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9.59am
26 January 2017
Offline
Beatlebug said
After all that talk with @QuarryMan in the Albums you have bought recently… thread, I am now being compelledagainst my will
Your poor thing 
The following people thank QuarryMan for this post:
vonbontee, BeatlebugI've been up on the mountain, and I've seen his wondrous grace,
I've sat there on the barstool and I've looked him in the face.
He seemed a little haggard, but it did not slow him down,
he was humming to the neon of the universal sound.
10.10am
25 December 2017
Offline
QuarryMan said
Beatlebug said
After all that talk with @QuarryMan in the Albums you have bought recently… thread, I am now being compelled
Your poor thing
Look what I’ve contributed to
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Beatlebug"Dinner with Delores Must be some kind of sin
Like a Brontosaurus She was packin' it in" -Prince
10.47am
1 December 2009
Offline
Listening to the Pointer Sisters’ version of Springsteen’s “Fire” on the “Flashback 70s” station. (A single I owned 40 years ago. It’s not all that great.)
The following people thank vonbontee for this post:
QuarryManGEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
4.46pm
Reviewers
17 December 2012
Offline 
Just starting a Dylan Marathon with 1961…
The Home of Bob and Sid Gleason
East Orange, New Jersey; February or March 1961
1: San Francisco Bay Blues (Jessie Fuller)
2: Jesus Met the Woman at the Well (traditional)
3: Gypsy Davey (traditional, arranged by Woody Guthrie)
4: Pastures of Plenty (Woody Guthrie)
5: Trail of the Buffalo (traditional, arranged by Woody Guthrie)
6: Jesse James (traditional)
7: Car, Car (Woody Guthrie)
8: Southern Cannonball (R Hall/Jimmie Rodgers)
9: Bring Me Back, My Blue-Eyed Boy (traditional)
10: Remember Me (When the Candle Lights Are Gleaming) (traditional)
Montewese Hotel (Indian Neck Folk Festival)
Branford, Connecticut; 6 May 1961
11: Talking Columbia (Woody Guthrie)
12: Hangknot, Slipknot (Woody Guthrie)
13: Talking Fish Blues (Woody Guthrie)
unidentified coffeehouse
Minneapolis, Minnesota; May 1961
14: Ramblin’ Round (Woody Guthrie)
15: Death Don’t Have No Mercy (Reverend Gary Davis)
16: It’s Hard to Be Blind (traditional)
17: This Train Is Bound for Glory (Big Bill Broonzy, arranged by Woody Guthrie)
18: harmonica solo
19: Talking Fish Blues (Woody Guthrie)
20: Pastures of Plenty (Woody Guthrie)
21: This Land Is Your Land (Woody Guthrie)
22: Two Trains Runnin’ (McKinley Morganfield)
23: Wild Mountain Thyme (traditional)
24: Howdido (Woody Guthrie)
25: Car, Car (Woody Guthrie)
26: Don’t Push Me Down (Woody Guthrie)
27: Come See (Woody Guthrie)
28: I Want My Milk (Woody Guthrie)
29: San Francisco Bay Blues (Jesse Fuller)
30: A Long Time a-Growin’ (traditional)
31: Devilish Mary (Bess Lomax Hawes)
32: Railroad Bill (traditional)
33: Will the Circle Be Unbroken (A.P. Carter)
34: Man of Constant Sorrow (traditional)
35: Pretty Polly (traditional)
36: Railroad Boy (traditional)
37: James Alley Blues (Richard Brown)
38: Bonnie, Why’d You Cut My Hair?
