5.22pm
5 December 2019
Dingle Lad said
Turn it up but not too loud.
@lovelyritametermaid
I know @meanmistermustard approves
Oh, this cover is so beautiful Ngl, it almost brought me to tears. I’d say close your eyes, put in headphones, and turn it all the way up to drown out the world
(I also took a listen to “Return of the Grievous Angel” and plan on listening to the rest of the album later. Thanks for introducing me, @Dingle Lad )
Edit: quoted the post for the new page
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Von Bontee"....When I cannot sing my heart, I can only speak my mind...."
"....This ain't no party, this ain't no disco, this ain't no fooling around...."
||She/They ||
9.06pm
11 April 2016
1.48am
28 February 2020
12.52pm
14 December 2009
8.37pm
28 February 2020
11.37am
14 December 2009
Parliament’s original version does it for me, I like the song better as an uptempo funky rocker. I suspect that George Clinton’s decision to remake “Pussycat” at half-tempo was influenced by the need to pad out “America Eats Its Young”‘s double vinyl. Turn Parliament up three, and Funkadelic up one.
Paul: Yeah well… first of all, we’re bringing out a ‘Stamp Out Detroit’ campaign.
4.15pm
26 January 2017
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Von BonteeI've been up on the mountain, and I've seen his wondrous grace,
I've sat there on the barstool and I've looked him in the face.
He seemed a little haggard, but it did not slow him down,
he was humming to the neon of the universal sound.
8.05pm
11 April 2016
1.10am
28 February 2020
11.28am
14 December 2009
11.38am
5 December 2019
12.30pm
25 December 2017
12.58pm
8 August 2019
2.22pm
14 December 2009
Clerefor Sede said
Any hip hop heads?
I love a decent amount of hiphop (more accurate to call it ‘rap’) especially from the 80s/90s so-called “golden age”, but I didn’t like that much, aside from some of the samples. So I checked out “Donuts”, and now it kinda makes sense in context. But it still isn’t something I’d listen to very often, if at all. I’m a middle aged fart who isn’t equipped to appreciate instrumental hip-hop; it feels kinda synthetic without a human voice at the mic. QuarryMan probably likes it a lot…Leave it where it is.
(Song starts about 2:10, sorry)
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JulesPaul: Yeah well… first of all, we’re bringing out a ‘Stamp Out Detroit’ campaign.
3.10pm
26 January 2017
The following people thank QuarryMan for this post:
Von Bontee, JulesI've been up on the mountain, and I've seen his wondrous grace,
I've sat there on the barstool and I've looked him in the face.
He seemed a little haggard, but it did not slow him down,
he was humming to the neon of the universal sound.
4.34pm
28 February 2020
10.50pm
28 February 2020
Not sure if there is a rule about following yourself, but I was just wanting to get everyone’s opinion on this song. I greatly prefer Paul’s demo that appears on the Abbey Road Super Deluxe. But Mary sure is a looker though isn’t she?
What is happening? And tell me how you've been.
5.49pm
24 March 2014
7.12pm
28 February 2020
7.13pm
1 December 2009
Who in this forum would DARE turn down Ringo’s and Klaus inimitable Dingle-funk stylings, much less John/Yoko and the selfsame birdies from “Good Morning, Good Morning”? It’s not quite a song, more a tryptich than a collage, but whatever it is it sounds absolutely contemporary. Expert Texpert thinks Yoko’s POB is the better of the pair, and I’m often inclined to agree (until remembering that the tacked-on, unrelated Ornette collab is a HUGE disappointment…) Turn the Plastic Ono Band WAY up please, they’ll be famous someday!
As for Fleetwood Mac, turn Green’s guitar solo up, leave the rest where it is. But I jumped in late, so anyone else feel free to post a different opinion…
Ok its DISCO TIME
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lovelyritametermaidGEORGE: In fact, The Detroit Sound. JOHN: In fact, yes. GEORGE: In fact, yeah. Tamla-Motown artists are our favorites. The Miracles. JOHN: We like Marvin Gaye. GEORGE: The Impressions PAUL & GEORGE: Mary Wells. GEORGE: The Exciters. RINGO: Chuck Jackson. JOHN: To name but eighty.
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