Let It Be remix and expanded editions announced
The Beatles’ final album Let It Be is to be reissued on 15 October 2021 in a range of formats, […]
Let It Be
Peter Jackson’s documentary The Beatles: Get Back delayed till 2021
Peter Jackson’s long-awaited Beatles documentary, The Beatles: Get Back, has been delayed until 2021, according to its worldwide distributor Disney.
Album release: Let It Be… Naked
Let It Be… Naked was an extensively remixed and reworked version of The Beatles’ Let It Be album, presented without
UK première of Let It Be
The Beatles’ final film Let It Be had its British première on this day, with simultaneous screenings in the north
US album release: Let It Be
Ten days after its United Kingdom release, The Beatles’ final LP, Let It Be, was issued in the United States.
UK album release: Let It Be
The Beatles’ final album was released in the UK on this day. Ostensibly the soundtrack to their fifth film, Let
Mixing, editing: The Long And Winding Road, I Me Mine, Across The Universe
Room four, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Peter Bown The final day’s work on The Beatles’ last
Recording: Across The Universe, The Long And Winding Road, I Me Mine
Studio One, Studio Three control room, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Peter Bown Of all Phil Spector’s
Mixing: For You Blue
Room four, EMI Studios, Abbey Road Producer: Phil Spector Engineers: Mike Sheady, Eddie Klein Phil Spector spent much of this
Mixing: Dig It
Room four, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Mike Sheady Phil Spector’s fourth day spent fashioning a usable
Mixing: The Long And Winding Road, Let It Be, Get Back, Maggie Mae
Room four, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Peter Bown Although it would later be subjected to strings,
Mixing: For You Blue, Teddy Boy, Two Of Us
Room four, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Peter Bown Phil Spector’s second day of creating stereo mixes
Mixing, editing: I’ve Got A Feeling, Dig A Pony, One After 909, I Me Mine, Across The Universe – Phil Spector’s first Let It Be session
Room 4, EMI Studios, Abbey Road Producer: Phil Spector Engineer: Peter Bown After two attempts by Glyn Johns at assembling
Mixing: For You Blue
Room 4, EMI Studios, Abbey Road Producer: Malcolm Davies Engineer: Peter Bown Glyn Johns’ two proposed Get Back albums had
Recording, mixing: Let It Be, For You Blue – George Harrison’s final recording session with The Beatles
Olympic Sound Studios, Barnes, London Producer: Glyn Johns This two-hour session away from Abbey Road was ostensibly a remix session
Recording: Let It Be – The Beatles’ last recording session as a group
Studio two, EMI Studios, Abbey Road Producer: George Martin Engineer: Phil McDonald Although there were two further recording sessions for
Recording: I Me Mine
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Phil McDonald Although The Beatles’ last recording session as a
Mixing, editing: Get Back album
Olympic Sound Studios, Barnes, London Producer: Glyn Johns The final Beatles-related studio booking of 1969 was a mixing and editing
Mixing, editing: Get Back album
Olympic Sound Studios, Barnes, London Producer: Glyn Johns When The Beatles decided that the unreleased Get Back album should be
Mixing, master compilation: Let It Be, Get Back album
Studio One, Olympic Sound Studios, London Producer: George Martin Engineer: Glyn Johns This session saw the creation of a stereo