Riverside Church (12-Hour Hootenanny Special: Saturday of Folk Music)
New York City, New York; 29 July 1961
39: Handsome Molly (traditional)
40: Naomi Wise (traditional)
41: Poor Lazarus (traditional)
42: Mean Old Southern Railroad (Danny Kalb) *1
43: Acne (Eric von Schmidt) *2
*1 Bob Dylan & Danny Kalb
*2 Bob Dylan & Ramblin’ Jack Elliott
Gaslight Café
New York City, New York; September 1961
44: Man on the Street
45: He Was a Friend of Mine (traditional)
46: Talking Bear Mountain Picnic Massacre Blues
47: Song to Woody
48: Pretty Polly (traditional)
49: Car, Car (Woody Guthrie) *
* Bob Dylan & Dave van Ronk
Studio A, Columbia Recording Studios (Carolyn Hester session)
New York City, New York; 30 September 1961
50: Swing and Turn Jubilee [take 1] (traditional) *
51: Come Back, Baby [take 1] (traditional) *
52: Come Back, Baby [take 5] (traditional) *
53: Los Biblicos [take 1] (traditional) *
54: I’ll Fly Away [take 1] (Albert E Brumley) *
55: I’ll Fly Away [take 2] (Albert E Brumley) *
* Carolyn Hester (Bob on harmonica)
WYNC Radio Studio (Oscar Brand’s Folk Song Festival)
New York City, New York; 29 October 1961
56: interview (1)
57: Sally Gal (Woody Guthrie)
58: interview (2)
59: The Girl I Left Behind (traditional)
Carnegie Chapter Hall
New York City, New York; 4 November 1961
60: Pretty Peggy-O (traditional)
61: In the Pines (Huddie “Leadbelly” Leadbetter)
62: Gospel Plow (traditional)
63: 1913 Massacre (Woody Guthrie)
64: Backwater Blues (Bessie Smith)
65: A Long Time a-Growin’ (traditional)
66: Fixin’ to Die (Bukka White)
67: Talking Bear Mountain Picnic Massacre Blues
68: Man on the Street
69: This Land Is Your Land (Woody Guthrie)
70: Talking Merchant Marine (Woody Guthrie)
71: Black Cross (Lord Buckley)
72: Freight Train Blues (John Lair)
73: Song to Woody
74: Talkin’ New York
Studio A, Columbia Recording Studios
New York City, New York; 20 November 1961
75: You’re No Good [take 5] (Jesse Fuller)
76: Fixin’ to Die [take 3] (Bukka White)
77: He Was a Friend of Mine [take 2] (traditional)
78: House of the Risin’ Sun [take 3] (traditional)
79: Talkin’ New York [take 2]
80:Song to Woody [take 2]
81: Baby Let Me Follow You Down [take 1] (Eric von Schmidt)
82: In My Time of Dyin’ [take 1] (traditional)
Studio A, Columbia Recording Studios
New York City, New York; 22 November 1961
83: Man on the Street [take 2]
84: Man of Constant Sorrow [take 4] (traditional, arranged by Bob Dylan)
85: Pretty Peggy-O [take 2] (traditional)
86: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
87: Gospel Plow [take 1] (traditional, arranged by Bob Dylan)
88: Highway 51 [take 1] (traditional, arranged by Bob Dylan)
89: Freight Train Blues[take 1] (John Lair)
90: House Carpenter [take 1] (traditional)
The Home of Bonnie Beecher
Minneapolis, Minnesota; 22 December 1961
91: Candy Man (traditional, arranged by Reverend Gary Davis)
92: Baby Please Don’t Go (Big Joe Williams)
93: Hard Times in New York Town
94: Stealin’ (traditional, arranged by the Memphis Jug Band)
95: Poor Lazarus (traditional)
96: I Ain’t Got No Home (Woody Guthrie)
97: It’s Hard to Be Blind (traditional)
98: Dink’s Song (traditional, arranged by John & Alan Lomax)
99: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
100: Story of East Orange
101: Naomi Wise (traditional)
102: Wade in the Water (traditional)
103: I Was Young When I Left Home
104: In the Evening (Brownie McGhee)
105: Baby Let Me Follow You Down (Eric von Schmidt)
106: Sally Gal (Woody Guthrie)
107: Gospel Plow (traditional, arranged by Bob Dylan)
108: Long John (traditional)
109: Cocaine Blues (traditional, arranged by Reverend Gary Davis)
110: VD Blues (Woody Guthrie)
111: VD Waltz (Woody Guthrie)
112: VD City (Woody Guthrie)
113: VD Gunner’s Blues (Woody Guthrie)
114: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
115: Ramblin’ Round (Woody Guthrie)
116: Black Cross (Lord Buckley)
The following people thank Ron Nasty for this post:
Beatlebug"I only said we were bigger than Rod... and now there's all this!" Ron Nasty
To @ Ron Nasty it's @ mja6758
The Beatles Bible 2020 non-Canon Poll Part One: 1958-1963 and Part Two: 1964-August 1966
5.40pm
15 November 2018
Offline Taking a break from the Bowie to listen to ATMP and I’m so glad I did.
