6.37pm
Reviewers
29 November 2012
I love these shows…I was lucky enough to snag the bootleg a few years back that has all 3 Hollywood Bowl shows, unedited, and they are a blast to listen to! (even though Paul’s vocal mic is on the fritz for the first few songs of one of the ’65 shows). What a magical moment those concerts must have been.
Eubanks and the other MC were annoying as hell, though…if I have to hear them call the crowd “HULLABALOOERS!” one more time, I’m gonna punch something!
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2.20pm
8 November 2012
WogBlog article on a rumored “Beatles Live Project” featuring remastered Hollywood Bowl audio.
parlance
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22 December 2013
Thanks to parlance for the linkage, I’m a little puzzled at this excerpt though:
“Baby’s In Black ” from the 1965 Hollywood Bowl concert was finally issued as the B-Side of the 1996 “Real Love ” single, splicing together John’s spoken introduction from the 29th of August followed by the performance of the song from the 30th.
I thought that this particular version was from the Shea Stadium show, did they use the Hollywood Bowl version for the Shea film? ala ‘Act Naturally ‘ where the same film dubbed in the studio version? or, is it just a simple mistake made by the author?…:-)
4.35pm
Reviewers
Moderators
1 May 2011
The article is correct, ‘BiB’ on the ‘Real Love ‘ single is from Hollywood Bowl. The version in the Shea film is from Shea but with a re-recorded bass part by Paul. ‘Twist And Shout ‘ was substituted with the Hollywood Bowl performance.
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6.26pm
28 March 2014
parlance said
WogBlog article on a rumored “Beatles Live Project” featuring remastered Hollywood Bowl audio.parlance
Hope it comes out remastered. Too bad there is no Video to go with it!
BEATLES Music gives me Eargasms!
8.05am
Reviewers
Moderators
1 May 2011
Interesting that Apple had Phil Spector listen to the 1964 show in 1971 to see if he thought it was possible to release it. Presumably he couldnt figure out how to add 47 trumpets, 71 saxophones, 6 drums, 5 triangles and a full choir so decided it wasn’t.
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2.27pm
28 March 2014
meanmistermustard said
Interesting that Apple had Phil Spector listen to the 1964 show in 1971 to see if he thought it was possible to release it. Presumably he couldnt figure out how to add 47 trumpets, 71 saxophones, 6 drums, 5 triangles and a full choir so decided it wasn’t.
And Cowbell!
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6.28pm
Reviewers
Moderators
1 May 2011
Up on Amazon as being scheduled for release on the 9th September 2016 (nod to wogblog).
It will be the original 1977 album with 4 bonus tracks.
Yes, i’m going to moan.
Why on the earth of anything can’t we get a complete concert from 1964 and/or 1965? It’s not that f*****g difficult. 4 bonus tracks!! Woo f*****g hoo!!
And the cover is f*****g horrendous. How f*****g cheap and tacky can you get?
oh
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6.39pm
11 November 2010
6.49pm
Reviewers
Moderators
1 May 2011
Folk will buy it, Apple will make a fortune, nothing will change, we’ll get another half-assed release in 12 years time. Maybe with this release they will at least correct the mistake of having ‘Help !’ and ‘A Hard Day’s Night ‘ being announced as the current film.
My only hope is that we get a deluxe edition with two complete shows (Apple won’t give us the third as there are audio issues at the start of the concert) and a decent cover.
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8.01pm
Reviewers
29 August 2013
8.21pm
10 August 2011
What are the bonus tracks?
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9.01pm
12 November 2015
Well I’m excited for the reissue. Yes, Apple could put way more effort into it, and just give us the complete shows, but I’m rather happy we’re getting it at all. Isn’t the vinyl kinda rare anyway? This will probably be the only way I’ll hear this at all (sans bootlegs).I get excited for just about any Beatles stuff, and I am a part of the newer generation of Beatlemaniacs, so maybe that’s why I’m so excited.
Grooving some cookie spaghetti since 1968.
11.13pm
Reviewers
17 December 2012
If this is the sum total of the audio being released as a “soundtrack” to Ron Howard’s upcoming doc, what a huge disappointment and wasted opportunity.
If that’s the cover (though I suspect it may be just a placeholder advertising both album and film), it’s godawful.
Wasting the opportunity to create an audio release that explores them fully as a live band is criminal.
I suppose it’s still possible that they’ll announce something that works better as a soundtrack nearer the time of the film’s release, holding details back as long as possible because they don’t want to spoil the surprise of the live treats they’ve put together for us… But, as mmm would say, we’re talking about Apple…
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The Beatles Bible 2020 non-Canon Poll Part One: 1958-1963 and Part Two: 1964-August 1966
5.33am
Reviewers
Moderators
1 May 2011
5.37am
Reviewers
Moderators
1 May 2011
Into the Sky with Diamonds said
What are the bonus tracks?
Awaiting the announcement. I’m going for four 2016 dance remixes to the appeal to the youth because music from 1964/5 is not connectable to them.
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7.03am
Reviewers
17 December 2012
Has to be a fair bet that the Baby’s In Black edited together from the 1965 dates and released on the Real Love will be one of the four.
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The Beatles Bible 2020 non-Canon Poll Part One: 1958-1963 and Part Two: 1964-August 1966
8.00am
18 April 2013
The announcement is out. No full concert recordings, but the same tracklisting as the 1977 album plus four bonus tracks (one of which was on the Baby’s In Black single).
