Studio Three, EMI Studios, Abbey Road
Producer: George Martin
Engineer: Geoff Emerick
The first session for The Beatles’ Revolver took place on this day, with three takes of John Lennon’s remarkable ‘Tomorrow Never Knows’.
The session took place in studio three at EMI Studios, Abbey Road, and began at 2.30pm. At this time the song had the working title ‘Mark I’.
Although quite different from the final version of ‘Tomorrow Never Knows’, ‘Mark I’ represented a huge leap forward in recording terms for The Beatles. Take one, which was released on 1996’s Anthology 2, sounded quite unlike anything the group had done before – and, indeed, bore little resemblance to contemporary music in general.
6 April 1966 was primarily spent on the song’s rhythm track and vocals. The basis of the final version of ‘Tomorrow Never Knows’ was take three, the last of the day’s attempts.
The rhythm track contained Ringo Starr’s drums, Paul McCartney’s bass guitar and George Harrison’s tambura. Lennon then added his lead vocals, which were fed through a Hammond organ’s Leslie speaker during the second half.
It meant actually breaking into the circuitry. I remember the surprise on our faces when the voice came out of the speaker. It was just one of sheer amazement. After that they wanted everything shoved through the Leslie: pianos, guitars, drums, vocals, you name it!
The Complete Beatles Recording Sessions, Mark Lewisohn
The song’s various tape loops and effects were added on 7 April, and a final overdub containing more vocals, guitar, organ, tambourine and piano was made on 22 April.
Great ! Classic !
50 years ago today Studio 3 of Abbey Road was filled with new music that would become part of the Revolver album.
One of my favourites. Still sound’s years ahead of its time.
According to Planet Mellotron, “Tomorrow Never Knows” was the first Beatles songs to actually use mellotron sounds. Until I learned this, I used to think that “Strawberry Fields Forever” was the first Beatles recording to use the mellotron.