The following people thank 50yearslate for this post:
BeatlebugLove one another.
- - -
(I'm Fiddy, not Walrian)
- - -
2018:
2019: 
2020:
6.03pm
15 March 2017
Offline Anonymous by Tomahawk.
And in the end the lunch you take is equal to the lunch you bake.
9.05pm
Moderators
15 February 2015
Offline 50yearslate said
Taking a break from the Bowie to listen to ATMP and I’m so glad I did.
One is always glad to listen to ATMP . 
I did earlier as well, though in my case it was a break from an endless rotation of Bowie and Zeppelin. (I think Led Zeppelin is my favourite band at the moment. 
Don’t worry, I’ll get over it momentarily… I think 
)
The following people thank Beatlebug for this post:
vonbontee([{BRACKETS!}])
New to Forumpool? You can introduce yourself here.
If you love The Beatles Bible, and you have adblock, don't forget to white-list this site! 
10.12pm
15 March 2017
Offline Oddfellows by Tomahawk.
And in the end the lunch you take is equal to the lunch you bake.
12.22am
19 December 2018
Offline Vampire Weekend’s new album Father of the Bride. Their last album is a favourite of mine in this decade, and I’ve been eagerly looking forward for this one!
A girl with kaleidoscope eyes...
12.30am
15 March 2017
Offline The M.E.A.T/Curtain Call single by Tomahawk.
And in the end the lunch you take is equal to the lunch you bake.
1.09am
1 December 2009
Offline Beatlebug, you’ll rotate the Beatles and Bowie and Zep and ______ and ______ forever, I suspect!
I was listening to a couple of the albums I posted about purchasing earlier, not gonna say which ones…
The following people thank vonbontee for this post:
BeatlebugGEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
9.38am
25 December 2017
Offline Cemetry Gates by The Smiths
"Dinner with Delores Must be some kind of sin
Like a Brontosaurus She was packin' it in" -Prince
3.23pm
26 January 2017
Offline ScarlettFieldsForever said
Vampire Weekend’s new album Father of the Bride. Their last album is a favourite of mine in this decade, and I’ve been eagerly looking forward for this one!
Is it any good? I really loved the last one too, but I’ve heard mixed things about this new album. Really hoping that it’s good.
Currently trying out a country album I’ve heard loads about but never actually heard.
I've been up on the mountain, and I've seen his wondrous grace,
I've sat there on the barstool and I've looked him in the face.
He seemed a little haggard, but it did not slow him down,
he was humming to the neon of the universal sound.
9.59pm
19 December 2018
Offline 
Unlike the complex musical arrangements in Modern Vampires, the new album tends to be simply great. It’s kinda like Sgt. Pepper versus White Album . Maybe it lacks those glorious fragments in the last one, but I still enjoy Ezra Koenig’s songwriting and vocal. I’m currently giving it a second listen.
The following people thank ScarlettFieldsForever for this post:
QuarryManA girl with kaleidoscope eyes...
