: Ballad of Hollis Brown
369: Talking World War III Blues
370: A Hard Rain ‘s a-Gonna Fall
371: With God on Our SideWFMT-Radio Studio (Studs Terkel Wax Museum)
Chicago, Illinois; 26 April 1963372: Farewell
373: A Hard Rain ‘s a-Gonna Fall
374: Bob Dylan’s Dream
375: Boots of Spanish Leather
376: John Brown
377: Who Killed Davey Moore?
378: Blowin’ in the WindWitmark Studio (Witmark demos)
New York City, New York; May 1963379: Girl from the North Country
380: Seven Curses
381: Hero BluesBrandeis University (The Brandeis University Folk Festival)
Waltham, Massachusetts; 10 May 1963382: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
383: Talking John Birch Paranoid Blues
384: Ballad of Hollis Brown
385: Masters of War
386: Talking World War III Blues
387: Bob Dylan’s Dream
388: Talking Bear Mountain Picnic Massacre BluesSilas Magee’s Farm (Voter Registration Rally)
Greenwood, Mississippi; 6 July 1963389: Only a Pawn in Their Game
unidentified recording studio (Ramblin’ Jack Elliott session)
New York City, New York; summer 1963390: Will the Circle Be Unbroken (A.P. Carter) *
* Jack Elliott (Bob on harmonica as Tedham Porterhouse)
Freebody Park (Newport Folk Festival; evening)
Newport, Rhode Island; 26 July 1963391: Talkin’ World War III Blues
392: Only a Pawn in Their Game
393: A Hard Rain ‘s a-Gonna FallFreebody Park (Newport Folk Festival; evening finale)
Newport, Rhode Island; 26 July 1963394: Blowin’ in the Wind *1
395: We Shall Overcome (traditional) *2*1 Bob Dylan with Joan Baez, the Freedom Singers, Pete Seeger and Peter, Paul & Mary
*2 Bob Dylan with Joan Baez, Theo Bikel, the Freedom Singers, Pete Seeger and Peter, Paul & MaryPorch #1 of Newport Casino, Freebody Park (Newport Folk Festival; Ballads workshop)
Newport, Rhode Island; 27 July 1963396: North Country Blues
397: With God on Our Side ** Bob Dylan & Joan Baez
Porch #2, lawn of Newport Casino, Freebody Park (Newport Folk Festival; Topical Songs and New Songwriters)
Newport, Rhode Island; 28 July 1963398: Who Killed Davey Moore?
399: Playboys and Playgirls ** Bob Dylan & Pete Seeger
Freebody Park (Newport Folk Festival; Joan Baez set)
Newport, Rhode Island; 28 July 1963400: With God on Our Side *
* Joan Baez & Bob Dylan
Freebody Park (Newport Folk Festival; evening finale)
Newport, Rhode Island; 28 July 1963401: This Land Is Your Land (Woody Guthrie) *
* Pete Seeger with Bob Dylan, Joan Baez, Theo Bikel, the Freedom Singers and Peter, Paul & Mary
WNEW TV Studios (Songs of Freedom)
New York City, New York; 30 July 1963402: Blowin’ in the Wind
403: Only a Pawn in Their GameStudio A, Columbia Recording Studios
New York City, New York; 6 August 1963404: North Country Blues [take 4]
405: Seven Curses [take 3]
406: Farewell [take 4]Studio A, Columbia Recording Studios
New York City, New York; 7 August 1963407: Ballad of Hollis Brown [take 1]
408: With God on Our Side [take 1]
409: Only a Pawn in Their Game [take 1]
410: Boots of Spanish Leather [take 1]
411: Eternal Circle [unknown take]Studio A, Columbia Recording Studios
New York City, New York; 12 August 1963412: Paths of Victory [take 1]
413: Hero Blues [take 3]
414: Moonshiner [take 1] (traditional)
415: Eternal Circle [take 4]
416: Only a Hobo [take 1]Witmark Studio (Witmark demos)
New York City, New York; August 1963417: Whatcha Gonna Do
418: Gypsy Lou
419: Ain’t Gonna Grieve
420: John Brown
421: Only a Hobo
422: When the Ship Comes InForest Hills Tennis Stadium (Joan Baez concert)
New York City, New York; 17 August 1963423: Troubled and I Don’t Know Why (traditional, arranged by Bob Dylan) *
* Joan Baez & Bob Dylan
Lincoln Memorial (March On Washington for Jobs and Freedom)
Washington, District of Columbia; 26 August 1963424: When the Ship Comes In *1
425: Only a Pawn in Their Game
426: Keep Your Eyes on the Prize (Hold On ) (Len Chandler) *2*1 Bob Dylan & Joan Baez
*2 Len Chandler with Bob Dylan, Joan Baez and Gil TurnerWitmark Studio (Witmark demo)
New York City, New York; October 1963427: The Times They Are a-Changin’
Studio A, Columbia Recording Studios
