Studio Two, EMI Studios, Abbey Road
Producer: George Martin
Engineer: Norman Smith
Two sessions took place on this second day’s work on With The Beatles, during which The Beatles recording six songs at Abbey Road’s studio two.
They started work at 10am, recording two songs before finishing at 1.30pm. The first was The Marvelettes’ ‘Please Mister Postman’, the third Motown song taped by The Beatles for the album. The final version was an overdub of take nine onto take seven.
So far all the songs recorded for With The Beatles were cover versions. The first Lennon–McCartney song to be attempted was ‘It Won’t Be Long’, later selected as the album’s opener. The Beatles recorded 10 takes, including two overdubs of the ending, although they decided to return to the song at the following session.
The group left Abbey Road to record two BBC radio appearances in the early afternoon, for the shows Non Stop Pop and Saturday Club. They returned to the studio at 5pm, remaining there until 11pm.
Also on this day...
- 2010: Ringo Starr and his All-Starr Band live: Pend Oreille Pavilion, Airway Heights
- 2003: Ringo Starr and his All-Starr Band live: State Theatre, Easton
- 1989: Ringo Starr and his All-Starr Band live: Pine Knob Music Theatre, Clarkston
- 1969: Recording, mixing: You Never Give Me Your Money, Come Together, Polythene Pam, She Came In Through The Bathroom Window, Golden Slumbers, Carry That Weight, Sun King, Mean Mr Mustard, Her Majesty, The End
- 1968: Recording, mixing: Hey Jude
- 1965: Rehearsals for the North America tour
- 1964: Travel: Stockholm to London
- 1963: Recording: Money, Till There Was You, Roll Over Beethoven, It Won’t Be Long, All My Loving
- 1963: Radio: Non Stop Pop, Saturday Club
- 1962: The Beatles live: St John’s Hall, Bootle
- 1962: The Beatles live: Cavern Club, Liverpool (lunchtime)
- 1961: The Beatles live: Blair Hall, Liverpool
- 1960: The Silver Beetles live: Grosvenor Ballroom, Wallasey
Want more? Visit the Beatles history section.
Along with Soldier of Love, Please Mr. Postman is my favorite cover—exceptional harmonies and great engineering by “Hurricane” Smith.