10.04pm
Reviewers
17 December 2012
Offline I said yesterday
Just starting a Dylan Marathon with 1961…The Home of Bob and Sid Gleason
East Orange, New Jersey; February or March 19611: San Francisco Bay Blues (Jessie Fuller)
2: Jesus Met the Woman at the Well (traditional)
3: Gypsy Davey (traditional, arranged by Woody Guthrie)
4: Pastures of Plenty (Woody Guthrie)
5: Trail of the Buffalo (traditional, arranged by Woody Guthrie)
6: Jesse James (traditional)
7: Car, Car (Woody Guthrie)
8: Southern Cannonball (R Hall/Jimmie Rodgers)
9: Bring Me Back, My Blue-Eyed Boy (traditional)
10: Remember Me (When the Candle Lights Are Gleaming) (traditional)Montewese Hotel (Indian Neck Folk Festival)
Branford, Connecticut; 6 May 196111: Talking Columbia (Woody Guthrie)
12: Hangknot, Slipknot (Woody Guthrie)
13: Talking Fish Blues (Woody Guthrie)unidentified coffeehouse
Minneapolis, Minnesota; May 196114: Ramblin’ Round (Woody Guthrie)
15: Death Don’t Have No Mercy (Reverend Gary Davis)
16: It’s Hard to Be Blind (traditional)
17: This Train Is Bound for Glory (Big Bill Broonzy, arranged by Woody Guthrie)
18: harmonica solo
19: Talking Fish Blues (Woody Guthrie)
20: Pastures of Plenty (Woody Guthrie)
21: This Land Is Your Land (Woody Guthrie)
22: Two Trains Runnin’ (McKinley Morganfield)
23: Wild Mountain Thyme (traditional)
24: Howdido (Woody Guthrie)
25: Car, Car (Woody Guthrie)
26: Don’t Push Me Down (Woody Guthrie)
27: Come See (Woody Guthrie)
28: I Want My Milk (Woody Guthrie)
29: San Francisco Bay Blues (Jesse Fuller)
30: A Long Time a-Growin’ (traditional)
31: Devilish Mary (Bess Lomax Hawes)
32: Railroad Bill (traditional)
33: Will the Circle Be Unbroken (A.P. Carter)
34: Man of Constant Sorrow (traditional)
35: Pretty Polly (traditional)
36: Railroad Boy (traditional)
37: James Alley Blues (Richard Brown)
38: Bonnie, Why’d You Cut My Hair?Riverside Church (12-Hour Hootenanny Special: Saturday of Folk Music)
New York City, New York; 29 July 196139: Handsome Molly (traditional)
40: Naomi Wise (traditional)
41: Poor Lazarus (traditional)
42: Mean Old Southern Railroad (Danny Kalb) *1
43: Acne (Eric von Schmidt) *2*1 Bob Dylan & Danny Kalb
*2 Bob Dylan & Ramblin’ Jack ElliottGaslight Café
New York City, New York; September 196144: Man on the Street
45: He Was a Friend of Mine (traditional)
46: Talking Bear Mountain Picnic Massacre Blues
47: Song to Woody
48: Pretty Polly (traditional)
49: Car, Car (Woody Guthrie) ** Bob Dylan & Dave van Ronk
Studio A, Columbia Recording Studios (Carolyn Hester session)
New York City, New York; 30 September 196150: Swing and Turn Jubilee [take 1] (traditional) *
51: Come Back, Baby [take 1] (traditional) *
52: Come Back, Baby [take 5] (traditional) *
53: Los Biblicos [take 1] (traditional) *
54: I’ll Fly Away [take 1] (Albert E Brumley) *
55: I’ll Fly Away [take 2] (Albert E Brumley) ** Carolyn Hester (Bob on harmonica)
WYNC Radio Studio (Oscar Brand’s Folk Song Festival)
New York City, New York; 29 October 196156: interview (1)
57: Sally Gal (Woody Guthrie)
58: interview (2)
59: The Girl I Left Behind (traditional)Carnegie Chapter Hall
New York City, New York; 4 November 196160: Pretty Peggy-O (traditional)
61: In the Pines (Huddie “Leadbelly” Leadbetter)
62: Gospel Plow (traditional)