New York City, New York; 23 October 1963428: Percy’s Song [take 1]
429: The Lonesome Death of Hattie Carroll [take 2]
430: When the Ship Comes In [take 2]
431: The Times They Are a-Changin’ [unknown take]
432: East Laredo Blues
433: That’s All Right Mama (Arthur Crudup)Studio A, Columbia Recording Studios
New York City, New York; 24 October 1963434: Eternal Circle [take 1]
435: The Times They Are a-Changin’ [take 1]
436: Lay Down Your Weary Tune [take 1]
437: One Too Many Mornings [take 3)
438: Suze (The Cough Song) [take 1]
439: Bob Dylan’s New Orleans Rag [take 2]Carnegie Hall
New York City, New York; 24 October 1963440: The Times They Are a-Changin’
441: Ballad of Hollis Brown
442: Who Killed Davey Moore?
443: Boots of Spanish Leather
444: Talking John Birch Paranoid Blues
445: Lay Down Your Weary Tune
446: Blowin’ in the Wind
447: Percy’s Song
448: Seven Curses
449: Walls of Red Wing [take 3 24/04/63] [audience overdubbed]
450: North Country Blues
451: A Hard Rain ‘s a-Gonna Fall
452: Talking World War III Blues
453: Don’t Think Twice, It’s All Right
454: With God on Our Side
455: Only a Pawn in Their Game
456: Masters of War
457: The Lonesome Death of Hattie Carroll
458: When the Ship Comes InStudio A, Columbia Recording Studios
New York City, New York; 31 October 1963459: Restless Farewell [take 9]
Witmark Studio (Witmark demo)
New York City, New York; December 1963460: Paths of Victory
….and now we reach 1964 and Bobby’s taking stock, touring and working out what the arrival of the Beatles means. He only spends three hours one evening in June in the studio all year, invites a bunch of friends along, gets through two bottles of Beaujolais, and records the whole of the Another Side album with three tracks to spare!!! The first Beatles/Dylan summit takes place in New York in August. The influence of Bob on them, especially John, is evident on the year end Beatles For Sale . Dylan’s producer Tom Wilson tries a couple of experiments at the end of year, he overdubs an electric band onto Simon & Garfunkel’s The Sound of Silence, which he releases, and does the same to a couple of Bob’s acoustic tracks, which he plays Bob…
Witmark Studio (Witmark demos)
New York City, New York; January 1964
461: Guess I’m Doing Fine
462: Baby Let Me Follow You Down (Eric von Schmidt)
CBC TV Studios (Quest: The Times They Are a-Changin’)
Toronto, Ontario, Canada; 1 February 1964
463: The Times They Are a-Changin’
464: Talking World War III Blues
465: The Lonesome Death of Hattie Carroll
466: Girl from the North Country
467: A Hard Rain ‘s a-Gonna Fall
468: Restless Farewell
NBC Studios (Steve Allen Show)
Los Angeles, California; 25 February 1964
469: The Lonesome Death of Hattie Carroll
Elektra Studios (Blues Project session)
New York City, New York; early 1964
470: Downtown Blues *
* Geoff Muldaur (Bob on piano as Bob Landy)
The Home of Eric von Schmidt
Sarasota, Florida; May 1964
471: Bob and Eric Blues #1 (Bob Dylan/Eric von Schmidt) *
472: Black Betty (traditional, arranged by Bob Dylan/Eric von Schmidt) *
473: Come All You Fair and Tender Ladies (traditional, arranged by Bob Dylan/Eric von Schmidt) *
474: Florida Woman (Eric von Schmidt) *
475: Johnny Cuckoo (traditional, arranged by Eric von Schmidt) *
476: Money Honey (Jesse Stone) *
477: More and More (Webb Pierce/Merie Kilgore) *
478: Mr Tambourine Man *
479: Suzie Q (Dale Hawkins/Robert Chaisson/Stan Lewis/Eleanor Broadwater) *
480: harmonica duet (Bob Dylan/Eric von Schmidt) *
481: Glory Glory (traditional, arranged by Bob Dylan/Eric von Schmidt) *
482: Dr Strangelove Blues (Eric von Schmidt) *
483: Stoned on the Mountain *
484: Stoned on the Mountain *
485: Walkin’ Down the Line *
486: Joshua Gone Barbados (Eric von Schmidt) *
* Bob Dylan & Eric von Schmidt
BBC Studios (Tonight)
London, England; early May 1964
487: With God on Our Side
Didsbury Studios
Manchester, England; 14 May 1964
488: Don’t Think Twice, It’s All Right
Royal Festival Hall
London, England; 17 May 1964
489: The Times They Are a-Changin’
490: Girl from the North Country
491: Who Killed Davey Moore?
