The Beatles live: Nippon Budokan Hall, Tokyo
The Beatles’ long journey to Tokyo ended with their arrival at Haneda Airport at 3.40am on this morning. In the […]
The Beatles’ long journey to Tokyo ended with their arrival at Haneda Airport at 3.40am on this morning. In the […]
Following The Beatles’ unscheduled nine-hour stop in Anchorage, Alaska, their long journey to Tokyo continued.
Following the Hamburg date on their three-stop German tour of 1966, The Beatles began their long journey to Japan.
The Beatles hadn’t been to Hamburg since 1 January 1963, following their final residency at the city’s Star-Club venue. On
In the morning The Beatles were driven in a fleet of Mercedes cars, flanked by police on motorcycles, to Munich
The Beatles’ brief 1966 tour of West Germany, Japan and the Philippines began on this day, with two concerts at
Studio Three (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Recording for the Revolver album had
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Having spent much of the day working on
Studio Three (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick There were three scheduled sessions at
Studio One (control room), EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Work on ‘Got To Get You
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The recording of two Revolver songs was completed
In an attempt to protect his earnings from the taxman, Paul McCartney’s financial advisors suggested he invests in property. On
Although by June 1966 it had been running for over two years, The Beatles had never before appeared live on
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Although they had begun recording ‘Here, There And
Yesterday… And Today, one of The Beatles’ most controversial releases, came out in America on 15 June 1966. The album
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The backing track for one of Paul McCartney’s
The Beatles’ 12th Parlophone single was their lowest-seller since ‘Love Me Do’.
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The recording of ‘Good Day Sunshine’, which had
Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick The backing track for Paul McCartney’s song ‘Good
Studio Three, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick Mono mixes of four Revolver songs were made