63: 1913 Massacre (Woody Guthrie)
64: Backwater Blues (Bessie Smith)
65: A Long Time a-Growin’ (traditional)
66: Fixin’ to Die (Bukka White)
67: Talking Bear Mountain Picnic Massacre Blues
68: Man on the Street
69: This Land Is Your Land (Woody Guthrie)
70: Talking Merchant Marine (Woody Guthrie)
71: Black Cross (Lord Buckley)
72: Freight Train Blues (John Lair)
73: Song to Woody
74: Talkin’ New YorkStudio A, Columbia Recording Studios
New York City, New York; 20 November 196175: You’re No Good [take 5] (Jesse Fuller)
76: Fixin’ to Die [take 3] (Bukka White)
77: He Was a Friend of Mine [take 2] (traditional)
78: House of the Risin’ Sun [take 3] (traditional)
79: Talkin’ New York [take 2]
80:Song to Woody [take 2]
81: Baby Let Me Follow You Down [take 1] (Eric von Schmidt)
82: In My Time of Dyin’ [take 1] (traditional)Studio A, Columbia Recording Studios
New York City, New York; 22 November 196183: Man on the Street [take 2]
84: Man of Constant Sorrow [take 4] (traditional, arranged by Bob Dylan)
85: Pretty Peggy-O [take 2] (traditional)
86: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
87: Gospel Plow [take 1] (traditional, arranged by Bob Dylan)
88: Highway 51 [take 1] (traditional, arranged by Bob Dylan)
89: Freight Train Blues[take 1] (John Lair)
90: House Carpenter [take 1] (traditional)The Home of Bonnie Beecher
Minneapolis, Minnesota; 22 December 196191: Candy Man (traditional, arranged by Reverend Gary Davis)
92: Baby Please Don’t Go (Big Joe Williams)
93: Hard Times in New York Town
94: Stealin’ (traditional, arranged by the Memphis Jug Band)
95: Poor Lazarus (traditional)
96: I Ain’t Got No Home (Woody Guthrie)
97: It’s Hard to Be Blind (traditional)
98: Dink’s Song (traditional, arranged by John & Alan Lomax)
99: Man of Constant Sorrow (traditional, arranged by Bob Dylan)
100: Story of East Orange
101: Naomi Wise (traditional)
102: Wade in the Water (traditional)
103: I Was Young When I Left Home
104: In the Evening (Brownie McGhee)
105: Baby Let Me Follow You Down (Eric von Schmidt)
106: Sally Gal (Woody Guthrie)
107: Gospel Plow (traditional, arranged by Bob Dylan)
108: Long John (traditional)
109: Cocaine Blues (traditional, arranged by Reverend Gary Davis)
110: VD Blues (Woody Guthrie)
111: VD Waltz (Woody Guthrie)
112: VD City (Woody Guthrie)
113: VD Gunner’s Blues (Woody Guthrie)
114: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
115: Ramblin’ Round (Woody Guthrie)
116: Black Cross (Lord Buckley)
…now I move into 1962 and Folksinger’s Choice…
WBAI Studios (Folksinger’s Choice)
New York Town, New York; 13 January 1962
117: Lonesome Whistle Blues (Hank Williams/Jimmy Davis)
118: Fixin’ to Die (Bukka White)
119: Smokestack Lightning (Howlin’ Wolf)
120: Hard Travelin’ (Woody Guthrie)
121: The Death of Emmett Till
122: Standing on the Highway
123: Roll On, John (traditional, arranged by Bob Dylan)
124: Stealin’ (traditional, arranged by the Memphis Jug Band)
125: Long Time Man (traditional, arranged by Alan Lomax)
126: Baby Please Don’t Go (Big Joe Williams)
127: Hard Times in New York Town
The Home of Eve and Mac MacKenzie
New York City, New York; 29 January 1962
128: Hard Times in New York Town
129: The Death of Emmett Till
unknown studio (Leeds Music demos)