492: Talking John Birch Paranoid Blues
493: Ballad of Hollis Brown
494: It Ain’t Me, Babe
495: Walls of Red Wing
496: Chimes of Freedom
497: Mr Tambourine Man
498: Eternal Circle
499: A Hard Rain ‘s a-Gonna Fall
500: Talking World War III Blues
501: Don’t Think Twice, It’s All Right
502: Only a Pawn in Their Game
503: With God on Our Side
504: The Lonesome Death of Hattie Carroll
505: Restless Farewell
506: When the Ship Comes In
Columbia Studios
New York Town, New York; 9 June 1964
507: Denise [take 1]
508: It Ain’t Me, Babe [take 1]
509: It Ain’t Me, Babe [take 2]
510: To Ramona [take 1]
511: Spanish Harlem Incident [take 3]
512: Spanish Harlem Incident [take 4]
513: Spanish Harlem Incident [take 5]
514: Ballad in Plain D [take 2]
515: Ballad in Plain D [take 5]
516: I Don’t Believe You (She Acts Like We Never Have Met) [take 1]
517: I Don’t Believe You (She Acts Like We Never Have Met) [take 3]
518: I Don’t Believe You (She Acts Like We Never Have Met) [take 5]
519: Chimes of Freedom [take 1]
520: Chimes of Freedom [take 3]
521: Chimes of Freedom [take 7]
522: Motorpsycho Nitemare [take 4]
523: Mr Tambourine Man [take 1] *
524: Mr Tambourine Man [take 2] *
525: All I Really Want to Do [take 1]
526: Black Crow Blues [take 1]
527: Black Crow Blues [take 2]
528: Black Crow Blues [take 3]
529: I Shall Be Free No 10 [take 1]
530: I Shall Be Free No 10 [take 2]
531: I Shall Be Free No 10 [take 3]
532: I Shall Be Free No 10 [take 4]
533: I Shall Be Free No 10 [edit of takes 4 & 5]
534: Mama, You Been on My Mind [take 1]
535: My Back Pages [take 2]
* Bob Dylan & Ramblin’ Jack Elliott
unidentified recording studio (Witmark demos)
New York City, New York; mid to late June 1964
536: Mr Tambourine Man
537: Mama, You Been on My Mind
538: I’ll Keep It with Mine
The Lawn of St Michael School (Newport Folk Festival; Broadsides (Topical Songs) Workshop)
Newport, Rhode Island; 24 July 1964
539: It Ain’t Me, Babe
540: Mr Tambourine Man
Freebody Park (Newport Folk Festival; evening)
Newport, Rhode Island; 24 July 1964
541: It Ain’t Me, Babe *
* Joan Baez & Bob Dylan
Freebody Park (Newport Folk Festival; evening)
Newport, Rhode Island; 26 July 1964
542: All I Really Want to Do
543: To Ramona
544: Mr Tambourine Man
545: Chimes of Freedom
546: With God on Our Side *
* Bob Dylan & Joan Baez
Forest Hills Tennis Stadium (Joan Baez concert at The Forest Hills Music Festival)
New York City, New York; 8 August 1964
547: Mama, You Been on My Mind *
548: It Ain’t Me, Babe *
549: With God on Our Side *
* Joan Baez & Bob Dylan
Town Hall
Philadelphia, Pennsylvania; 10 October 1964
550: The Times They Are a-Changin’
551: Girl from the North Country
552: Who Killed Davey Moore?