Press release:
The Beatles’ Companion Album to New Ron Howard-Directed Feature Documentary Presents Remixed and Mastered Recordings from Three Hollywood Bowl Concerts.
Apple Corps Ltd. and Universal Music Group are pleased to announce global release plans for The Beatles: Live At The Hollywood Bowl, a new album that captures the joyous exuberance of the band’s three sold-out concerts at Los Angeles’ Hollywood Bowl in 1964 and 1965. A companion to The Beatles: Eight Days A Week – The Touring Years, Academy Award®-winner Ron Howard’s authorized and highly anticipated documentary feature film about the band’s early career, The Beatles: Live At The Hollywood Bowl will be released worldwide on CD and for digital download and streaming on September 9, followed by a 180-gram gatefold vinyl LP on November 18. The album includes a 24-page booklet with an essay by noted music journalist David Fricke, and its cover art features a sunny photo taken on August 22, 1964 by The Beatles’ then-U.S. tour manager, Bob Bonis, as John, Paul, George and Ringo boarded a chartered flight from Seattle Tacoma Airport to Vancouver, BC for their first concert in Canada.
Documenting The Beatles’ Hollywood Bowl concerts on tape was no easy feat, as producer Sir George Martin explained in his album notes for 1977’s The Beatles At The Hollywood Bowl: “The chaos, I might almost say panic, that reigned at these concerts was unbelievable unless you were there. Only three track recording was possible; The Beatles had no ‘fold back’ speakers, so they could not hear what they were singing, and the eternal shriek from 17,000 healthy, young lungs made even a jet plane inaudible.”
While The Beatles: Live At The Hollywood Bowl references the long out of print 1977 album, it is an entirely new release, directly sourced from the original three track tapes of the concerts. To preserve the excitement of the shows while unveiling the performances in today’s best available clarity and quality, GRAMMY Award® winning producer Giles Martin and GRAMMY Award® winning engineer Sam Okell have expertly remixed and mastered the recordings at Abbey Road Studios, including the thirteen tracks from the original album produced by Giles’ father, plus four additional, previously unreleased recordings from the momentous concerts.
“A few years ago Capitol Studios called saying they’d discovered some Hollywood Bowl three track tapes in their archive,” says Giles Martin. “We transferred them and noticed an improvement over the tapes we’ve kept in the London archive. Alongside this I’d been working for some time with a team headed by technical engineer James Clarke on demix technology, the ability to remove and separate sounds from a single track. With Sam Okell, I started work on remixing the Hollywood Bowl tapes. Technology has moved on since my father worked on the material all those years ago. Now there’s improved clarity, and so the immediacy and visceral excitement can be heard like never before. My father’s words still ring true, but what we hear now is the raw energy of four lads playing together to a crowd that loved them. This is the closest you can get to being at the Hollywood Bowl at the height of Beatlemania. We hope you enjoy the show…”
Featuring rare and exclusive footage, Ron Howard’s The Beatles: Eight Days A Week – The Touring Years is based on the first part of The Beatles’ career (1962-1966) – the period in which they toured and captured the world’s acclaim. The film is produced with the full cooperation of Paul McCartney , Ringo Starr , Yoko Ono Lennon and Olivia Harrison. The Beatles: Eight Days A Week – The Touring Years touches on the band’s Hollywood Bowl concerts and includes footage of the “Boys ” performance featured on The Beatles: Live At The Hollywood Bowl.
White Horse Pictures’ GRAMMY Award®-winning Nigel Sinclair, Scott Pascucci, and Academy Award® and Emmy Award®-winner Brian Grazer of Imagine Entertainment are producing with Howard. Apple Corps Ltd.’s Jeff Jones and Jonathan Clyde are serving as executive producers, along with Imagine ’s Michael Rosenberg and White Horse’s Guy East and Nicholas Ferrall.
Following a world premiere event in London on September 15, the film will roll out theatrically worldwide with release dates set in the U.K., France and Germany (September 15); the U.S., Australia and New Zealand (September 16); and Japan (September 22). In the U.S., Hulu is the presenting partner for Abramorama’s theatrical release of the film, which will be available to stream exclusively to Hulu subscribers beginning September 17. Studiocanal and PolyGram Entertainment are also anchor partners on the film, having acquired U.K., France, Germany and Australia and New Zealand rights. For more information about the film, visit http://www.thebeatleseightdaysaweek.com.
The Beatles: Live At The Hollywood Bowl track list:
- Twist And Shout [30 August, 1965]
- She’s A Woman [30 August, 1965]
- Dizzy Miss Lizzy [30 August, 1965 / 29 August, 1965 – one edit]
- Ticket To Ride [29 August, 1965]
- Can’t Buy Me Love [30 August, 1965]
- Things We Said Today [23 August, 1964]
- Roll Over Beethoven [23 August, 1964]
- Boys [23 August, 1964]
- A Hard Day’s Night [30 August, 1965]
- Help ! [29 August, 1965]
- All My Loving [23 August, 1964]
- She Loves You [23 August, 1964]
- Long Tall Sally [23 August, 1964]
- You Can’t Do That [23 August, 1964 – previously unreleased]
- I Want To Hold Your Hand [23 August, 1964 – previously unreleased]
- Everybody’s Trying To Be My Baby [30 August, 1965 – previously unreleased]
- Baby’s In Black [30 August, 1965 – previously unreleased] [sic]
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