New York City, New York; February 1962
130: Hard Times in New York Town
131: Poor Boy Blues
132: Ballad for a Friend
133: Rambling, Gambling Willie
134: Man on the Street
135: Talking Bear Mountain Picnic Massacre Blues
136: Standing on the Highway
Webster Hall (Harry Belafonte session)
New York City, New York; 2 February 1962
137: Midnight Special [take 19] (traditional) *
138: Midnight Special [take 20] (traditional) *
* Harry Belafonte (Bob on harmonica)
Cue Recording Studios (Victoria Spivey session)
New York City, New York; 2 March 1962
139: Sittin’ on Top of the World (Big Joe Williams) *
140: Wichita (Big Joe Williams) *
141: Big Joe, Dylan and Victoria (Big Joe Williams) *
142: It’s Dangerous (Victoria Spivey) *
* Victoria Spivey, Big Joe Williams & Bob Dylan
Gerde’s Folk City
New York City, New York; 16 April 1962
143: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
144: Talkin’ New York
145: Corrina Corrina (traditional, arranged by Bob Dylan)
146: Deep Ellem Blues (Joe & Bob Attlesay)
147: Blowin’ in the Wind
Studio A, Columbia Recording Studios
New York City, New York; 24 April 1962
148: Going to New Orleans [take 1] (traditional)
149: Going to New Orleans [take 2] (traditional)
150: Sally Gal [take 1] (Woody Guthrie)
151: Sally Gal [take 2] (Woody Guthrie)
152: Sally Gal [take 3] (Woody Guthrie)
153: Rambling, Gambling Willie [take 1]
154: Rambling, Gambling Willie [take 3]
155: Corrina Corrina [take 1] (traditional, arranged by Bob Dylan)
156: Corrina Corrina [take 2] (traditional, arranged by Bob Dylan)
157: The Death of Emmett Till [take 1]
158: Talking John Birch Paranoid Blues [take 3]
159: (I Heard That) Lonesome Whistle [take 2] (Hank Williams/Jimmie Davies)
Studio A, Columbia Recording Studios
New York City, New York; 25 April 1962
160: Rocks and Gravel [take 2]
161: Rocks and Gravel [take 3]
162: Let Me Die in My Footsteps [take 1]
163: Let Me Die in My Footsteps [edit of take 1]
164: Talkin’ Hava Negiliah Blues [take 1]
165: Sally Gal [take 1] (Woody Guthrie)
166: Sally Gal [take 2] (Woody Guthrie)
167: Baby Please Don’t Go [take 1] (Big Joe Williams)
168: Baby Please Don’t Go [take 3] (Big Joe Williams)
169: Milk Cow’s Calf’s Blues [take 1] (Robert Johnson)
170: Milk Cow’s Calf’s Blues [take 3] (Robert Johnson)
171: Wichita (Going to Louisiana) [take 1]
172: Talking Bear Mountain Picnic Massacre Blues [take 3]
173: Milk Cow’s Calf’s Blues [take 4] (Robert Johnson)
174: Wichita (Going to Louisiana) [take 2]
WBAI Studios (Broadside show)
New York City, New York; May 1962
175: Ballad of Donald White
176: The Death of Emmett Till
177: Blowin’ in the Wind *
* Bob Dylan with Gil Turner, Pete Seeger & Sis Cunningham
Witmark Studio (Witmark demo)
New York City, New York; July 1962
178: Blowin’ in the Wind
Finjan Club
Montreal, Quebec, Canada; 2 July 1962
179: The Death of Emmett Till
180: Stealin’ (traditional, arranged by the Memphis Jug Band)
181: Hiram Hubbard (traditional)
182: Blowin’ in the Wind
183: Rocks and Gravel
184: Quit Your Low Down Ways
185: He Was a Friend of Mine (traditional)
186: Let Me Die in My Footsteps
187: Two Trains Runnin’ (McKinley Morganfield)
188: Ramblin’ on My Mind (Robert Johnson)
189: Blues Yodel No. 8 (Jimmie Rodgers/G. Vaughan)
Studio A, Columbia Recording Studios