553: Talking John Birch Paranoid Blues
554: To Ramona
555: Ballad of Hollis Brown
556: Chimes of Freedom
557: I Don’t Believe You (She Acts Like We Never Have Met)
558: It’s Alright, Ma (I’m Only Bleeding)
559: Mr Tambourine Man
560: Talking World War III Blues
561: A Hard Rain ‘s a-Gonna Fall
562: Don’t Think Twice, It’s All Right
563: Only a Pawn in Their Game
564: With God on Our Side
565: It Ain’t Me, Babe
566: The Lonesome Death of Hattie Carroll
567: All I Really Want to Do
Philharmonic Hall
New York City, New York; 31 October 1964
568: The Times They Are a-Changin’
569: Spanish Harlem Incident
570: Talking John Birch Paranoid Blues
571: To Ramona
572: Who Killed Davey Moore?
573: Gates of Eden
574: If You Gotta Go, Go Now
575: It’s Alright, Ma (I’m Only Bleeding)
576: I Don’t Believe You (She Acts Like We Never Have Met)
577: Mr Tambourine Man
578: A Hard Rain ‘s a-Gonna Fall
579: Talking World War III Blues
580: Don’t Think Twice, It’s All Right
581: The Lonesome Death of Hattie Carroll
582: Mama, You Been on My Mind *1
583: Silver Dagger (traditional) *2
584: With God on Our Side *1
585: It Ain’t Me, Babe *1
586: All I Really Want to Do
*1 Bob Dylan & Joan Baez
*2 Joan Baez & Bob Dylan
Civic Auditorium
San José, California; 25 November 1964
587: The Times They Are a-Changin’
588: Talking John Birch Paranoid Blues
589: To Ramona
590: Gates of Eden
591: If You Gotta Go, Go Now
592: It’s Alright, Ma (I’m Only Bleeding)
593: Mr Tambourine Man
594: A Hard Rain ‘s a-Gonna Fall
595: Talking World War III Blues
596: Don’t Think Twice, It’s All Right
Masonic Memorial Auditorium
San Francisco, California; 27 November 1964
597: Gates of Eden
598: If You Gotta Go, Go Now
599: It’s Alright, Ma (I’m Only Bleeding)
600: Talking World War III Blues
601: Don’t Think Twice, It’s All Right
602: Mama, You Been on My Mind *
* Bob Dylan & Joan Baez
Columbia Recording Studios (Tom Wilson overdub session)
New York City, New York; 8 December 1964
603: House of the Risin’ Sun [take 3 20/11/61] [overdub]
604: Rocks and Gravel [take 1 01/11/62] [overdub]
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Von Bontee, SgtPeppersBulldog, Beatlebug"I only said we were bigger than Rod... and now there's all this!" Ron Nasty
To @ Ron Nasty it's @ mja6758
The Beatles Bible 2020 non-Canon Poll Part One: 1958-1963 and Part Two: 1964-August 1966
1.06pm
15 November 2018
Offline Kaniffee said
50yearslate said
Kaniffee said
I’m looping Heart-Shaped Box rn
PoststealRonNasty?
I’m on track number nine, number nine, number nine of Sgt Pepper . Granny music ftw
oh no i just meant right now. This was indeed my own post
I know, I was merely joking. 
Right now I’m listening to The Next Day on shuffle in an attempt to expel I’d Rather Be High from my head.
Love one another.
- - -
(I'm Fiddy, not Walrian)
- - -
2018:
2019: 
2020:
3.34pm
14 November 2017
Offline Happy Mondays – Step On
Still writing the words to the sermon that no one will hear......
3.52pm
26 January 2017
Offline Father McKenzie said
Happy Mondays – Step On
Yer twisting my melon, man!
The following people thank QuarryMan for this post:
Father McKenzieI've been up on the mountain, and I've seen his wondrous grace,
I've sat there on the barstool and I've looked him in the face.
He seemed a little haggard, but it did not slow him down,
he was humming to the neon of the universal sound.
3.57pm
14 November 2017
Offline QuarryMan said
Father McKenzie said
Happy Mondays – Step On
Yer twisting my melon, man!
Call The Cops!
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QuarryManStill writing the words to the sermon that no one will hear......
4.06pm
15 November 2018
Offline Ziggy 
The following people thank 50yearslate for this post:
SgtPeppersBulldog, TheWalrusWasBrian, TheWalrusWasBrian, BeatlebugLove one another.
- - -
(I'm Fiddy, not Walrian)
- - -
2018: 2019: 2020:
6.22pm
15 March 2017
Offline A Drug Problem That Never Existed by Mondo Generator.
And in the end the lunch you take is equal to the lunch you bake.
8.07pm
25 December 2017
Offline Listening to 3121 by Prince. Currently on Track 2, Lolita
"Dinner with Delores Must be some kind of sin
Like a Brontosaurus She was packin' it in" -Prince
8.28pm
15 March 2017
Offline Another Sound Is Dying by Dub Trio.
And in the end the lunch you take is equal to the lunch you bake.
9.01pm
14 November 2017
Offline The following people thank Father McKenzie for this post:
The Hole Got Fixed, TheWalrusWasBrian, BeatlebugStill writing the words to the sermon that no one will hear......
11.31pm
14 December 2009
Offline
QuarryMan said
There’s a staaaaarrrrmaaaaaannnnn waiting in the skyI just listened to this 1975 Miles live album, Agharta. It’s…. pretty intense. At times even more so than Dark Magus, which I thought couldn’t be topped in that regard, with a seven piece lineup as good as any Miles brought together post-Kind of Blue. I enjoyed it a lot, but now it’s time for something more relaxed, so I’m going for Sketches of Spain.
Agharta and Pangaea are my favourites of those many double-live sets documenting Miles’ acid-rock-funk era. I find that Dark Magus is actually more intense – kinda unpleasantly so at times. (Plus it hasn’t got Sonny Fortune.)
Paul: Yeah well… first of all, we’re bringing out a ‘Stamp Out Detroit’ campaign.
8.56am
19 December 2018
Offline White Album . Currently on “number nine, number nine, number nine” and it’s great fun listening to it.
(kidding : ) )
Edit: Now I’m on Hunky Dory.
The following people thank ScarlettFieldsForever for this post:
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10.27am
14 November 2017
Offline Raspberry Beret by Prince just came on the radio
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Von BonteeStill writing the words to the sermon that no one will hear......
6.14pm
15 March 2017
Offline I have been listening to a bunch of Regurgitator. Specifically the Bong In My Eye, The Drop, My Friend Robot and My Ego singles and also the album Mish Mash!.
And in the end the lunch you take is equal to the lunch you bake.
8.23pm
Moderators
15 February 2015
Offline @50yearslate said
Right now I’m listening to The Next Day on shuffle in an attempt to expel I’d Rather Be High from my head.
Ooh that’s a good one, especially the Venetian Mix:
very Beatley 
I was listening to ‘She’ll Drive The Big Car’ and two versions of ‘Strangers When We Meet’ over and over 
but now I’m listening to ‘I’d Rather Be High – Venetian Mix (Wasted Edit)’.
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8.26pm
15 November 2018
Offline Excellente
@Beatlebug I must confess, I’m dying to know– what are your feelings on If You Can See Me?
I’m not listening to anything at the moment, I’m afraid.
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BeatlebugLove one another.
- - -
(I'm Fiddy, not Walrian)
- - -
2018: 2019: 2020:
8.34pm
Moderators
15 February 2015
Offline 50yearslate said
Beatlebug I must confess, I’m dying to know– what are your feelings on If You Can See Me?
…I CAN SEE YOU
Um. I feel sure that I kept getting it in my head while my mother was working a job from home where she would tell clients, ‘You’ll be able to see me but I can’t see you,’ as part of her script. Like, ten times a day. I would overhear it from the other room and mentally go ‘IF YOU CAN SEE ME I CAN SEE YOU’ in a detached Bowie voice.
…other than that I haven’t listened to it much, sorry 
*listening now*
OH, that’s right. I LOVE Gail Ann Dorsey on this track! 
The outro’s super cool too. 
It’s pretty good, I guess. I love the idea of Bowie wearing your old red dress. 
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9.38am
14 December 2009
Offline Listening to Thelonious Monk, “Rhythm-a-Ning” (Recorded, uh, February 30, 195x or so…John and Paul engage in some mutual masturbation! (maybe))
The following people thank Von Bontee for this post:
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10.58am
Moderators
15 February 2015
Offline In honour of David Byrne’s birthday…
Talking Heads – Fear Of Music (1979)
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