New York City, New York; 9 July 1962
190: Baby, I’m in the Mood for You [take 2]
191: Baby, I’m in the Mood for You [take 3]
192: Blowin’ in the Wind [take 1]
193: Blowin’ in the Wind [take 2]
194: Blowin’ in the Wind [take 3]
195: Quit Your Low Down Ways [take 1]
196: Honey, Just Allow Me One More Chance (Henry Thomas/Bob Dylan)
197: Down the Highway
198: Worried Blues [take 1] (Hally Wood)
199: Worried Blues [take 2] (Hally Wood)
200: Baby, I’m in the Mood for You [take 4]
201: Bob Dylan’s Blues [take 1]
202: Bob Dylan’s Blues [take 2]
Carnegie Hall (Carnegie Hall Hootenanny)
New York City, New York; 22 September 1962
203: Sally Gal (Woody Guthrie)
204: Highway 51 (Curtis Jones)
205: Talking John Birch Paranoid Blues
206: Ballad of Hollis Brown
207: A Hard Rain ‘s a-Gonna Fall
The Home of Eve and Mac MacKenzie
New York City, New York; September 1962
208: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
209: Ballad of Donald White
210: A Hard Rain ‘s a-Gonna Fall
211: unidentified instrumental
WBAI Studios (Billy Faier Show)
New York City, New York; October 1962
212: Baby Let Me Follow You Down (Eric von Schmidt)
213: Talking John Birch Paranoid Blues
214: The Death of Emmett Till
215: Make Me a Pallet on Your Floor (traditional)
Gaslight Café
New York City, New York; 15 October 1962
216: Barbara Allen (traditional)
217: A Hard Rain ‘s a-Gonna Fall
218: Don’t Think Twice, It’s All Right
219: Black Cross (Lord Buckley)
220: No More Auction Block (traditional)
221: Rocks and Gravel
222: Moonshiner (traditional)
223: John Brown
224: Ballad of Hollis Brown
225: See That My Grave Is Kept Clean (Blind Lemon Jefferson)
226: Cocaine Blues (traditional, arranged by Reverend Gary Davis)
227: The Cuckoo Is a Pretty Bird (traditional)
228: Ain’t No More Cane (Huddie “Leadbelly” Leadbetter)
229: Motherless Children (traditional)
230: Handsome Molly (traditional)
231: Kindhearted Woman Blues (Robert Johnson)
232: West Texas (traditional)
Studio A, Columbia Recording Studios
New York City, New York; 26 October 1962
233: Corrina Corrina [take 2] (traditional, arranged by Bob Dylan)
234: Corrina Corrina [take 3] (traditional, arranged by Bob Dylan)
235: Corrina Corrina [take 4] (traditional, arranged by Bob Dylan)
236: That’s All Right Mama [take 1] (Arthur Crudup)
237: That’s All Right Mama [take 3] (Arthur Crudup)
238: That’s All Right Mama [take 5] (Arthur Crudup)
239: Mixed-Up Confusion [take 1]
240: Mixed-Up Confusion [take 3]
241: Corrina Corrina [take 7] (traditional, arranged by Bob Dylan)
Folkways Studios (Broadside demos)
New York City, New York; circa October 1962
242: I’d Hate to Be You on That Dreadful Day
243: Oxford Town
244: Paths of Victory
245: Walkin’ Down the Line
Witmark Studio (Witmark demo)
New York City, New York; November 1962
246: Long Ago Far Away
Studio A, Columbia Recording Studios
New York City, New York; 1 November 1962
247: Mixed-Up Confusion [take 1]
248: Mixed-Up Confusion [take 2]
249: Mixed-Up Confusion [take 4]
250: Mixed-Up Confusion [take 5]
251: Mixed-Up Confusion [take 6]
252: That’s All Right Mama (Arthur Crudup) [take 1]
253: Rocks and Gravel [take 1]
254: Rocks and Gravel [take 2]
Studio A, Columbia Recording Studios
New York City, New York; 14 November 1962
255: Mixed-Up Confusion [take 10]
256: Mixed-Up Confusion [take 13]
257: Mixed-Up Confusion [take 15]
258: Don’t Think Twice, It’s All Right [take 1]
259: Ballad of Hollis Brown [take 2]
260: Kingsport Town [take 1]
261: Kingsport Town [take 2]
262: Whatcha Gonna Do [take 1]
Studio A, Columbia Recording Studios
New York City, New York; 6 December 1962
263: Hero Blues [take 1]
264: Whatcha Gonna Do [take 1]
265: Oxford Town [take 1]
266: I Shall Be Free [take 2]
267: I Shall Be Free [take 4]
268: I Shall Be Free [take 5]
269: Hero Blues [take 2]
270: Hero Blues [take 4]
271: A Hard Rain ‘s a-Gonna Fall [take 1]
Witmark Studio (Witmark demos)
New York City, New York; December 1962
272: A Hard Rain ‘s a-Gonna Fall
273: Tomorrow Is a Long Time
274: The Death of Emmett Till
275: Let Me Die in My Footsteps
276: Ballad of Hollis Brown
277: Quit Your Low Down Ways
278: Baby, I’m in the Mood for You
The following people thank Ron Nasty for this post:
Beatlebug, vonbontee"I only said we were bigger than Rod... and now there's all this!" Ron Nasty
To @ Ron Nasty it's @ mja6758
The Beatles Bible 2020 non-Canon Poll Part One: 1958-1963 and Part Two: 1964-August 1966
4.39am
26 January 2017
Offline ScarlettFieldsForever said
Great, I’ll check it out when I get the chance.
I've been up on the mountain, and I've seen his wondrous grace,
I've sat there on the barstool and I've looked him in the face.
He seemed a little haggard, but it did not slow him down,
he was humming to the neon of the universal sound.
3.21pm
15 November 2018
Offline I’ve been listening to Heathen on repeat all morning.
all.
morning.
I must be on my seventh listen now at the very least.
The following people thank 50yearslate for this post:
BeatlebugLove one another.
- - -
(I'm Fiddy, not Walrian)
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2018: 2019: 2020:
3.47pm
30 April 2019
Offline I slept to The Night Before on repeat
The following people thank Tangerine for this post:
Beatlebug5.27pm
9 March 2017
Offline The George Martin Orchestra’s Off The Beatles Track. It’s kind of embarrassing listening to orchestral music but i must admit, George Martin makes orchestral music fun by including modern instruments like the electric guitar and drum kit that aren’t typically seen in orchestras. It’s like The Beatles had an influence on his music in the same way he had an influence on theirs.
The following people thank Dark Overlord for this post:
TangerineIf you're reading this, you are looking for something to do.
6.15pm
Moderators
27 November 2016
Offline Dark Overlord said
The George Martin Orchestra’s Off The Beatles Track. It’s kind of embarrassing listening to orchestral music but i must admit, George Martin makes orchestral music fun by including modern instruments like the electric guitar and drum kit that aren’t typically seen in orchestras. It’s like The Beatles had an influence on his music in the same way he had an influence on theirs.
nothing should be embarrassing if you enjoy it. What could there possibly be to be embarrassed about by liking it?
The following people thank The Hole Got Fixed for this post:
50yearslate, vonbontee#AppleHoley2024: Make America Great For The First Time
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